The Power of Emotions Jarrett J. Krosoczka presented his speech, “Why Lunch Ladies are Heroes”, at a Technology, Entertainment and Design (TED) Talk in July of 2014. His presentation was driven by the purpose to convince his highly intelligent audience of the importance of childhood lunch ladies and the gratitude that should come their way. Krosoczka passion for lunch ladies began when he met with his own childhood lunch lady, Jeannie whom remembered him despite his status as a fifth grader the last time she saw him. Inspired by his interaction with Jeannie he wrote a series of children’s graphic novels with the school lunch lady as the main hero. This series paved the way for a School Lunch Hero Day where students nationwide could celebrate …show more content…
the lunch staff in their life. Krosoczka does a fantastic job of promoting the praiseworthy work that lunch ladies do, convincing his audience through personal anecdotes and a well-structured arrangement of ideas. The utilization of personal stories garnered emotional appeals also known as pathos, and effectively helped Krosoczka establish the argument that lunch ladies are heroes to his audience. He periodically reflects on his past experiences with his own lunch ladies, or lunch staff that he has met since he developed his program celebrating their work. His interactions with Jeannie, particularly giving her artwork at his novel’s release party, considerably help support his argument, and Krosoczka pulls at the heartstrings of his audience when he reflects on Jeannie’s wake saying, “nothing could have prepared me for what I saw there, because next to her casket was this painting, and her husband told me it meant so much to her and that I had acknowledged her hard work, I had validated what she did” (1). This moment emotionally resonates with the audience because of the vulnerability Krosoczka shows. He allows the audience a deeper insight into his life and it is likely that many in the audience have had someone close to them pass away. He showed the importance of his work to Jeannie, so the reader automatically sees the positive implications that developed due to Krosoczka’s work. The audience also gets hit with waves of nostalgia, coming from the audience’s memories of their own lunch providers, taking them back to when they were young children and were dependent on these individuals. With these factors combined, the audience is much more open to listening to and even acting upon the information they are presented with, proving Krosoczka’s effectiveness as a speaker. Krosoczka’s reliance on emotional appeals mixed with his approachable language allows an earnest and somewhat whimsical tone to develop.
The dependence on anecdotes forces the audience to reflect on their own lives and makes Krosoczka seem honest and open, a person who they can trust and relate to. Nearly everything he says strikes at the emotions of the audience, causing them to let their guards down, a deliberate choice by Krosoczka. This is especially noticeable when he reflects on his meeting with Jeannie saying, “My lunch lady had grandkids, and therefore kids, and therefore left school at the end of the day? I thought she lived in the cafeteria with the serving spoons. I had never thought about any of that before” (1). He thinks back to his own thought process in elementary school and realized that causing his audience to look fondly back on their own elementary school experiences, when the majority have aged long past that point in their lives, would allow nostalgia to brew to the surface. This nostalgia is the driving force in convincing his audience of the importance of lunch staff’s work and the gratitude that should be expressed for their work. If this factor were not present Krosoczka would likely get much less support, as the audience would view it as just another charity. Also because the majority of his speech is personal stories and Krosoczka is a children’s book author, he has credibility that makes the audience believe in his cause …show more content…
more. The content of Krosoczka’s speech is not the only element that adds to his argument, as the careful arrangement of his ideas allows the most considerable impact upon his audience.
His speech effortlessly flows from him meeting his elementary lunch lady Jeannie, to the creation of his graphic novel series, and the widespread effect the series has had on elementary schools around the country. This style eases the audience into the main message, allowing them to have time to get used to Krosoczka before being thrust into a world of facts and statistics. This also allows the reader to see the widespread effects caused by his simple meeting with Jeannie therefore convincing the audience of the broad improvements caused by small changes. Another way he persuades his audience is as he reflects on his experiences both in elementary school and the success of his program the audience reflects on their past as well. This vastly improves his argument, convincing his audience of the validity of his cause by showing the efforts he
took. Krosoczka’s passion for the work of lunch staff nationwide is driven not only by the structure, but also the informal, yet conventional word choice. The language follows the proper mechanics of the English language but also has a sincerity to it that is not typically associated with formal language. Krosoczka directly references the audience saying, “I hope that you”(2) and even refers to the audience and himself in the same context saying, “They’re feeding our children”(2). Saying the words “you” or “our” is not considered formal, however, it does help develop the personal attitude that Krosoczka depends on to argue for the gratitude of school lunch staff. This helps him relate to his audience, making them reminiscent about their own childhoods, causing various types of emotions for the audience in the process. There does not seem to be any deliberate repetition throughout the speech as the most used phrase “lunch lady” is only used to remind the audience of the subject. Krosoczka instead favors repeating his message in different ways, finding that in order for his audience to pay attention he must be interesting. Krosoczka truly relies on casual language to connect with his audience and break through to their memories, garnering sympathy in the process. Despite effectively utilizing emotional appeals and having a true connection with the audience through his friendly and laid-back demeanor, Krosoczka assumes that his audience is from the United States and had lunch ladies during their education process. This hasty generalization excludes those who were homeschooled, brought lunch from home, or live outside of the United States. The alienation of these groups leaves some of the audience disinterested as they did not experience the typical American lunch, meaning they have no reason to thank elementary lunch staff. He also assumes that everyone had positive experiences with lunch staff when some people could have had a horrible lunch lady that scarred them for life. This does not completely distract from Krosoczka’s argument and the majority of readers easily ignore this error. They are instead focused primarily on his strengths, particularly his real life examples about the heroism of lunch ladies including, “Ms. Brenda in California, who keeps a close eye on every student that comes through her line and then reports back to the guidance counselor if anything is amiss”(Krosoczka 1). These stories are the true driving force in convincing the audience of Krosoczka’s cause, as without them his speech would feel empty of the passion that started his mission. His reputation as a successful children’s book author who often interacts with students leaves the audience more susceptible to listening to him as they view him as an authority on the happenings in the elementary age group. Krosoczka also established common ground with his audience, using the shared experiences of elementary school life where the majority of people had someone on the lunch staff who was important to them. The aforementioned use of “our” and “you” also establishes common ground as he directly references the audience, showing the care he has for them. Through easy flowing structure and a reliance on personal stories that garners emotions from his audience, Jarrett J. Krosoczka effectively convinces his audience to show gratitude for the extraordinary work lunch staff does on a daily basis. The reliance on pathos, emotional appeals, allows the audience to think back to their own childhoods and how even the smallest of interactions had great positive effects. He thoroughly convinces his audience by forcing them to reflect on their lives and by appealing to the fact that the majority of people grew up with a school lunch staff member that they still think of from time to time. Krosoczka’s emphasis on emotions and being seen as an informal and welcoming man truly convinces the audience of the need for lunch staff nationwide, making his message spread even further.
She uses ethos in every paragraph, which helps her to increase the credibility of her ideas. The most obvious example is in the first paragraph, she illustrates three statements by two famous people and an organization: Thomas Friedman, Rachel Dresbeck, and Boston’s historic Faneuil Hall, who told readers one thing: chain stores are everywhere, and every place looks the same. Because of the celebrity effect, readers tend to believe this idea. Nevertheless, she also exhibits readers of the good influence examples in the next paragraphs. And these examples of the good influence are true stories rather than only theories. With the popularity of the chain stores, more and more people’s lives become better. That makes readers accept the advantages of the chain stores are more than their disadvantages without
In this speech he expresses the significance of creating comics for children and how comic books have evolved into a much more sophisticated nonrelation to children industry. This is where producers and illustrators can express themselves through art and other near adult expressions. The gory and dark themes of today comics appeal themselves to a more adult audience However, in this process the audience for children has resulted in a loss. He wants the comic industry to bring it back to the children. His solution is this: to give children stories to hold on to. To let the imagination of children, soar to new heights with stories
He argues that adults in society have chosen this path for themselves and their children by training their children to be busy. Furthermore, that adults desire for their children to remain busy rather than giving their children free time to develop memories of play to draw upon the rest of their lives. Moreover, Kreider continues his argument by telling the reader that as a society of busy people, we value living to work. He tells a story about a friend who left the hustle and bustle of New York to move to an artist apartment in the south of France. Kreider expressed how his friend changes when she moved. This friend discovered that the pressured environment of NYC had made her believe that “her personality—driven, cranky, anxious, and sad” were her not a result of her way of living but instead believe that it was who she was. Whereas now that she lived in France in a different working culture that she was able to get her work done while having time to hand out with friends at a café every
...inues to inspire writers and children across the globe to continue their love for reading and writing no matter the circumstances or obstacles they may face in life (Zietman).
Riis demonstrates and shows his audience that a writer can make simple changes to their text to change the impact of what he or she is talking about and continue to always have their readers’ attention.
At a housekeeping job, Ehrenreich works with Carlie, and Ehrenreich thinks that the bag of hot dog buns that Carlie carries around is something she finds in one of the rooms while cleaning. Ehrenreich later discovers it is, “not trash salvaged from a checkout” (44), but it is Carlie’s lunch for the day. Ehrenreich displays how the reality of low working class can be unimaginable, based on Carlie’s lunch of hot dog buns. Working at The Maids, Ehrenreich often experiences similar situations. Ehrenreich notes, “we grab lunch - Doritos for Rosalie” (80). Rosalie does not have an actual lunch, she could only afford a bag of doritos. What she didn’t eat that day of the Doritos will be her lunch for the next day. Ehrenreich creates sympathy for Rosalie, because she spreads out one small bag of doritos for her lunch for two days. The same day, Ehrenreich encounters young women whose “lunch consists of a “pizza pocket”” (78). The pizza pocket was not an actual pizza, it was dough with some tomato sauce on it. It’s devastating that people who are putting in hard back breaking work do not have enough to eat. Ehrenreich would not consider Doritos or “pizza pocket” as her lunch, but as a snack during a break. Other than food expenses, employees have to think about health
He abandons omniscience, the story’s main narration style, and writes in the first-person: “The hero of my story, whom I love with all my heart and soul, whom I have attempted to portray in all his beauty and who has always been, is now and always will be supremely magnificent, is truth” (Tolstoy 109 [1986]). Unlike many literary works, there is no analysis needed in order to uncover Tolstoy’s primary message — he directly expresses to readers that truth is the center of the text. Essentially, the story’s characters, settings, and plot are merely vehicles Tolstoy manipulates to bring him to this final sentence where the central theme is revealed; everything in the piece ties back to the concept and central theme of truth. Some might say this ending degrades the story’s literary appeal because it does not allow for a clean resolution, but in many ways, this proclamation serves as the story’s climax. In this moment, the veil of fiction is lifted away from the reader’s eyes and only then can they see the story clearly.
“At lunchtime, when other kids unwrapped their sandwiches or brought their hot meals, Brian and I would get out a book and read…..I told people that I had forgotten my lunch {but} no one believed me, so I started hiding in the bathroom {stall} during lunch hour….When other girls came in and threw away their lunch bags in the garbage pail, I’d retrieved them and return to the stall and polished of my tasty finds ”
As the story progresses, he notices the interactions between the girls, and he even determines the hierarchy of the small dynamic. He observes their actions and how they affect the patrons of the business. Rather, how the other people view the girl's actions. His thought process is maturing and he starts to see things as an adult might see them.
Jon Scieszka has an original style that is all his own. Many of his books such as The True Story of the 3 Little Pigs, The Stinky Cheese Man and Other Fairly Stupid Tales, and The Frog Prince Continued have led several people to believe that he has created a new genre of children's literature: using unique perspectives to retell classic fairy tales. But what motivated Scieszka to become an author? And how does he come up with his innovative ideas? I will answer these questions by discussing Scieszka's many inspirations including his teaching career, students, and his family.
By doing this, Margaret receives empathy from the audience because the audience may recall a point in their lives where they were faced with similar challenges which were very difficult at the time but now they hold happy associations with those times. For example, Atwood begins her second paragraph with “The year as 1962…It was summer, and I was faced with the necessity of earning the difference between my scholarship for the next year and what it would cost me to live.” This excerpt from her essay is critical to establishing nostalgia because for most young adults, money is a problem and many people can relate to this and they believe that it is the end of the world for them if they cannot make ends meet. However, as one grows older, they come to realize that there will be many more serious problems in life and managing finances as a young adult are among the smallest of problems. Throughout the essay, Margaret continues to retell her challenges such as her uniform misunderstanding, her struggles with the cash register and being harassed by the Greek cook, but she fails to retell any of her successes such as earning enough money or any times when she had dealt with pleasant customers. This helps the author to achieve a nostalgic tone because it reminds the reader that
Sandra's tale brought back much nostalgia for my younger days. Those days when everything was much more simple and happiness came with almost no effort. Cisneros reminds the reader of infantile glee by repeating words, just like a kid would do. She writes, "please, please, please," and "and there! And there!, And there!…" making almost an alliteration of words that realistically depicts the speech of a child ...
This is effective because of her uses of descriptive words like “stark”, and “big, round and gleaming like cartoon jungle boys”. (Smith) These words add images in the reader’s head and when you read the “big, round and gleaming like cartoon jungle boys” (Smith) you get the image of two cartoon characters fighting in puff that cartoon puff of smoke where different parts of body parts pop out of the smoke during the fight and then instantly go back in to the smoke. These words show that the main character thinks this all some cartoon and the whole quote it self shows the reader that there are some sick people in this world, now and in the past that will do horrific things because a person’s skin color is different. If she left those words out and just said that I walked into a dark alley, because its hard to see me, and I beat black man with a pipe, the meaning would not be the same. There is a demonic effect that is parent when you read the quote and her use of imagery makes the main character seem more evil. Also they way she uses dialog in her imagery impact the sense of listening of reader. The part of the quote, “Hey, nigger, Abe Lincoln’s been dead a long time.” (Smith), really adds a more hatred in the interaction. If this line was apparent, the whole quote would not be so strong because the dialog gives the reader
Throughout the book there were two ideas that kept reoccurring: Karl’s comics that he shared with his sister (“Winzig und Spatz”) and also when he realizes that all the people he knew were not who he thinks they were.
In a world dominated by technology, reading novels has become dull. Instead of immersing into books, we choose to listen to Justin Bieber’s new songs and to scroll through Instagram posts. We have come to completely neglect the simple pleasures of flipping through pages and getting to finally finish a story. Sherman Alexie and Stephan King’s essays attempt to revive this interest in books that has long been lost. They remind us of the important role that reading plays in our daily lives. “The Joy of Reading and Writing: Superman and Me,” for instance, demonstrates how being literate saved the narrator from the oppressive nature of society. The author explains that even though he was capable of reading complex books at an astonishingly young