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Chaucer's characterization of women
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On the surface, The Miller’s Tale seems to convey an obvious anti-feminist view of women. The main character, Nicholas, is the protagonist in this story, and suitably detailed. The reader learns of his occupation, a clerk, and that he knew the secrets of love and was “sly and ful privee” (Chaucer 93). Beyond his secretiveness, it is shown that he is interested in the dark arts, something not suitable to his profession, but that give insight into his personality. The readers can look at his actions and interpret the reasons behind them fairly easily. In turn, John the carpenter can be viewed as an antagonist. He is not given as much spotlight as Nicholas and is generally viewed in a less favorable light, despite being a seemingly nice guy. In “Chaucer’s The Miller’s Tale,” R.T. Lambdin describes John as “a God-fearing, hard-working, good man who loves and jealously guards his much younger wife.” These traits are certainly not bad to have, in general. Lambdin continues that he is “naïve and anti-intellectual, but he is not ‘ill-mannered.’” He does, after all, take the time to visit his sick boarder. …show more content…
The readers are not told why she finds Absolon so repulsive compared to Nicholas or why she married someone so much older than her in the first place. Beyond her actual actions in the tale, all the readers are given is a very detailed summary of her appearance. Chaucer is able to spend 35 straight lines describing her slender and delicate body and even her shoes were laced high, but cannot tell us if she has any actual desires or any basic personality traits. In this time period, and in most time periods, a person’s inward disposition was much more important than the outward one. Chaucer, for example, spends much time discussing the Knight’s nature, then talks merely of Squire’s appearance. It is clear, then, that Alison is similarly seen as the less important character and more of another pretty
How Secrecy is Presented in The Miller’s Tale Secrecy is a prominent theme in The Miller’s Tale and Chaucer uses it to not only make the tale more interesting but also to give the characters more depth, or in the case of Alison less depth. The way that secrecy is presented and what effects it has will be discussed. Chaucer introduces the reader to secrecy at the beginning of the tale in The Miller’s Prologue, indicating its importance, ‘An housbande shal not been inqusitif of Goddes privetee,’ and this immediately makes the reader assume that at least one of the characters will in fact be inquisitive of ‘Goddes privetee’ and that there will be secrets in The Miller’s Tale. The element of secrecy is evident in the characters and their descriptions. This is necessary as the characters in the tale are of a fabliau sort and the incorporation of sex with ‘low-life’ characters requires secrecy, and the description sets the tone for the tale.
“I believe that the common man is as apt a subject for tragedy in its highest sense as kings were” ( Tragedy and the Common Man). Arthur Miller follows his Millerian conventions of tragedy in the writing of The Crucible. Often literature uses tragedy to display a depressing theme represented by the tragic hero.
Relationships portrayed by Chaucer’s and Malory's stories show how corrupt women are because they always destroy their relationship due to their self-obsession of getting things they want. Women kept secrets from their husbands because they knew what they were doing was wrong. In the Wife of Bath, the Merchant was oblivious to the fact that
The Salem Witch Trials, Who is Really Guilty? After all of the witch trials in 1692 concluded, a total of 20 people were hanged, all because of people craving attention and personal gain. There are three people depicted in Arthur Miller's The Crucible that are most responsible for this and they are, Abigail Williams, Judge Danforth, and Thomas Putnam. Abigail Williams is mostly responsible for the Salem witch trials because she was the first person to start accusing innocent people of witchcraft.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
In 'The Crucible' by Arthur Miller, John Proctor is the hero of the play. He is a good man, described as being :
Parry, Joseph D. "Interpreting Female Agency and Responsibility in The Miller's Tale and The Merchant's Tale." 80.2 (2001): 133-67. Academic Onefile. Web. 16 May 2013.
Arthur Miller states in his essay, "Tragedy and the Common Man," " . . . we are often held to be below tragedy--or tragedy below us . . . (tragedy is) fit only for the highly placed . . . and where this admission is not made in so many words it is most often implied." However, Miller believes " . . . the common man is as apt a subject for tragedy in its highest sense as kings were" (1021). It is this belief that causes Miller to use a common man, Willie Loman, as the subject of his tragedy, Death of a Salesman. Miller redefines the tragic hero to fit a more modern age, and the product of this redefinition is Willie.
... The Miller portrays Alison as a "wild and young" (205) woman throughout the entire tale, making it clear that she does not respect the relationship with her husband at all. It can also suggest that she is not an angel or the “good wife” that she likes to pretend to be. It is obvious that Alison likes to use her beauty and body in ways to make it easier to obtain the things that she desire just like The Wife of Bath indirectly hints in her tale.
The title page offers an immediate insight into the patriarchal constraints placed on women in early modern England. Although The Tragedy of Mariam is the first known English play to be authored by a woman, the fact that Cary is unable to give her full name is indicative of the limitations on women writers of the period. This semi-anonymous authorship...
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Human connection and relationship are very important in people’s lives. As psychologically proven in researches, people are social animals and they need to socialize. Being connected sometimes can give one a meaning of life and define it. In Barton’s short story, “Short Days, Dog Days” the main character Miller is very distant from his own family, neighbors, and others. When he says “The way I see it, we ain’t got nothing but short days now (89).”
... allows the present day reader to gain insight into commonly held beliefs regarding women during the 14th century. By allowing Alison to have a sense of humor and joke about aspects of her marriage, Chaucer was able to make numerous points regarding women that would not have been acknowledged had a female author created them. By making Alison a laughable character, Chaucer was able to make points about women such as the unfairness of double standards, the acknowledgement of female desire, and the reality of women marrying well to improve their economic situations. Chaucer also provides us with detailed examples of commonly held stereotypes regarding women that are still relevant approximately seven centuries later.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
The sexual references and controversial diction introduces a secular perspective on love. Throughout The Miller’s Tale, attention is brought specifically to the most provocative parts of Alison’s body. Chaucer ensures that the reader notices the wife Alison’s “lecherous eye” and “her loins, all gusseted and pleated” (Chaucer 90). The tale bluntly utilizes terms such as “quim” and “haunches” in reference to Alison’s privates and another man’s desire to have her (Chaucer 91). Furthermore, Chaucer uses animalistic imagery to describe Alison.