In many ways Iago from “Othello” is like the Russian dictator Joseph Stalin. Stalin was a ruthless dictator who murdered many of his own people just to keep power. He was willing to have over 20 million people die for the country he controlled and felt no remorse. Additionally, Stalin starved millions of his own people just to spite his enemies. Whenever Nazi’s advanced into Russian territory, he declared for the Russians to burn all of their crops and homes in that area. Furthermore, Stalin believed that he was better than everyone else. Because of this, he renamed himself Superman. Like Stalin, Iago did many of these things on a smaller scale to gain power. Iago murdered his own wife and many people “close” to him just so he could become …show more content…
For example, when Iago is trying to convince a doubtful Othello of an affair between Desdemona and Cassio, he lies about “ a handkerchief [he’s] sure [is] … [Othello’s] wifes” and claims that he had “see[n] Cassio wipe his beard with [it]” to make Othello jealous. This shows that Iago is singly responsible for this book's tragedy because he’s starting a rumor about what happened to Othello’s handkerchief. Although the reader knows that Iago is lying, Othello doesn’t. This makes him sad and confused about why Desdemona, the women whom he gave the handkerchief to, did this even though Othello had no physical evidence. This illustrates Iago’s guiltiness because if he never lied about the handkerchief, nothing would’ve happened and Othello wouldn't be jealous of Cassio. Furthermore, when Iago warns Othello to be wary of Cassio, he advises him to “encave [him]self, and mark the fleers, the gibes, and notable scorns that dwell in every region of [Cassio’s] face” to make Othello very suspicious of Cassio. From this, it is clear that Iago is totally responsible for Othello’s jealousy. Iago is trying to create distrust between Othello and his wife by warning him that Cassio is having an affair with Desdemona. From this Othello starts to become crazy, he becomes suspicious of Desdemona’s every move and gets angry about unsuspicious acts. This shows that Iago’s …show more content…
When Roderigo, one of Iago’s followers, he makes clear that he hates Othello. They wonder “What a full fortune does the thick lips owe if he can carry’t thus!” In other words, they’re asking what makes someone of Othello’s color so special they can get a women of the opposite color to marry them.”Although Roderigo said this, it was because he wanted to be like Iago. The phrase “thick lips” refers to black people. These words were the start of the discrimination towards Othello in the play. Plus, Iago always calls Othello “the Moor. Because of the discrimination, Iago makes Othello feel like an outsider. Also, he makes Othello more of a physical trait than a human, taking away his whole personality and making Othello feel like only an increment of his whole identity. Secondly, Iago discriminates against Othello when he’s warning him to watch how Desdemona acts with Cassio. He thinks that Othello should listen to him because he “know[s] [the] country disposition well; In Venice [women] do let God see the pranks They dare not show their husbands. Their best conscience eIse not to leave 't undone, but keep 't unknown.” This means that Othello should listen to Iago has lived in Venice longer and knows the women there better. Iago is implying from this that Othello doesn’t understand women from Venice because he’s from a different country. This makes Othello believe what Iago says and not trust his own senses.
as an extra plan Iago is making Othello trust in him because only a good friend
Iago has been regarded as : “Shakespeare’s greatest villain”; shown by his ability to be both admired and despised for his manipulative and obsessive nature towards Othello and his relationship with Desdemona. In Act One, Iago can be seen to be admired for his work within the Venetian army and his want to warn Brabantio about the ‘evil’ Othello’s plans to ‘bewitch’ young Desdemona: “The Moor is of a free and open nature, That thinks men honest that but seem to be so....” Here, Iago is speaking within a soliloquy and is warning the audience that Othello has cruel intentions. Within the Jacobean era, the time of which the play was performed, attitudes towards black people were very negative and therefore, a white man would play the character
Iago wanted Othello’s position and used others to shame Othello and gain stature. Iago dressed himself up a trustworthy man and worked his way into Othello’s trust with tricks and lies. He wore a very convincing mask; often temporarily defending the person he was trying to ruin to further his honest visage. He says to Othello, “Men should be what they seem…” (3.3.127) through these methods, Iago convinces Othello that Cassio, an officer, was having an affair with Othello’s beautiful wife Desdemona. As a vicious result, Othello is driven mad with anger and sadness and throttles Desdemona in their bed. The death and want left by Iago’s deception is vast hurting everyone involved most frequently on a mortal level. When the truth finally comes out, Othello, in his grief and remorse, ends up stabbing himself with a dagger. In the end, many die due to Iago’s deception, through villainy or despair, and none gain what they truly want because of it. This just goes to show that the mask of deception that a man wears can cause an unbelievable amount of harm, bodily and worse,
Othello: The Moor of Venice is probably Shakespeare's most controversial play. Throughout this work, there is a clear theme of racism, a racism that has become commonplace in Venetian society which rejects the marriage of Othello and Desdemona as anathema. The text expresses racism throughout the play within the language transaction of the dialogue to question the societal ethos established by Othello, thereby making him nothing less than a cultural "other." Furthermore, the character of Desdemona is displayed as mad, or out of her wits, for marrying such an "other," and the audience sees her slip from an angelic state of purity to that of a tainted character. Also, the menacing Iago, a mastermind of deviant rhetoric, is able to play Othello and Desdemona against one another until their marriage fails, while at the same time destroying his adversary and friend, Cassio. Thus Iago has a specific agenda, not only to get back at Othello for choosing Cassio instead of him, but also to make Cassio the victim of his plan to destroy the forbidden marriage referred to by Brabantio as a "treason of the blood" (1.2.166-167). Essentially, Iago is a representative of the white race, a pre-Nazi figure who tries to inform the public of the impurity of Othello and Desdemona's marriage. He demonstrates how this miscegenation is threatening to the existing social order. Thus, through analysis of racism, the play represents the hatred possessed by mankind -- a hate so strong that society sees the mixing with an "other" to be a curse to humanity and a terrible threat to Aryan culture.
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Iago uses the implications of gender roles throughout the play. He creates doubt about Othello’s masculinity, and feeds off of the anxiety these observations create. Iago is not immune to the negative impact of gender standards that cannot be fulfilled. Mark Breitenberg describes these feelings as “…male, heterosexual jealousy – the anxiety and violence engendered in men by a patriarchal economy that constructs masculine identity” and explains these anxieties are “…dependent on the coercive and symbolic regulation of women’s sexuality” (377). Iago’s hatred of Othello is due to the insecurity he feels about his own masculinity and it causes him to feel jealousy towards Othello. As Karen Newman opines, “Othello both figures monstrosity and at the same time represents the white male norms the play encodes through Iago” (153). He is as a brutish, savage monster, but these negative traits can be warped into desirable ones by means of masculine stereotypes. Othello is large, strong, and a warrior. ...
Lying by omission is incorporated into the theme of appearance versus reality. Othello often falls prey to Iago’s twisted words. Iago plants a seed of doubt in Othello’s mind about Desdemona when the men see her talking to Cassio. Cassio leaves in a hurry and Iago tells Othello that Cassio “would steal away so guilty-like/ Seeing you coming” (3.3.39-40). He is telling Othello that Cassio would only be leaving so quickly if he and Desdemona were involved in something clandestine. Iago is planting seeds of doubt in Othello’s mind. He is making it seem that Cassio is acting suspicious, but in reality, Cassio is leaving quickly because he is “ill at ease” (3.3.30). around Othello given his current situation after the drinking incident in Act II. Another example of Iago twisting Othello’s reality is when Othello says he will only believe that Desdemona is unfaithful to him when he sees “ocular proof” (3.3.360) with his own eyes. When Iago manages to procure the handkerchief and place it in Cassio’s possession, Othello effortlessly takes it as proof and therefore is completely convinced of Desdemona’s infidelity. To Othello, it appears that Desdemona is cheating, because Cassio has her handkerchief, but in reality, Iago had planted it in Cassio’s chambers for him to find. Iago is liar; who makes other character believe what he wants them to believe through twisting his words
Because Iago had the public perception of being an honest man, Othello couldn’t ignore his
Iago intends to orchestrate the demise of Cassio and Othello. On the surface, winning a promotion was the catalyst for Iago’s rage but bringing down only Cassio does not satisfy his bloodthirsty rage. Although Iago is cunning and ruthless in his pursuit to ruin Othello, the plot spins out of his control and only gains traction when his wife, Emilia unknowingly helps him. At this point Iago is poised to fail but the possession of Desdemona’s handkerchief provides a key piece of “ocular proof (Shakespeare)” that Othello requires to be convinced of Desdemona’s infidelity. Iago loses control of the situation. His stated purpose is to suppl...
I believe Iago has nothing to do with Othello's downfall as Othello is an easily mislead man who is easily influenced. Not only did Iago not directly say Desdemona was having an affair, he neither didn’t give proof to confirm the rumours. By Othello believing the lies, it surfaces his inability to trust and have faith in his own wife. Othello is written by William Shakespeare and was set in Cyprus and Venice during the 16th century. It is about a well-respected military soldier who due to lies and deceits killed his wife for no reason and after turned the knife towards himself. The play illustrates how much one could be polluted in such little time; with the ‘facts’ based upon suspicions and assumptions from a source who was determined to kill him. Venice is a town in where Othello and Desdemona wed. It was convenient for the beginning part of the play as it was one of the most powerful cities of the time. It had a thriving atmosphere and was noted for the pleasures it offered in the way of arts and music. However, Cyprus is an alternative to Venice. It is a foreign, strange exotic place which is desolated and has a lot of open space. Since the war finished before it begun, the main focus reverts to Othello and Desdemona.
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
Iago’s magnificent intelligence and superiority make him a very intriguing character. Iago is not just any villain that comes into a town, with a black cape and knife that scares everyone, he destroys and “kills” by using creative tactics that could only be thought of by someone who is brilliant. He deceives, strategizes, and twists the truth with amazing ease. Iago maintains his on point intelligence by staying completely unconflicted about being evil. Iago is completely committed as he states, “[He will] turn her virtue into pitch, / And… make the net / That shall enmesh them all” (II. Ii. 366-368). Iago is considered a cross between God and the Devil, as shown in the, “Divinity of Hell!” (!!. ii. 356)
In the first act of scene 4, we see Othello and Iago discussing Desdemona’s unfaithfulness. Othello still doesn't want to believe that Desdemona is capable, or would cheat on him. They're discussing the handkerchief, it's a very significant in the play, it's one of the first signs for Othello to believe that Desdemona is cheating on him. We usually see Othello defending Desdemona and Iago accusing her, but the roles have reversed and Iago seems to be defending Desdemona, while producing more "evidence" to condemn her. When Iago simply just says “Lie-” (Page 169, Line 33) without any further elaboration, Othello immediately assumes 'Lie with her”, which gives him more proof to condemn Desdemona and Cassio. Othello almost seems to be persuading himself that Desdemona did cheat on him when he says “Lie with her? Lie on her? We say lie on her when they belie her. Lie with her -Zounds, that's fulsome” (Page 169, lines 35-37). Right after that he falls in a trance, and Iago takes this opportunity, to make his accusation more believable. He calls in Cassio and tells him to come back again...
This psychological strategy angers Othello to no end. Othello has been jealous of Cassio (who is everything that Othello is not: white, Christian, young). This shows that Iago is very clever: he first uses psychological plants before he moves to physical evidence. When Othello demands ocular proof, Iago brings out the handkerchief, the magical symbol of Othello 's manhood and source of his jealousy: