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Literary analysis essay
Literary analysis essays
Literary analysis essays
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In F. Scott Fitzgerald’s novel The Great Gatsby, the character Myrtle is portrayed as someone who wishes to climb up the social ladder. Myrtle Wilson is married to George Wilson, a lowly mechanic that lives above his garage in the Valley of the Ashes. She is not wealthy or rich or high class, but Tom Buchanan, a sturdy, arrogant, unfaithful, wealthy man in his thirties, finds interest in her lively manner. She is bored with George and his way of life. She likes the risk, thrill and expensive living she can get from Tom, even though both lovers are married. Myrtle Wilson latches onto Tom Buchanan and his old money to climb up the social ladder, consequently she tries vigorously to pretend to be someone that she really is not. Through extravagant …show more content…
actions, pointless complaints, and pride filled sentiments, Myrtle is clearly trying too hard to project a wealthy image that she does not live up to. As Myrtle, Tom and Nick arrive at the apartment in New York, Nick automatically notes a change in Myrtle’s demeanor.
Nick comments, “With the influence of the dress her personality had also undergone a change. The intense vitality that had been so remarkable in the garage was converted into impressive hauteur. Her laughter, her gestures, her assertions became more violently affected moment by moment,” (30). When Myrtle changes her dress, Nick finds that her personality changes as well. Once she is in her elaborate “lounge” dress, she is no longer just full of life, but prideful and arrogant. She acts as though she is above others, more superior. Her actions, as Nick describes, are exaggerated and “violent”, unnecessary. Her whole demeanor changes as soon as she comes in contact with the expensive chiffon fabric. People like the McKee’s and Myrtle’s sister Catherine arrive and a small party begins. Tom reacts and has Myrtle get drinks for the crew, but she complains, "I told that boy about the ice." Myrtle raised her eyebrows in despair at the shiftlessness of the lower orders. ‘"These people! You have to keep after them all the time." She looked at me and laughed pointlessly. Then she flounced over to the dog, kissed it with ecstasy, and swept into the kitchen, implying that a dozen chefs awaited her orders there” (31). She calls ‘the help’
lazy and inefficient. She complains about having to do all the work herself. In this apartment that they are all staying in, the only ‘help’ that is really available in the tiny building is most likely a bellhop or manager, and their jobs do not include waiting on Myrtle hand and foot. The reality is that she has no servants or chefs to complain about. She once again acts prideful and above the lower class, even though she is the lower class. Nick uses language such as “laughed pointlessly”, “flounced”, and “swept into the kitchen” to describe Myrtle’s exaggerated manner. Her actions seem stretched out and and fake, like she is trying too hard to be someone she is not; to live up to this rich girl facade she so violently keeps. Mrs. Wilson is someone that many would call a gold-digger, a person that latches onto others purely to extract wealth from them. Mainly in the context of women dating rich men for their money. Myrtle uses Tom to try and climb up from her low social standing. She wants to seem rich, superior, and upper-class. She uses his money to buy expensive dresses and decor for the apartment he bought for her. This in turn causes her to act a certain way; to act filled with pride and arrogance. She has a supercilious demeanor about her. The connotation in her phrases and sentiments, the forcefulness of her actions, and some of the senseless thoughts she expresses prove that she is pretending in order to heighten her social position.
Myrtle Wilson came from a working class family with a low social standing. Due to her family’s lack of money, Myrtle’s options were limited to marrying men of equal or lower economic status than herself. As a result, Myrtle married George Wilson, a poor car mechanic. In her relationship with George, Myrtle lacked control due to her status as a woman and was thus forced to listen to her husband. However, because of her lower status, Myrtle did learn to use her physical attributes to her own advantage. In other words, Myrtle knew how to exaggerate her physical beauty in order to attract men such as Tom Buchanan; who would pay her with money and expensive gifts in return. Thus, “there is a clear connection between the material disadvantages” Myrtle faced and her lack of morals; given “the paucity of her allotment of the fundamental decencies” (Voegeli). In other words, because of her lack of economic backing, Myrtle Wilson grew up as a woman of lower class with less options in life; which limited her social power and drove her to act unlike any high class lady. Thus, Myrtle’s only option for increasing her status was through material services such as her relationship with Tom Buchanan. All in all, Myrtle Wilson’s economic status limited her to the life of a low class woman and her power others in her
The first time that the reader catches an insight of Myrtle, Fitzgerald develops Myrtle to be a mere object of Tom's’ desire. Fitzgerald does this to extenuate the fact that Tom will not move on past Daisy to be with her. Tom “got some women” that supposedly is a secret but there is a lack of secretism on Myrtles end seeing as she is now calling during evening meals from “New York” just to talk to Tom. This further proves that she is in need of attention, something her husband can not fully give her at any random moment of the day. Myrtle is willing to express herself even when she’s already married. It reveals that she is deceiving her own husband, who is later mentioned in the novel. This allows for Myrtle to be looked down upon by the reader, it also entails her to be seen as an attention seeker. Again, Fitzgerald appeals to present-day behaviors by allowing Myrtle to be viewed as someone who wants to be showcased. Almost everyone can relate that they’ve wanted attention in their life at some point. This connects Myrtle to the reader's past or current feelings. Fitzgerald uses this to let readers feel compassion for Myrtle which emphasizes all she needs is for someone to properly love her, treat her, and show her what she needs to do to become successful in her
Unlike Daisy, who comes from old money, Myrtle is from the lower middle class. Myrtle hopes to climb the social ladder by cheating on her husband with Tom Buchanan.
Myrtle eventually had similar goals as Gatsby, but her life did not begin the same way. She was of the lower class of society and married a simple man. The two pursued a poor life, but Myrtle’s husband George was a decent man. Nevertheless, Myrtle became unsatisfied, and when the opportunity arose to better the quality of her life, she took it. Daisy’s husband Tom, an unfaithful, rough man not very committed to his marriage, began an affair with Myrtle.
In the novel, The Great Gatsby, the two central women presented are Daisy Buchanan and Myrtle Wilson. These two women, although different, have similar personalities. Throughout the novel, there are instances in which the reader feels bad for and dislikes both Daisy and Myrtle. These two women portray that wealth is better than everything else, and they both base their lives on it. Also the novel shows the hardships and difficulties they have in their marriages. They are never satisfied with what they have, and are always longing for more.
Many of the occurrences in The Great Gatsby produced far-reaching effects for several of the characters. Of these occurrences, one of the most influential and important incidents was the death of Myrtle Wilson. While her life and death greatly affected the lives of all of the main and supporting characters, her death had a very significant effect on the lives of Tom, Daisy, and Gatsby.
She views her husband as nothing as clearly illustrated in The Great Gatsby when the novel states “walking through her husband as if he were a ghost, shook hands with Tom, looking him flush in the eye.” walking through him is showing she doesn't even view George, Her husband, as though he is in the room, She just goes straight to Tom because he’s her ticket out of this life Myrtle put herself into. She then says to her George, “Get some chairs, why don’t you, so somebody can sit down.” She just wants to make plans with Tom. Her husband is only distraction to her. She has no relationship with her husband. As soon as she found out that he had borrowed his suit she knew her would all be going downhill. Myrtle was now a victim of her own desperation, because of her marriage to
George Wilson is the naïve husband to Myrtle Wilson, the woman having an affair with Tom Buchanan, who is the "brute of a man, a great, big, hulking physical specimen"(Fitzgerald 16) husband to Daisy Buchanan, the woman whom Jay Gatsby, the main character, is in love with: a very removed yet significant role in the story. Evidently playing the role of the common man, in a story revolving around wealth and possessions, George Wilson is the owner of an auto body shop and is described as a "spiritless man, anemic and faintly handsome"(29). Wilson's common man image helps to further develop the theme of Wilson is deeply in love with Myrtle to a point where he is paranoid of losing her. "`I've got my wife locked in up there,' explained Wilson calmly. `She's going to stay there till the day after tomorrow and then we're going to move away"(143).
Perhaps one of the greatest ways Fitzgerald establishes the horrific times of the 1920s occurs when he evokes sympathy for Gatsby regarding his tragic death and the after affects. One night, after being in New York City for the day, Daisy and Gatsby are driving back to Daisy’s home. Daisy’s husband, Tom, has not remained faithful to her since their wedding day and he is in an affair with a woman named Myrtle Wilson. The road from New York City back to Daisy’s home travels past the home of Myrtle Wilson. As Daisy and Gatsby are driving by, Myrtle sees the car and recognizes that Tom was driving it earlier. Thinking that Tom is currently driving the car, Myrtle thinks that Tom has come to get her and take her with him. Myrtle then runs out to the car, but the car does not stop because Daisy is driving it, and ends up accidentally hitting and killing Myrtle. However, when George Wilson finds out that his wife has been killed, he is wrongly told that Gatsby was the one driving the vehicle. George Wilson becomes so upset by this that he goes to Gatsby house and shoots him. This event creates sympathy for Gatsby because he gets killed for an crime that he did not commit. Gatsby’s tell also signifies his love for Daisy and how he was willing to take the blame for the murder, so that Daisy would not suffer any
This line reveals that Myrtle is not one of beauty or features that make her superior. Myrtle is characterized as a larger women who is exploding with anger . She is a demanding lady who tries to put on a front and fake wealth. Myrtle is from a lower hierarchy being from the Valley of Ashes . She is very poor but puts on a front being in an affair with Tom who is very wealthy. By Fitzgerald using imagery, readers get a realistic look at the physical appearance she is composed of as well as her tenacious attitude. With Fitzgerald using figurative language we deeply feel the contrast of two different ladies and the lifestyles they live.
They are both born into impoverished families, but deny acceptance of their lower status. Myrtle and Gatsby also share similar aspirations, to gain money and higher status. They are attempting to rise above their social class. Fitzgerald’s interpretation of Gatsby however, is much different from his portrayal of Gatsby. Gatsby is a tragic hero. He has nothing but good intentions and aspires for love, while Myrtle is simply shown as a foolish woman who is so absorbed in greed that she sacrifices her morals and sanity, in exchange for money and higher status. Gatsby, unlike Myrtle, maintains redeemable qualities until his murder. Everything he does is for his love, Daisy, because he wants only the best for her even if his life turns to ruins as a result. In contrast, Myrtle who has the same aspirations as Gatsby, exhibits impure intentions. She wants to achieve her goals of becoming a wealthy, elite member of society, purely to feed her selfish, eager desires, at the cost of her husbands’ sanity. This is what removes any sympathy a person may have had for Myrtle. She is depicted as a silly imbecile who cheats her way out her marriage and into her
Myrtle’s perception of reality is blurred. She fails to recognize her social standing as someone of the lower class, and instead brings upon a self lead pretentious charade that she is of the upper class. She has an acquired habit of stating that various aspect in her life are under her expectations. She insists that she only “married him because (she) thought he was a gentleman”, and that he “fit to lick ...
At first glance, The Great Gatsby is merely a classic American tragedy, portraying the story of a man's obsession with a fantasy, and his resulting downfall. However, Fitzgerald seems to weave much more than that into the intricate web of emotional interactions he creates for the reader. One interesting element is the concepts of greatness each has. For Daisy, it lies in material wealth, and in the comfort and security associated with it. Daisy seems to be easily impressed by material success, as when she is touring Gatsby's mansion and seems deeply moved by his collection of fine, tailored shirts. It would seem that Tom's relative wealth, also, had at one time impressed her enough to win her in marriage. In contrast to that, Gatsby seems to not care a bit about money itself, but rather only about the possibility that it can win over Daisy. In fact, Gatsby's extreme generosity gives the reader the impression that Gatsby would otherwise have never even worked at attaining wealth had it not been for Daisy. For Gatsby, the only thing of real importance was his pursuit of Daisy. It would seem that these elements are combined, too in the character Myrtle.
Myrtle believes she can scorn her true social class in an attempt to be accepted into Ton's, Jay Gatsby who bases his whole life on buying love with wealth, and Daisy, who instead of marrying the man she truly loves, marries someone with wealth. The romance of money lures the characters in The Great Gatsby into surrendering their values, but in the end, "the streets paved with gold led to a dead end" (Vogue, December 1999). The first example of a character whose morals are destroyed is Myrtle. Myrtle's attempt to enter into the group to which the Buchanans belong is doomed to fail. She enters the affair with Tom, hoping to adopt his way of life and be accepted into his class to escape from her own.
On one level The Great Gatsby, by F. Scott Fitzgerald comments on the careless gaiety and moral decadence of the period in which it was set. It contains innumerable references to the contemporary scene. The wild extravagance of Gatsby's parties, the shallowness and aimlessness of the guests and the hint of Gatsby's involvement in crime all identify the period and the American setting. But as a piece of social commentary The Great Gatsby also describes the failure of the American dream, from the point of view that American political ideals conflict with the actual social conditions that exist. For whereas American democracy is based on the idea of equality among people, the truth is that social discrimination still exists and the divisions among the classes cannot be overcome. Myrtle's attempt to break into the group to which the Buchanans belong is doomed to fail. Taking advantage of her vivacity, her lively nature, she seeks to escape from her own class. She enters into an affair with Tom and takes on his way of living. But she only becomes vulgar and corrupt like the rich. She scorns people from her own class and loses all sense of morality. And for all her social ambition, Myrtle never succeeds in her attempt to find a place for herself in Tom's class. When it comes to a crisis, the rich stand together against all outsiders.