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Critical essay about the movie the karate kid
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In the movie, The Karate Kid, Mr. Miyagi gives this small, yet powerful piece of advice to Daniel LaRusso as he trains Daniel for the fight of his life. The Karate Kid centers on a teenage boy named Daniel LaRusso who moves to California and faces the difficult task of fitting in. However, a belligerent gang of karate students called the Cobras begins to bully him when he strikes up a relationship with Ali, the Cobra leader's ex-girlfriend. Wanting to fight back, but afraid of the dangerous gang, Daniel asks his handyman, Mr. Miyagi, to teach him karate. Overall, The Karate Kid is a movie about inner strength, self-control, and humility. As Daniel goes through his journey, he learns that arrogance and an unwillingness to learn from others …show more content…
After crossing the threshold, we find Daniel immediately in another conflict with the Cobra Kai gang. As the Cobra Kai leader, Johnny, approaches Daniel to beat him up, he says punitively, “You couldn't leave well enough alone, could you, little twerp? No, you had to push it. Now you're gonna pay”(Robert Mark Kamen, The Karate Kid). This scene can be thought of as Daniel’s abyss. The abyss is where the hero appears to have died and must be reborn and begin his transformation into a hero. In his abyss, we find Daniel in the foggy field behind his condo complex where the Cobra Kai, symbolically wearing skeleton costumes, beat Daniel senseless after chasing him from the Halloween dance. He’s saved, just in time, by Mr. Miyagi, the repair man, who takes out everyone in the Cobra Kai gang effortlessly. Afterwards, Mr. Miyagi revives Daniel and decides to help Daniel defend himself and beat the Cobra Kai gang in the All Valley Karate Tournament by teaching Daniel the art of karate. This is where Daniel must face many challenges and temptations in his journey as a part of “the road of trials”; all of which develop him into the hero he becomes. At school, Daniel must avoid getting thrashed or picked on by Johnny and his friends in order for him to be okay to fight in the tournament. With this challenge, his new girlfriend, Ali, helps him out …show more content…
Daniel LaRusso clearly transforms from being an underdog into a true hero as he goes through each stage found in a hero’s journey. Along the way, Daniel discovers that egotism and an unwillingness to learn from others is an impetus for hostility and conflict; yet, modesty and an ability to listen to others prompts confidence, control over oneself, and
The film’s protagonist is Po, a panda that, from the beginning, does not appear to be capable of doing anything heroic. As in the hero myth outline stated by Leger, Po comes from a “mundane world, doing mundane things” (Seger 312). He works in his father’s noodle shop and although he admires those that practice Kung Fu, he does not have any martial arts training of his own. But Po is content with
"The greatest barrier to success is the fear of failure" - Sven Goran Eriksson. Success is an achievement in life which most people would be appreciative towards, but failure is looked upon in a disgraceful manner. People in society tend to face many challenges that occur in their daily lives. Some of these challenges can affect their lives dramatically in a positive or negative way. If one decides not to surmount their challenges they will suffer within themselves for a long period of time. Having confidence within is considered the greatest way to overcome suffering in life. In the novel, The Shipping News, by Annie Proulx, Quoyle deals with many difficult challenges along his life journey by suffering from bad childhood experiences which led him to have a low self confidence, which later on affected him in adulthood as well. All of Quoyle?s life decisions at first were base on him listening to others and continuing life suffering through it day by day but afterwards in the novel near the end, he experiences happiness for the first time. If someone is unable to overcome their bad experiences and fears in the past then they cannot be successful in the future. Also, a person should be strong and have faith in themselves to overcome their fears to fain the joy and happiness in their life. The modern day hero is distinguished as a hero with both successes and failures. A hero?s successes are determined by the hero?s power within themselves to overcome fears and obstacles and failures are determined by the hero?s weak point or flaw which leads to their predicted downfall and portrays them as an atypical hero. A hero can be depicted as an atypical hero at first but can still gain the success and happiness they longed for in the end.
As the story comes to its conclusion, the hero has endured his hardships; he went from the one that started fights to the one that thought of what could make everything work. An ordinary person in an ordinary world faced his share of trials and tribulations to come out as a new person. Defining the hero myth—he struggled and still was able to triumph to his prize at the end ; individuals relish these type of stories, they can
To some, Chris is seen as a hero, a young man who succeeded in every challenge he took on. In Chris’ mind, he was his own greatest hero, “he was Alexander Supertramp, master of his own destiny” (23). In reality, McCandless was inexperienced and is not a hero nor does he deserve the wild praises he r...
Every hero goes through multiple stages accompanying many obstacles on his or her journey. Although the journeys may differ in detail, structurally, they resemble a sound format. Along the designed adventures, the heroes come into contact with characters that possess fixed personalities or “archetypes.” The stages and archetypes of stories are somewhat predictable, but may take shape in peculiar forms. Both exemplifying heroic characteristics, Sir Gawain from Sir Gawain and the Green Knight by J.R.R. Tolkien and Thomas Becket from Murder in the Cathedral by T.S. Eliot structurally go on the same archetypical journey, but diverge in the lessons they learn and where the characters start and end in their journeys.
The human need to be relatable is unquenchable. We love to be able to see parts of ourselves in others, and to be able to feel like our idols are not untouchable. The Hero’s Journey format is one that can be found in almost any story, even in real life. Overall, it is the perfect recipe for keeping readers engrossed. Another place the journey has shown up is in Unbroken by Laura Hillenbrand and Odyssey by Homer. These two stories—one a biography, the other, an epic poem—are so effective in their storytelling, it is easy to see how authors today continue to use the same method to make stories that grab the readers’ attention. What makes them most alike, however, is the emotions and thoughts they have the power to provoke.
The overarching stages of these steps defines the important trilogy of the departure, the initiation, and the return of the hero in the spiritual, physical, and emotional changes that are experienced in this mythic cycle. Campbell’s insightful evaluation of the ten stages of the hero’s journey define the initial reluctance of the hero to follow his destiny, yet he or she slowly walks through the various obstacles and the awakening of consciousness through the death and rebirth of their identity. Finally, the return of hero to “home” reveals the liberation from previous prejudices and limitations of the mind, soul, and body that were present before they partook in the adventure. Surely, Campbell’s’ heroic cycle defines the overarching challenges of selfhood that the hero must endure to raise his or her consciousness to a higher level of understanding and realization. These are the important aspects of the ten stages of Campbell’s heroic journey that define the transformative nature of the journey and the hero’s initiation into the mysteries of life in this mythic theory of the heroic
Heroes are often perceived as characters who leap great distances in a single bound. However, they actually have three distinct stages where they develop into the character we grow to love. In George Lucas` “StarWars IV: A New Hope.” Luke Skywalker is a quintessence of of an archetypal hero because he goes through initiation stage through distinct phases of separation, transformation and the return stage. Luke Skywalker begins his journey as farmer boy on a remote planet and becomes the hero of the galaxy. However, this process the not happen quickly. Rather, it is a difficult journey where is is faced with multiple tests and obstacles and pushes his endurance to the limit.
The Hero’s Journey is an ancient archetype that we find throughout our modern life and also, in the world of literature.Whether metaphorical or real, the journey that a character goes on shows not only the incredible transformation of the hero but it also gives them their life meaning. It is the ultimate human experience and it reflects on every aspect of life. Take Logan, also known as Wolverine, from the X-Men movie as an example. His adventure starts with “The Call,” which is the first step of the Hero’s Journey. This step happens due to the realization of imbalance and injustice that the character has in their life. Logan steps into the first stage of the pattern but is hesitant to start his adventure because he does not know what and
In Joseph Campbell’s book, The Hero With A Thousand Faces, he talks about the “Monomyth,” otherwise better known as, the “Hero’s Journey”. This is the major theme throughout this book as well as the majority of Joseph Campbell’s studies. Campbell’s idea of the hero’s journey can be seen in many books, movies, television series, etc. That is an idea I will discuss at a later date. For this paper I would like to discuss and explain the hero’s journey, as well as give my opinions on the idea. This is a very interesting and eye opening idea that Campbell has presented us with and has made The Hero With A Thousand Faces one of the most important books of the past one hundred years.
“The Hero’s Journey.” Ariane Publications, 1997. Course handout. AS English I. Dept. of English, Woodside High School. 26 October 2013.
Han – a period of time in China in which the country was merge together (Dictionary)
While fulfilling their journey, a hero must undergo a psychological change that involves experiencing a transformation from immaturity into independence and sophistication. Campbell states that these events are what ultimately guides a hero into completing their journey by, “leaving one condition and finding the source of life to bring you forth into a richer more mature condition” (Moyers 1). She first enters her journey when she learns about invisible strength from her mother, “I was six when my mother taught me the art of invisible strength. It was strategy for winning arguments, respect from others, and eventually, though neither of us knew it at the time, chess games”(Tan 89).
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype. After Campbell studied a lot of the great myths and realized this pattern, he published his findings in his book The Hero with a Thousand Faces. Ever since then, authors have used “The Hero’s Journey” as an outline to tell their stories. “It is important to note that not all of these individual steps are present in every hero’s tale, nor is it important that they be in this exact order” (Vogler 20). The Hero with a Thousand Faces gives a sense of significance as it looks into the inner mind and soul. The author, Joseph Campbell, performs two extraordinary accomplishments: compelling his readers that myth and dream, those are the most effective and everlasting forces in life and a unification of mythology and psychoanalysis with a gripping narrative. One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby.
There is another type of hero that almost no one is aware of. In the poorest areas of the country, live mostly minorities and other ethic background. All their lives they’ve been expected to work harder and expected not succeed in life. Some individuals living in poverty with a determination to succeed work hard all of their lives to become what everybody doubted they could. Escaping the crime, drugs, and prostitution is enough to escape hell, even if they don’t go to college. Despite of their financial problems, drug and crime surroundings, or difficulties in the language skills, their desire to triumph fuels their persistence. Those who make it to success are the few living examples of the purest form of hero anyone can be. They are not only their own heroes but also the heroes of the poor children who dream of becoming like them someday.