Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Media influence on public opinion
Media influence on public opinion
Media influence on public opinion
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Media influence on public opinion
Through John Boorstin’s “eyes theory” he came to realize that there are three parts to every movie each affecting the audience simultaneously: the voyeuristic, vicarious, and visceral. Each one of these aspects of film creates a different reaction that was deliberately imposed on the viewer, in order to give the film a certain feel. A major point of Boorstin’s “eyes theory” is the difference between the “real” and “authentic”. If you are to define each of these terms you come to the conclusion that “authentic” is far more important than “real”. In Michael Radford’s film 1984, this difference is unbearably true for the life of Winston Smith and the world of propaganda he has found himself living in. First, the “voyeuristic” approach to film is the logic behind the film. Why is the film made and what is the purpose, what is the message the director, producer, and screenwriter are trying to get across to its audience? Second, is the “vicarious” aspect of the movie, this part deals with your emotional attachment to the film. Do you feel a connection with the characters being played in the movie or do you relate to the film in some way? Third, the “visceral” aspect …show more content…
of a film is the thrill and excitement you receive from its viewing. This gives many audiences the basic enjoyment of watching a film, what many are seeking when they sit to watch a movie. In relation to 1984, the three movies within a movie approach of John Boorstin’s “eyes theory” weigh heavily on the vicarious aspect.
Winston Smith finds himself struggling between what is real and what is authentic. On a daily basis he is being confronted with psychological manipulation, physical control, control of information and history through technology, and the use of language as a form of mind control. Winston Smith along with almost all of his peers is lost between what is “real” and what is “authentic”. In order to go further I must first define the two, “real” is that which is true not merely ostensible, nominal or apparent. “Authentic” is the entitlement or acceptance to a belief because of agreement with known facts or experiences; reliable, trustworthy; and authentic portrayal of the
past. The reason I believe Boorstin says that “authenticity” is far more important than real because it is the acceptance to a belief based on agreement with what is known or believed to be fact. This is very scary to me, especially when discussing the film 1984, Winston Smith actually works in the particular department where every single source of information is controlled and managed in favor of Big Brother and the party. So, this means that everything that the people of Oceania believe to be true is in fact not. Therefore, their actions are not based on what is the truth nor authentic. Personally, in my life, I like to base every single one of my decisions on the truth and fact, rather than what I believe to be true or tell myself. Winston is not capable of this because every aspect of his life is spent alone. He is isolated from the truth, each one of his peers are blind to what is truly authentic. Rather, they believe their lives are committed to a good cause, which in fact is manipulation, and mind control. As a result of this manipulation of information people of Oceania are no longer authentic, everything they believe to be true becomes blurry or unreliable. They sway away from what is real and rely too much on what they think is authentic, thus ultimately believing anything the party wants them to. By controlling all and any information given to the people of Oceania they are able to control the past, and if they control the past they are then able to control the present.
Winston Smith - The protagonist of the story. Winston Smith works as a clerk in the Records Department of the Ministry of Truth, where his job is to rewrite historical documents. This involves revising newspaper articles and doctoring photographs, mostly to remove "unpersons," people who have fallen foul of the party. Because of his proximity to the mechanics of rewriting history, Winston Smith nurses doubts about the Party and its monopoly on truth.
Kerner, Aaron M.. “Irreconcilable Realities.” Film Analysis: A Norton Reader. Eds. Jeffrey Geiger and R.L. Rutsky. New York: W.W. Norton & Company, 2nd edition, 2013. 462-83.
“That is what has brought you here. You would not make the act of submission which is the price of sanity. You preferred to be a lunatic, a minority of one. Only the disciplined mind can see reality, Winston. […] Reality is not external. Reality exists in the human mind, and nowhere else. Not in the individual mind, which can make mistakes, and in any case soon perishes: only in the mind of the Party, which is collective and immortal. Whatever the Party holds to be the truth, is truth. It is impossible to see reality except by looking through the eyes of the Party.” This is how O’Brien, a high-ranking official of the world of Nineteen Eighty-Four, describes the worldview forced into the minds of its citizens. Demonstrated by Winston Smith’s nonconformist thinking, his unorthodox actions, and the deconstruction of his individuality, it is this world of O’Brien’s with which the concept of the individual is incompatible.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
Through different experiences, beliefs, values and ideas, individuals can evolve identity through human nature, in society and critical life experiences. Human nature is elucidated dystopically in the works of George Orwell’s novel, 1984, and James McTeigue’s visual, V for Vendetta, which represent divergent societies, bound by totalitarian oppression and degrading human constructs. Published in 1948 by George Orwell, 1984 is a novel set in a future society, scarred by eternal war, ubiquitous government surveillance, controlled history and tyrannical manipulation by the superstate. Winston Smith, a diligent Outer Party member, inconspicuously rebels against the English socialist, ‘Ingsoc’ Party and despot leader, ‘Big Brother’, by regaining
November 1998, written for FILM 220: Aspects of Criticism. This is a 24-week course for second-year students, examining methods of critical analysis, interpretation and evaluation. The final assignment was simply to write a 1000-word critical essay on a film seen in class during the final six-weeks of the course. Students were expected to draw on concepts they had studied over the length of the course.
Movies distort reality by creating an ideal conflictual ambience, from which all the subtle human emotions and the characters arise. Humans might appear as consensus beings, seeking conformation and avoiding alienation by “society”. However, referring back to Aristotle’s saying, “human beings are by nature political animals” (1999), humans continually strive for power and control inasmuch as they strive for pure oxygen to breathe. Movies unleash these “socially unacceptable” political animals, exposing the hidden moral corruption embedded within most humans. Movies accomplish such a task by distorting reality, by reshaping the truth into a collection of video shots, taken from different angles, creating different meanings to content; the true meaning. The three genres of literature – narratives, poetry and drama – establish the key to revealing the distortion, thus providing humans with the ultimate method of deciphering our reality through the eyes of a glass lens. In the movie Do the Right Thing, these genres come together to paint a “picture” of us.
However, because it is Winston's own government manipulating him, and the fact that it is them he is rebelling against, this makes 1984 more relevant to today’s society.
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
Due to a federal antitrust law, production companies and distributors lost power and profits, and independent companies, such as the United Artists Corporation, gained traction. The antitrust law, combined with “the postwar downturn and above all the imperative of competing effectively with television,” led to the implementation of various widescreen formats, 3-D, and Technicolor in order to innovate film and engage the spectator. In doing so, this period imbalanced the emerging power of narrative with the resurgence of spectacle. Widescreen, especially, also contributed to a sense of realism, actively engaging the audience in the visual expanse of cinema. As a result, Some Like It Hot’s mode of spectatorial address, though not as focused on “attraction” as early cinem...
“Movies seem more natural than reality,” writes Cavell, “not because they are escapes into fantasy, but because they are reliefs from private fantasy and its responsibilities; from the fact that the world is already drawn by fantasy” (Cavell 102), the audience in Chance’s film seem to lose touch with reality while Besieged becomes the only reality they know. Chance declares himself a devotee of Griffith in believing that “the motion-picture camera would end conflicting interpretations of the past” because “all significant events would be recorded by movie cameras and film would offer irrefutable proof as to what had really happened” (Vanderhaeghe17). Although people are quick to fall victim to the intentional fallacy of film, there is always that chance of omitting an important significance that can change everything. Chance takes advantage of the audience knowing that what is seen on film projects a reality which viewers either accept or refuse and because “What’s up there on the screen moves too fast to permit analysis or argument” (Vanderhaeghe 107). Cinematic pictures are visible proof that cannot be argued (Vanderhaeghe 107). Time has the power to distort things, events, and facts. The camera can only capture so much, leaving room for the reality to alter. When Harry gives Chance his version of Shorty’s story, Chance insists that he rewrites it, saying, “Change the girl. The enemy is never human” (Vanderhaeghe
Films are necessary in our time period because the human eye can articulate the message intended through sight allowing visual imagination to occur. In the book, world 2 by Max Brooks, he creates a character by the name Roy Elliot who was a former movie director. Roy Elliot manages to make a movie titled “Victory at Avalon: The Battle of the Five Colleges” and some how it goes viral. Similarly, Frank Capra’s film, “Why we Fight” expresses a sense of understanding the meaning of wars. Films do not inevitably portray truth because they display what the film director views as important and beneficial for people to know.
They are not a telegram in which the original message is compared to the one received. One does not “get” or not “get” a message. Personalities, attitudes, and society’s influence contribute to understanding, as well as unconscious desires. He provides the example of Hitchcock’s Vertigo and continues to say Hitchcock may have expressed an unconscious obsession with aloof women. Interpretations range within audiences. If the movie means something to you, then the movie has succeeded. He provides the example of Humans are not reduced to one thought and movies should not be either, according to Smith. The interaction between the film and the viewer is the purpose of movies, not the message
The social structure of George Orwell’s 1984 is based on Freud’s map of the mind and the struggles between the id, the ego and the super ego. The minds of these individuals living in this society are trained to think a certain way. Freud’s theory of psychoanalysis can be applied to Orwell’s 1984. Using Freud’s psychoanalytic approach, 1984’s main character Winston Smith is portrayed as the one who goes against the ideas of the Party. In a Freudian point of view, Winston’s character represents a mind where the id is the driving force and where the ego and superego are ill developed in the views of the Party. Freud describes the psychoanalytic process as something that is normally used to treat patients with metal disorders, and in the eyes of the party, Winston is seen as one that has a mental disorder. The procedure that Winston undergoes directly parallels Freud’s psychoanalytic process.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...