The woman we see inside and out in Kate Chopin’s The Awakening is the pure embodiment of confusion. It certainly isn’t in her best interest to have a mind constantly engulfed in the unknown, but for Edna Pontellier, this is an enforced reality. While it may be hard to admit, Mrs. Pontellier is a hard-wired product of the society she has been placed in. It is flagrant enthusiasts and uncensored conversationalists that make up the Creole culture, not the lost soul of Edna Pontellier. Although her life seems substantially put together by the delight of her two children and the charisma of her husband, Mrs. Pontellier is drowning. Her thoughts have only ever been infused by the motherly tendencies of Creole wives and, similarly, the standard subordination …show more content…
For instance, the lady in black and the two lovers are discussed briefly in every few chapters. The lady in black serves to juxtapose the lovers, as she is an isolated, devout Catholic with no primary love interest. This contrary relationship closely mirrors the paths Edna Pontellier may choose to follow as part of her “awakening”, or the consciousness of her personal dissatisfaction. As she grew closer to Robert and the sea, Mrs. Pontellier began to notice that “she was seeing with different eyes and making the acquaintance of new conditions in herself that colored.her environment” (Chopin 40). With the lightweight fulfillment that Robert Lebrun’s presence brought to Edna’s life, it seemed like an easy decision: to live like the lovers of this man. However, there was another directive force that had recently become of great significance to Mrs. Pontellier. That force was emitted by Mademoiselle Reisz, a distant, disdainful pianist from the Grand Isle. She did not act as a parrot, rather, Mademoiselle Reisz was like a wandering mockingbird, fluttering in her own musical …show more content…
Ultimately, Mademoiselle Reisz’s influence on Edna’s life drew her closer to the keys of the piano, those that sang a tune of freedom. Music was unguided, never predictable, posing a strong contradiction to Mrs. Pontellier’s life; therefore, she deeply admired it. Overall, Edna Pontellier is a woman of no original thought. All she has ever known has emerged from the common behavior of those around her. Even after Robert Lebrun began to ease the tension and submissive propensity of this woman’s mind, Mrs. Pontellier still struggled with the underlying need to conform. This is what posed trouble for a capricious woman like Edna. The undiscovered territory of the ocean drew her near, but at the same time, she didn’t know if exploring this world alone, or alongside Robert Lebrun, would be satisfactory. Likewise, there was always a subconscious part of her being that, despite her fragility, demanded she take on motherhood. All in all, while it has been made clear that Mrs. Pontellier desires freedom, to what extent would she go for that possibility? The life of the lady in black would offer her independence, and that of the lovers would offer her pleasure, but at the end of the day, Edna Pontellier was never sure of her
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
Edna’s Fall from Grace in The Awakening. In the novel The Awakening, Kate Chopin tells of Edna Pontellier's struggle with fate. Edna Pontellier awakens from a slumber only to find that her life is displeasing, but these displeasing thoughts are not new to Edna. The actions taken by Edna Pontellier in the novel The Awakening clearly determine that she is not stable.
The relationship Edna has with Mademoiselle Reisz guides her transformation from a wife and mother to a single woman. Reisz acts as a role model for her, someone who does not conform to society’s expectations. Mademoiselle Reisz lives how she wants and accepts both positive and negative consequences of her lifestyle. From the first time Edna sees her play, she admires Mademoiselle Reisz. “The woman, by her divine art, seemed to reach Edna’s spirit and set it free” (623). The music she plays helps calm Edna’s spirit. Mademoiselle Reisz allows Edna to read the letters Robert wrote to her and she supports her in her decision to follow her heart and be with Robert. In doing so, she kindles the passionate flame Edna has for Robert. As Edna wishes t...
Leonce Pontellier, the husband of Edna Pontellier in Kate Chopin's The Awakening, becomes very perturbed when his wife, in the period of a few months, suddenly drops all of her responsibilities. After she admits that she has "let things go," he angrily asks, "on account of what?" Edna is unable to provide a definite answer, and says, "Oh! I don't know. Let me along; you bother me" (108). The uncertainty she expresses springs out of the ambiguous nature of the transformation she has undergone. It is easy to read Edna's transformation in strictly negative terms‹as a move away from the repressive expectations of her husband and society‹or in strictly positive terms‹as a move toward the love and sensuality she finds at the summer beach resort of Grand Isle. While both of these moves exist in Edna's story, to focus on one aspect closes the reader off to the ambiguity that seems at the very center of Edna's awakening. Edna cannot define the nature of her awakening to her husband because it is not a single edged discovery; she comes to understand both what is not in her current situation and what is another situation. Furthermore, the sensuality that she has been awakened to is itself not merely the male or female sexuality she has been accustomed to before, but rather the sensuality that comes in the fusion of male and female. The most prominent symbol of the book‹the ocean that she finally gives herself up to‹embodies not one aspect of her awakening, but rather the multitude of contradictory meanings that she discovers. Only once the ambiguity of this central symbol is understood can we read the ending of the novel as a culmination and extension of the themes in the novel, and the novel regains a...
In The Awakening, Kate Chopin depicts the varying definitions of women and their role through her three major female characters, Edna Pontellier, Madamoiselle Reisz and Madame Ratignolle. In the late 1800s, the role of women was strictly being caretakers for both their children and husbands. Edna Pontellier attempts to fit into society’s expectations by marrying Léonce Pontellier and raising two children, yet she struggles with feelings of oppression as she suffers through her unwanted role. Mademoiselle Reisz, a talented musician, is unmarried and childless, rejecting all of society’s ideals. Edna’s friend, Madame Ratignolle, greatly contrasts the two as she represents the model Louisiana women. However, while Edna, Madamoiselle Reisz and Madame Ratignolle each depict a different idea of woman’s role in society, none of these three women reach their full individual potential.
Kate Chopin’s “The Awakening” is wrought with symbolism, foreshadowing and careful diction choices. Many of the passages throughout the novel embody Edna’s awakening sense of self-reliance, independence and sexuality. These are sy...
She begins by becoming “passionately enamored of a dignified and sad-eyed cavalry officer;” then “her affections were deeply engaged by a young gentleman who visited a lady on a neighboring plantation;” and finally, “the face and figure of a great tragedian began to haunt her imagination and stir her senses” (39). All of these figures are unattainable and, therefore, leave her discontented, yet she feels desire for them and so she feels passion, which to her is better than numbness. Chopin indicates that she needs something exciting, something beyond the ordinary routine of life. Edna wants to be “passionately enamored,” and have her affections “deeply engaged.”
Kate Chopin's The Awakening tells the story of Edna Pontellier, a young wife and mother living in the upper crust of New Orleans in the 1890s. It depicts her journey as her standing shifts from one of entrapment to one of empowerment. As the story begins, Edna is blessed with wealth and the pleasure of an affluent lifestyle. She is a woman of leisure, excepting only in social obligations. This endowment, however, is hindered greatly by her gender.
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
In The Awakening by Kate Chopin, the setting is in the late 1800s on Grand Isle in Louisiana. The main character of the story is Edna Pontellier who is not a Creole. Other important characters are Adele Ratignolle, Mr. Ratgnolle, Robert Lebrun, and Leonce Pontellier who are all Creole's. In the Creole society the men are dominant. Seldom do the Creole's accept outsiders to their social circle, and women are expected to provide well-kept homes and have many children. Edna and Adele are friends who are very different because of their the way they were brought up and they way they treat their husbands. Adele is a loyal wife who always obeys her husband's commands. Edna is a woman who strays from her husband and does not obey her husband's commands. Kate Chopin uses Adele to emphasize the differences between her and Edna.
The time Edna spends in water is a suspension of space and time; this is her first attempt at realizing Robert's impermanence. In a strange way, Edna is taking her self as an object of meditation, where at the extremity of self absorption, she should be able to see through her own selflessness. "As she swam she seemed to be reaching for the unlimited in which to lose herself[emphasis added]" (Chopin 74). Edna has left her earthly existence on the shore and looked forward to a new existence, with the "unlimited", or nirvana as a tantalizing prize on the other shore. Her mistake lies in looking back.
Edna Pontellier, the protagonist of Kate Chopin’s The Awakening (1899) who would not allow anyone to possess her, is an example of how the cult of domesticity, prevalent in the nineteenth century, oppressed women as passionless mothers who worship their husbands. While Edna isolates herself from her husband, Leonce, she also isolates herself from her children and, thus, from motherhood. However, Chopin utilizes the motherhood metaphor to illustrate Edna’s own rebirth as she awakens throughout the novel. Exploring Chopin’s tale through feminist literary theory and the cult of domesticity, the metaphor of motherhood through Edna’s own maternity as well as her metaphorical rebirth becomes apparent.
In “Tradition and the Female Talent: The Awakening as a Solitary Book,” Elaine Showalter makes a compelling argument that “Edna Pontellier’s ‘unfocused yearning’ for an autonomous life is akin to Kate Chopin’s yearning to write works that go beyond female plots and feminine endings” (204). Urging her reader to read The Awakening “in the context of literary tradition,” Showalter demonstrates the ways in which Chopin’s novel both builds upon and departs from the tradition of American women’s writing up to that point. Showalter begins with the antebellum novelists’ themes of women’s roles as mothers—especially the importance of the mother-daughter relationship—and women’s attachments with one another and then moves to the local colorists of the post-Civil War who claimed male and female models but who wrote that motherhood was not a suitable partner for the true artist. According to these women writers, a woman had to choose to be either an artist or a wife and mother; one negatively affected the other. The literary history then delves...
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
Aristotle’s theories on ethics and how virtue ethics impact on social cohesion have been the subject of scrutiny since they were first conceived. While the argument for flourishing ethics as a viable alternative to other ethical theories seems compelling and beyond repute, there are some fundamental flaws in Aristotles reasoning when one examines his model of flourishing ethics within the context of the modern world. Aristotle’s theory hinges on the assumption that benefits attained by society through the actions of the individual, will also filter down to the individual and that the benefits attained by individuals will be equal. This theory does not allow for the motivations behind the decision-making process or the varying needs