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The influence of mythology in modern life
The influence of mythology in modern life
The influence of mythology in modern life
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Although the folktale “Bluebeard” by Charles Perrault is a fictional story originally written for the entertainment of readers, there is much historical meaning behind the characters, ultimately representing historical figures from our past. The author of the tale, Charles Perrault, was a French storyteller who believed that as society and time progressed, literacy would develop alongside of it. Furthermore, he understood that there was much more brutality and cruelness in ancient literature compared to today’s modern literature, which is inevitably noticeable in his pieces of work. The tale of “Bluebeard” is believed to be based off of a very wealthy French Marshal by the name of Gilles de Rais, who served under Joan of Arc. He was a national
Throughout “The Scarlet Ibis” by James Hurst, Doodle is met with kindness and cruelty when interacting with his brother. The shifting attitude of Doodle’s brother is a wonderful example of the shifting emotions of the people around the world. Just like Doodle’s brother, people are happy, sad, jealous, prideful, angry, cruel, and kind. Although times and circumstances may change, people can’t live without their
The world of English Literature captures the minds of millions of people worldwide. The stories that are read are new and old and continue to capture the attention of people even to this day. Each piece of literature can go in-depth into settings, themes, characterizations, have great styles and the thing most people enjoy... conflict. Most people don't understand or see the messages these pieces may have in them. Hidden sometimes within complex statements or meanings that the everyday person might not recollect. These "treasures" are waiting to be found and are gold waiting to be found.
Since the emergence of literature, thousands upon thousands of characters have graced our imaginations. From trouble maker Bart Simpson of the celebrated cartoon television series The Simpsons to Mr. Darcy of Jane Austen’s renowned novel Pride and Prejudice, the world has witnessed a plethora of characters in literature. Khaled Hosseini, author of The Kite Runner, and Billy Collins, distinguished American poet, as well as countless other authors, share the utilization of characters in their literary works. The manner in which these authors use the literary element of characters varies immensely.
Keen opens his book with an introductory chapter examining three literary works pertaining to chivalry: the Ordene de Chevalerie, the Book of the Ordre of Chyvalry, and the Book of Chivalry. All three of these were written during a period of great religious reform, yet, according to Keen, they appear to not have been influenced by the ideas of the Church. The Ordene de Chevalerie is an anonymous poem that stresses the importance of the ritual required for initiation into knighthood. The popularity of the piece leads to the conclusion that the poem reflects “what men understood chivalry to mean” (8). This poem is then contrasted by the Book of the Ordre of Chyvalry, a narrative work written by Ramon Lull that describes in detail the origins and meaning of chivalry. A consideration of Geoffrey de Charny’s ...
Blackbeard began his pirating career sometime after 1713, as an ordinary crewmember aboard a Jamaican sloop commanded by the pirate Benjamin Hornigold. In 1716, Hornigold supplied Teach with a small crew, and a small captured vessel to command. By 1717 Hornigold and Teach were sailing in alliance, and together were feared throughout the seas. In November 1717, Hornigold and Teach were able to capture a 26 gun French vessel called the Concorde (recent research has shown that the vessel had originally been built in Great Britain). Blackbeard’s pirate partner, Hornigold, decided to take advantage of a recent offer of general amnesty from the British Crown- and retire in comfort. Teach rejected t...
The tale of Bluebeard dates back to the seventeenth century. "Bluebeard as we know him first appeared in Paris in 1695 as La Barbe Bleue, in the manuscript version of Charles Perrault’s Histories Ou Contes Du Temps Passe, a collection which has become a seminal influence on the evolution of fairy tale" (Davies 33). The villain of this tale is a man with a blue beard whom everyone fears. After inviting his neighbors to stay and celebrate at his country home in attempts to persuade one of the their daughters to marry him, he convinces the youngest of his widowed neighbor to be his bride. All goes well until the new husband goes away on business, leaving his wife in charge with only one rule, to not open the door of one room in the castle. Of course curiosity overtakes the wife and she enters the room only to find Bluebeard’s previous wives murdered within the chamber.
Charles Lyell Charles Lyell was a British lawyer and one of the smartest geologists known at his time. He was known as the author of the Principles of Geology, which helped popularize the theories and concepts of uniformitarianism. The Principles of Geology was the first book written by Lyell and explained the changes in the earth’s surface. He used the research and information in the book as his proof to determine that the earth was over 6,000 years old. The central argument in his book was “the present is the key to the past”, this meant that to find out what happened in the past you had to look at what was happening now.
Gustave Flaubert incorporates and composes a realistic piece of literature using realistic literature techniques in his short story, “A Simple Heart.” Flaubert accomplishes this through telling a story that mimics the real life of Félicité, and writing fiction that deliberately cuts across different class hierarchies; through this method, Flaubert
Hermansson, Casie E. (2009). Bluebeard: A Reader's Guide to the English Tradition. Jackson, Mississippi: University Press of Mississippi.
These two scenarios from Anglo-Saxon and modern times are similar, as well. They are similar because of the continuity of “monsters” terrorizing a society being a great influence among audiences of the past and present. The two works of both eras demonstrate the continual interest in defeating villains and “feeding” it’s listeners with tales such as these.
The Bloody Chamber is a remake of the original fairytale Bluebeard; however Angela Carter rewrites the fairy tale using her feminist views to raise issues concerning roles in relationships and marriage, sexuality and corruption. Carter challenges the classic role of the male protagonist and the female victim; she does this by changing the stereotypes of the traditional fairy tale’s males as the saviours and females as the victims. She challenges the fairy tale’s traditional sex roles when she replaces the brother of the bride for the mother as the rescuer, “one hand on the reins of the rearing horse while the other clasped my fathers service revolver” this demonstrates to the reader that women are as strong as men, even stronger and can take on a expected man’s role and make it their own therefore challenging the stereotypical gender roles of Men. In addition to this as a feminist, Carter uses anti-essentialism to present that time, power and position are the details that makes a man act like he does and a woman like she does. This is revealed through the setting, France 1790’s, were men and women were not equal. The Marquis in this story is presented as a wealthy older man who has the ability to seduce and retrieve what he wants, “his world” this emphasizes the power he maintains and it gives him ownership not only of his wealth but the young bride and even possibly the...
The fairytale Little Red Riding Hood by Charles Perrault is a story that recounts the adventure of the protagonist Little Red Riding Hood as she fulfills her mother’s wishes to bring a package to her ill grandmother. Perrault’s short story conveys influential life themes on the idea of male predation on adolescent women who fall victim to male deception. Perrault successfully portrays these themes through his use of rhetorical devices such as personifying the actions of the antagonist Wolf predator as he preys on the protagonist Little Red. Perrault illuminates the central theme of upholding sexual purity and being aware of eminent threats in society in his work. Roald Dahl’s poem, Little Red Riding Hood and the Wolf, is an adaptation to
In his ancestor’s world, communal and mythical values prevail over individualism and materialism. When he is in Danville, Milkman learns that place is significant because it “makes the past real”(231). When he arrives in the South he wears a “beige three – piece suit, button down light–blue shirt and black string tie (and) beautiful Florsheim shoes”(227). But stripped of his three piece suit and dressed in worn hunting clothes he enters the woods outside Shalimar and immediately stumbles upon his uncharted self. For the first time he considers his behaviour in relation to the others: “Under the moon, on ground alone… the cocoon that was ‘personality’ – gave way…..there was nothing here to help him - not his money, his car, his father’s reputation, his suit or his shoes… His watch and his two hundred dollars would be of no help out here, where all a man had was what he was born with, or had learned to use. An endurance”(276-277). Reduced to the essentials for the first time in his life, Milkman begins to question his surroundings and as he listens, noise becomes language or “what there was before language”(278). Milkman here comprehends a mythic dimension as he reaches back toward a time when humans and animals shared
In two works by Coleridge, The Rime of the Ancient Mariner and Kubla Khan, both works regard the imagination as vitally important. In the Ancient Mariner, the imagination (or rather, the lack of it) condemns the Mariner to a kind of hell, with the fiends of sterility, solitude, and loneliness: “’God save thee, Ancient Mariner, from the fiends that plague thee thus! Why look’st thou so?’ ‘With my crossbow I shot the Albatross’”. In Kubla Khan, the imagination of an external being, the narrator that Coleridge created, the ideal critic, can create a masterpiece that far outstrips the meager piece of work that even the emperor of a huge, rich civilization can produce: “I would build that dome in air, a sunny dome! Those caves of ice! And all who heard should see them there, and all should cry, Beware! Beware!” In Kubla Khan, the imagination can even make people fear an otherwise inconsequential event, sequence, or organism.
T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" reveals the unvoiced inner thoughts of a disillusioned, lonely, insecure, and self-loathing middle-aged man. The thoughts are presented in a free association, or stream of consciousness style, creating images from which the reader can gain insight into Mr. Prufrock's character. Mr. Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world's eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S. Eliot uses very specific imagery to build a portrait of Mr. Prufrock, believing that mental images provide insight where words fail.