Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on knights
An essay on medieval knights
An essay on medieval knights
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on knights
The Knights is the second surviving play from Aristophanes, written in 424 BC. The Knights serves as Aristophanes’ comedic revenge on the Athenian demagogue, Cleon, who brought Aristophanes up on charges of treason and not truly being an Athenian citizen. The Knights focuses on a fictional representation of Cleon, Paphlagon, which ironically bares resemblance to the Asian territory of Paphlagonia, subtly throwing the charges of being a foreigner back in Cleon’s face. The play tells of how Cleon (in this play depicted as a slave to the oligarch, Demos) rose to power through corruption and was eventually overthrown by a common sausage seller named Agoracritus. Central to this plotline are the presence of and prophecies given by oracles. Rather than being revered symbols of religion, oracles are used throughout the course of The Knights as tools to promote specific political agendas. …show more content…
While lamenting over how Cleon has manipulated his way into power, the other two slaves, Nicias and Demosthenes, point out how Cleon is especially adept at exploiting their master’s belief in oracles. Nicias makes several remarks about how their master has “the mind of a farmer” and what a simpleton he is. Examples of this can be found in how their master, Demos, completely bows to the prophecies of oracles and sibyls. Cleon, in turn, uses his master’s superstition to his own advantage. In other words, Demos’ simplemindedness is made evident by the fact that he blindly follows the words of oracles without question. This in turn, makes him susceptible to more cunning men like
The Knight tells a tale that takes place in Ancient Greece. In Athens, a powerful duke name
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
prized. This of course was more of a problem for a rich husband than a
Creon's noble quality is his caring for Antigone and Ismene when their father was persecuted. Creon is a very authoritative person and demands control of others. When talking to the Chorus, Creon does not ask them to agree with the decree but demands that they follow it. Creon expects loyalty from others. It is apparent that Creon is very dominating and wants to be in control. "The man the city sets up in authority must be obeyed in small things and in just but also in their opposites"(717-719). Through this quote the reader realizes that Creon wants obedience in everything he decides even if he is at fault. "There is nothing worse than disobedience to authority" (723-724). Further supporting Creon's belief that everyone shall remain faithful to him even if he rules unfairly. This is proved true when Creon says, "Should the city tell me how I am to rule them?" (790).
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Creon however does not become king. The power of kingship falls into the hands of Oedipus’s two sons, Eteocles and Polynices. In a fight over power Eteocles and Polynices die at each other’...
Many great rulers have been tempted by the authority of absolute power. In Antigone, by Sophocles, Creon, the Theban king, will do anything in order to earn this absolute power. Creon’s prideful attitude, disregard of the authority of the gods, and failure to listen cause him to fail as a statesman, demonstrating the nature of kingship in Sophocles’s Antigone.
Antigone, a tragic drama written by Sophocles explores the different ranges of characters: static and dynamic or flat and round. Creon, King of Thebes in the dramatic play Antigone takes on the role that of a static character. Throughout the whole play Creon believed the idea that he was above the law of the Gods and his decrees cannot be disputed. Unknowingly, who would think that Creon’s sense of pride would cause him the life of his wife, son, and niece? However, at the very end of the play Creon returns to the palace, holding his son’s lifeless body, where he finds out that his wife has killed herself as well. Overwhelmed with grief about the death of his loved ones, Creon turns to the Chorus and says, “Lead me away. I have been rash and foolish. I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched come to nothing. Fate has brought all my pride to thought of dust” (1833). Creon takes responsibility of the death of his son and wife by calling himself a “rash” man and this is where Creon undergoes the changes of a dynamic character by admitting that he was wrong.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
The strengths and weaknesses of the Athenian character traits laid out in the “Funeral Oration” are exemplified by the character of Creon in Sophocles’ Antigone, and suggest that Athenians held certain concerns in the Golden Age of their empire.
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
accuses Creon of plotting with Tiresias to hatch a plan to overthrow him. & nbsp;   ; I don't think that fate is inescapable. If it was, then why would blind prophet Tiresias tells Laius, Jocasta, and Oedipus their future, if not to. let them change. I believe they were all involved in their own 'fate'.
However, the way his actions work and feed the conflict throughout also makes Creon fit our definition of a protagonist. After Antigone's capture, the play centers on Creon. He boasts of his decision to the town leaders (the Chorus in this play), and he argues with Tiresias about his actions and leadership ability. Tiresias' endless enforcement of truth forces Creon to face his mistakes, even though his pride is hurt: "It's a dreadful thing to yield. . . but resist the snare now?
Athens has always been embroiled in one military conflict or another despite being the epicenter for the arts in Greek culture. War directly shaped Athenian culture, and by extension it influenced Greek playwrights and the theater. In 405 when Aristophanes wrote Frogs, Athens was in the midst of a war spanning twenty-seven years with the Spartans. Athenian’s were on their last dredges as many of them were impoverished due to the Spartan blockade (Wise). In Frogs Aristophanes uses comedy to subvert the political climate surrounding the ongoing, but soon to be over, war.