Whiteness In The Green Mile

1553 Words4 Pages
bulb-icon

Recommended: How movies sterortypes ethnic groups

From the eighties to the late nineties the film industry produced a number of films with a dominant theme of whiteness–encompassing stereotypical ideas of African Americans. Frank Darabont directed the film, The Green Mile. The films core’ John Coffey, is an African American inmate who is falsely convicted of rape and murder against two young white girls. John Coffey is a god like personage with the ability to read souls, capable of sensing suffering and joy, and is able to heal others by touch. Coffey was found guilty, and as a result is sentenced to death via electric chair. While on death row Coffey performs a series of healing acts to white people. These acts have an outward appearance of sexual assault and murder. This film has constructed …show more content…

The article, “White” by Richard Dyer explores both sides of the black and white paradigm in mainstream films –while addressing racial inequalities. Dyer talks about the “…property of whiteness to be everything and nothing [and that this] is the source of its representational power…the way whiteness disappears behind and is subsumed into other identities…”(Dyer 825). Also, according to Dyer “…stereotypes are seldom found in a pure form and this is part of the process by which they are naturalized…”(Dyer 826). Through the application of binarism to the film, The Green Mile, this essay will critically analyze the identities of black and white people. For instance, specific examples of the films mis-en-scene will serve as evidence to show the visible binarism and racial symbolism that exist in this …show more content…

Possible explanations could be the bluntly racist remarks the director makes. It is also important to note that The Green Mile is set in a 1935 South, and there is no way Coffey would have gotten a fair trial. Now, we have Coffey, who seems to have been sent by God to save white people. The purpose of all this is for Coffey to fix and save the belief and souls of the white people, no matter what their racist beliefs are. This type of representation is what constructs binarism in a film. This depiction engrains the minds of the spectators, and lets them know that black people are different and are only here to help whites accomplish their goals at the cost of black people being embarrassingly stereotyped. In this film, for Coffey to be depicted as magical is not a complement to black people. This rather infantilizes black people and offends them, since it suggests that black excellence is unheard of and the only way it could happen is if it comes from a supernatural

Show More
Related

  • The Offensive Movie Cliché That Won’t Die by Matt Zoller Seitz

    868 Words  | 2 Pages

    Over the past decades, Hollywood movies have brought out the representations of racial inequality through out various themes of racism and stereotypical ways. One frequent type of racial inequality is that there is a culture or race that is belittled, under-privilege and inferior while the other is superior and high in order. In “The Offensive Movie Cliché That Won’t Die” by Matt Zoller Seitz, He identifies the term “magical negro” as: “a saintly African American character who acts as a mentor to a questing white hero, who seems to be disconnected from the community that he adores so much, and who often seems to have an uncanny ability to say and do exactly what needs to be said or done in order to keep the story chugging along in the hero’s favor” (408) and in Mitu Sengupta “ Race Relations Light Years from the Earth” the author examines the movie Avatar as a racist film, and focuses on how it resembles the “white messiah” stereotype. The term “white messiah” is known as a white individual who hold superior power, according to David Brooks of the New York Times, “a stereotype that white people are rationalistic and technocratic while colonial victims are spiritual and athletic, and that nonwhites need the White Messiah to lead their crusades” (Sengupta 213). Both articles dwell and explain the two terms and how it portrays the themes of racism and stereotypes through two elements, known as author’s purpose and main idea. These elements effectively convey the theme because it prevents our thoughts from being scattered by a broad spectrum of ideas and instead, it tells you exactly what is going to be discussed throughout the article.

    Read More

  • The Offensive Movie Cliché That Won’t Die and Race Relations Light Years from the Earth

    867 Words  | 2 Pages

    Over past decades, Hollywood movies have brought out the representations of racial inequality through out various themes of racism and stereotypical ways. One frequent type of racial inequality is that there is a culture or race that is belittled, under-privilege and inferior while the other is superior and high in order. In “The Offensive Movie Cliché That Won’t Die” by Matt Zoller Seitz, He identifies the term “magical negro” as: “a saintly African American character who acts as a mentor to a questing white hero, who seems to be disconnected from the community that he adores so much, and who often seems to have an uncanny ability to say and do exactly what needs to be said or done in order to keep the story chugging along in the hero’s favor” (408) and in Mitu Sengupta “ Race Relations Light Years from the Earth” the author examines the movie Avatar as a racist film, and focuses on how it resembles the “white messiah” stereotype. The term “white messiah” is known as a white individual who hold superior power, according to David Brooks of the New York Times, “a stereotype that white people are rationalistic and technocratic while colonial victims are spiritual and athletic, and that nonwhites need the White Messiah to lead their crusades” (Sengupta 213). Both articles dwell and explain the two terms and how it portrays the themes of racism and stereotypes through two elements, known as author’s purpose and main idea. These elements effectively convey the theme because it prevents our thoughts from being scattered by a broad spectrum of ideas and instead, it tells you exactly what is going to be discussed throughout the article.

    Read More

  • Race Representation in Friday

    1916 Words  | 4 Pages

    Before we get into the movie specifically, we should first talk about representation and how race is represented in the media in general. Representation is defined as the assigning of meaning through language and in culture. (CITE) Representation isn't reality, but rather a mere construction of reality and the meaning behind it. (CITE) Through representation we are able to shape how people are seen by others. Race is an aspect of people which is often represented in the media in different ways. Race itself is not a category of nature, but rather...

    Read More

  • The Importance Of White Privilege In The Movie Little White Lie

    1056 Words  | 3 Pages

    The famous anti-racism activist Tim Wise once said “The irony of American history is the tendency of good white Americans to presume racial innocence. Ignorance of how we are shaped racially is the first sign of privilege. In other words. It is a privilege to ignore the consequences of race in America.” White Privilege is commonly defined as “a set of advantages and/or immunities that white people benefit from on a daily basis beyond those common to all others.” (What) As White americans living in the United States, you never really pay any attention to the fact that there is a racial “smog” (Marks) living among us in everyday life and you really never realize how it affects the people on the other end who don’t receive this ‘privilege’. White privilege shapes the world we live in by how we go about and interact

    Read More

  • Social Existing Issues Depicted in Fruitvale Station

    1188 Words  | 3 Pages

    The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...

    Read More

  • Response to Movie Ethnic Notions

    700 Words  | 2 Pages

    The film observes and analyzes the origins and consequences of more than one-hundred years of bigotry upon the ex-slaved society in the U.S. Even though so many years have passed since the end of slavery, emancipation, reconstruction and the civil rights movement, some of the choice terms prejudiced still engraved in the U.S society. When I see such images on the movie screen, it is still hard, even f...

    Read More

  • Representing Whiteness In The Black Imagination By Bell Hooks Summary

    1257 Words  | 3 Pages

    “…it is said that there are inevitable associations of white with light and therefore safety, and black with dark and therefore danger…’(hooks 49). This is a quote from an article called ‘Representing Whiteness in the Black Imagination’ written by bell hooks an outstanding black female author. Racism has been a big issue ever since slavery and this paper will examine this article in particular to argue that whiteness has become a symbol of terror of the black imagination. To begin this essay I will summarize the article ‘Representing Whiteness in the Black Imagination’ and discuss the main argument of the article. Furthermore we will also look at how bell hooks uses intersectionality in her work. Intersectionality is looking at one topic and

    Read More

  • Racial Identity In The Movie: Do The Right Thing

    1020 Words  | 3 Pages

    I watched the 1989 film Do the Right Thing produced, written and directed by Spike Lee. As the movie progressed, I identified with the character Tina because she too was a Puerto Rican. I did not realize that my ethnic identity was so salient but this makes sense because it is something you are faced with every day. By this I mean, some social identities can be changeable such as one’s religious preference, but someone's ethnicity cannot. Growing up, I constantly heard Spanish being spoken in my home, I noticed my meals were different than my friends, and cultural aspects such as a tight knit family were very familiar to me. All of these characteristics led to the development of my identity and thus why I can relate to Tina’s character. For

    Read More

  • White Women Race Matters Summary

    1706 Words  | 4 Pages

    In her article "Representing Whiteness in the Black Imagination" bell hooks argues that the distance between the white and black races created a tense relationship between the two. This tension caused a multitude of problems that are still present today including systems of domination, stereotypes of one another, white naivety of their privilege and fear of white individuals. Similarly, Ruth Frankenberg 's article "White Women, Race Matters" discuss these issues but from the perspective of a white feminist. Many of the same points can be connected to hooks ' arguments because the main aspects with races focus on the idea that whiteness is a perspective in which we see ourselves, others and society and also that whiteness continues to remain

    Read More

  • The White Savior Complex, Neo-Racism, White-Washing, and Hollywood

    759 Words  | 2 Pages

    The White Savior Complex is a damaging subconscious underlay of the Hollywood system, and more broadly all of western society. It is used to further separate the notions of “us” and “other” by creating a firm separation fueled by self-righteousness, and a sense of entitlement. Hollywood attempts to address race relations, but fails because of this trope. Kingsle, from the article “Does My Hero Look White In This?” described that both racism and colonialism are acknowledged, but not without reassuring that not only were white people against the system of racist power dynamics, but also were actively fighting against it in leadership roles (2013). In the remainder of my essay I will be commenting on many modern films and their use on this trope, and why subscribing to this filmmaking strategy is problematic.

    Read More

  • Movie Crash Film Analysis

    785 Words  | 2 Pages

    As a fan of cinema, I was excited to do this project on what I had remembered as a touching portrait of racism in our modern society. Writer/Director Paul Haggis deliberately depicts his characters in Crash within the context of many typical ethnic stereotypes that exist in our world today -- a "gangbanger" Latino with a shaved head and tattoos, an upper-class white woman who is discomforted by the sight of two young Black kids, and so on -- and causes them to rethink their own prejudices during their "crash moment" when they realize the racism that exists within themselves. This movie does provoke a dialogue on race that, according to author and journalist Jeff Chang, "has been anathema to Hollywood after 9/11. " During the first viewing of this movie, the emotionally charged themes of prejudice and racism are easy to get caught up in. (125) Privilege is inclined to white males through every facet of our everyday lives that inconspicuously creates racism through classism.

    Read More

  • To Kill A Mockingbird Stereotypes Essay

    1452 Words  | 3 Pages

    For many years, African Americans have faced the challenge of being accurately and positively portrayed within mainstream media, such as American made films. They are often represented as people who are inferior to those of the Caucasian race, and are frequently presented with problems that are related to racial discrimination. The portrayal of African Americans in media such as movies has often been considered a large contributing factor to the racial tensions that still exist in our world today (Lemons, 1977). The movie, To Kill a Mockingbird, sheds light on the portrayal of African Americans in movies, and how stereotypes can greatly impact the lives of those who are not of the Caucasian race.

    Read More

  • Racial Stereotypes on Television

    1870 Words  | 4 Pages

    Woll, Allen L and Randall M Miller. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. n.d. Print.

    Read More

  • Racial Stereotype in the Movie The Green Mile

    1270 Words  | 3 Pages

    In conclusion the movie The Green Mile captures the stereotypical black man as they were seen in the pre-Civil Rights era. Duncan’s character could have not been more of a insult to the black community. People of color should not be discriminated against for haw they look, like any other race they are intelligent and beautiful people with a rich culture that dates back thousands of years. This movie, though good, has its racial intonations. The character John Coffey was an innocent man who got caught in the crossfire of the race wars.

    Read More

  • Scene Analysis of "The Green Mile"

    723 Words  | 2 Pages

    The film The Green Mile was originally written by Stephen King and later directed by Frank Darabont. It is based on the guards and inmates of a penitentiary’s Death Row during the great depression. There is a certain monotony that comes with working on Death Row and Paul Edgecomb, played by Tom Hanks, has become numb to the fact that he is paid to take lives; that is until John Coffey gets sentenced to death and is sent to Paul’s “green mile”. John Coffey is a very large black man that was accused of rape and murder of two little girls, and in the 1930’s having charges like that brought upon you was grounds for the death penalty, especially for a black man in the south.

    Read More

More about Whiteness In The Green Mile

Open Document