Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Hinduism cultural practices
Hinduism cultural practices
Colour symbolism essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Hinduism cultural practices
The authors, Ronnberg and Martin, of The Book of Symbols present the colour white with the help of different approaches. They argue, “the milky, maternal ocean of Hindu myth is the source of all the fundamentals of the cosmos” (Ronnberg and Martin 660). Through the fact that the novel is based on Indian society and Indian culture, the white tiger can be referred to Indian cultures’ society and Hinduism belief.
The colour can also represent “the ash or salt of bitter suffering and hard-won wisdom” (Ronnberg and Martin 660). White is said to be untouched and pristine and monotonic (660) but white, with the help of light and shadow, can get many different shades.
As Michael Meyer argues, symbols appear in everyday life, and the colour “white
symbols innocence” (40). When considering clothes, for example, white is a strong symbol for different ceremonial occasions. On the one hand, in some cultures white signifies the bride’s virginity and innocence before their marriage. On the other hand, white can symbolize the grief over a person at funerals in other cultures. In other cultures white people, so-called albinos that are humans with melanin unsoundness are venerated for their appearance. They are rumoured to be a near-deity, who can cure from diseases. Other cultures, however, despise them, because they are rumoured to be possessed by the devil, for what they were murdered. White can consequently be both, positive and negative. Equally as the white tiger, white is very seldom. Technically white does not exist at all. In the colour wheel it is the mixture of all colours together that built white. Therefore white is very seldom and this rarity, in animal world/fauna, has a great vogue in today’s society. Through its popularity animals with white fur have a huge amount of enemies that caused the extinction of those rarities. They were not guarded but rather hunted in order that people can primp themselves with their fur and corpses as trophies.
Ideally, the author and the audience must share mutual feelings, and the use of universal symbols in the novel is crucial in understanding the tragic that the family faces (Duckart n.pag). However, the use of universal symbols in Otsuka’s book takes a different dimension by attaching personal symbols to the ideas and feelings of the reader. In the end, nature, colors, and animals are recurrent symbols that are integral in embracing individual symbols that are attached to the tragic times that the Japanese-American family
“Symbolism.” Dictionary of World Literature: Criticism - Forms - Technique. Ed. Joseph T. Shipley. New York: Philosophical Library, 1943. 564-9.
White is a colour which appears many times throughout the novel. At first, it is used to describe Daisy. The first thing Nick mentions when he sees Daisy in East Egg is that she is wearing a white dress. This colour is related to Daisy, it is "her" colour. Daisy´s clothes are always white, her car is white, she even speaks about her "white childhood". This colour represents her purity, her innocence, her unperturbed self.
“The old man isn’t there anymore,” she replied back, letting her know the old man died. The author states she realized the color white is associated with Chinese death, after arriving
In conclusion, Fitzgerald uses colours to express the different themes in the novel. The colour grey in the Valley of Ashes symbolizes all of the corruption, while the colour blue represents the reality that is blinded throughout the plot, and green represents all of the jealousy and envy. In the end, the colours have a lot of important significance to the book, just as certain colours may have importance to people.
Symbolist mentality is a pattern which can be observed in every Indigenous Religions; it offers an animistic view of the world which helped the tribal cultures to survive and be in balance with nature. Molloy argues that "In a world that is animated by spirits, human beings must treat all things with care. If a spirit is injured or insulted, it can retaliate." (Molloy, Michael. Experiencing the World's Religions: Tradition, Challenge, and Change. Boston: McGraw Hill Higher Education, 2008. Print.)
Although colors are usually represented and used for the recollection of joyful experiences, Death uses the colors of the spectrum to enhance the experience of the Book Thief and as well as him own life too. In Death’s narration, his use of the colors illustrate the great ordeal of suffering and pain throughout the book’s setting. As an example Death says “The day was grey, the color of Europe. For me, the sky was the color of Jews” (Zusak, 349). This quote effectively describes Death’s use of the colors by relating it to the events taking place. The colors give perspective to the agony and painful hardships going on in the life of WWII. In a regular setting, colors are used to describe happy memories and any basic descriptions of a setting. Death says “Whatever the hour or color…” (Zusak, 5). By saying this quote, Death establishes the colors a...
Symbolism can also be represented by weather and colors such how it is done in “The Jilting of Granny Weatherall” by Katherine Anne Porter. Throughout the story, Porter uses weather such as fog to represent hell and uses bright colors such as blue to represent what is good such as Heaven. The bad weather that Granny fearfully visions throughout the story symbolizes not only her death to come, but her fear of going to
The Color of Sin by Sherman and Clore discusses the relationship between sin being dirty and dark, and purity being white and clean. It details that white and black are not just analogical assertions but actual perceptions of moral purity and pollution. As the article states, “black is not just the opposite of white, but it is also a potent impurity that can contaminate whiteness.” Conversely, white is known to be an easily tarnished thing that to remain pure must remain unstained. White is therefore known to be a symbol for moral purity. These universal associations were so strangely believed, that they were tested using various methods. Research by Stabler and Johnson 1972, showed that kids typically tended to associate black boxes with negative contents and white boxes with positive objects. This association could be because black is the color of night, uncertainty, and
Chopin uses the color white again and again in “The Storm” symbolizing the purity and innocence. Chopin states that Calixta “unfastened her white sacque at the throat,” showing us how she was releasing herself, like if she was being unleashed from a chain (531). Chopin describes the house...
The color white is associated with purity, and innocence. In the novel Nick describes the room in Tom’s house where Daisy and Jordan are introduced. He describes the room as “bright” and the windows as “gleaming white against the grass”. The dresses Jordan and Daisy are wearing are also white. In the first chapter, Daisy and Jordan’s “girlhood” is described as “beautiful and white”. Childhood represents innocence and because the color white is associated with it, white becomes a representation of innocence as well. The affect the color white makes is the impression of a pure, clea...
A symbol is any “‘object, act, event, quality, or relation which serves as a vehicle for conception’” (230). Peyote Hunt: The Sacred Journey of the Huichol Indians by Barbara Myerhoff is a very intricate text which involves numerous aspects of symbolism. Myerhoff not only applies a much deeper meaning to deer, maize, and peyote, but she also uses these objects as a representation of divine beings and spirits. The deer, maize, and peyote are very powerful entities but together they form the deer-maize-peyote complex, which is central to the Huichol life. The unification of these disparate objects can be easily understood once they are analyzed on three different levels: exegetical, operational, and positional.
Sita, silhouetted against a fiery orange window in a green sari, is about to embrace Radha, her lover (image 1). Against their family’s morals and their country’s traditions, these women are in love. Fire, an Indian film by Mehta Deepa, is a film which deals with the topic of lesbianism in India, and the dominance of males over females. Aesthetically, Fire has a second layer of meaning conveyed through the use of symbolic imagery, light, and colour. This paper will analyze the symbolic emblems, lighting techniques, and colour choices which enhance the major themes in this film.
Her withdrawal from the world is also presented in this passage. She chooses to move into the white room, now no longer decorated by the previous inhabitant. White can be a very cold, sterile color, and it serves to illustrate her lack of attachment to the room or to her own home.
Classical Hindu Mythology. Cornelia Dimmitt and J. A. B. van Buitenen. Philadelphia: Temple University Press, 1978. 38-40. Print.