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Essays on fear of death
Postmodernism theories in literature
The theme of death used in literature
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White Noise by Don Delillo uses the unusual story of Jack Gladney and his family to illustrate the postmodern ideas of death. The influence of death's presence on the character's mentality, consumerist behavior and everyday life, manipulates the thought process and actions that the characters display. Those which are most conscious of death such as Jack Gladney and Babette are more connected to and consumed by it. They are both so controlled by the fear of death that their normal thought process is altered by it. Throughout the novel Jack and Babette experience and react to the fear of death in different ways, which affects their perspective on everything surrounding them. This shows how a universal thing such as death causes a reaction that …show more content…
Because the fear of death is constantly smothering the characters they find that a means of escape is essential. Babbete does everything she can to escape death and comfort herself from the constant fear that grips her: "it involves an indiscretion. This was the only way I could get Mr. Gray to let me use the drug. It was my last resort my last hope. First I'd offer him my mind. Now I offered my body" (84). Babette is so obsessed with escaping death and freeing her mind from its constant barrage that she begins to take a pill called Dylar. A remedy that makes her forget her fear of death, but in doing so causes her to lose hold of reality, of which death is an inevitable part. When Babette’s pills are withdrawn, the fear of the thoughts of death returning, drive her to an affair, to again get Dylar. This fear of death pushes her to take faulty actions so she doesn't have to face the reality, which is she is going to encounter death. Dylar is a way for Don Delillo to demonstrate how we create and seek distractions to avoid thinking and feeling, about what is waiting for us at the end of the line. These diversions are present not only in the novel but in our everyday life. Pills, media, alcohol, and sex are all devices used by a culture looking for easy answers and a way to numb reality. Therefore, like the characters they don't have to face the truth such as death and an ultimate
A horrific aspect of life that many people have a difficult time dealing with is death. The thought of death scares people because as humans we do not have a way to comprehend something that we cannot test, see or even have a grasp of. When a person loses a loved one they get scared by this reality of that they do not know where they are going and when they make it there how will it be for them. In William Faulkner's book, As I Lay Dying, we go through the process at which a family loses a “loved” one and we follow the family all the way until the deceased, Addie Burden, is buried in Jefferson. In As I Lay Dying you see the steps of grieving are different for many people and some of the people will come out destroyed and others without a scratch. The character Cash goes through a process of grief, odd to most in his way of grief we do not see pain because of the pressure he puts on himself to finish the journey for the family. Cash’s brother, Jewel, seems to snap from the pain of losing his mother and he let the pain ingulf his life. Finally, the last
The presence of death in the novel looms over the characters, making each of them reflect on the
There are many short stories in literature that share a common theme presented in different ways. A theme that always keeps readers’ attention is that of death because it is something that no one wants to face in real life, but something that can be easily faced when reading. “Harrison Bergeron” by Kurt Vonnegut and “The Lottery” by Shirley Jackson both exemplify how two authors use a common theme of death to stand as a metaphor for dystopian societies.
In “Hills like White Elephants” and “A Clean, Well-lighted Place” by Ernest Hemingway the reoccurring use of the thought of death is found in both stories. His minimalistic style of writing makes it difficult to see at first, but toward the end, the importance of understanding the impact of the characters’ thoughts of death becomes clear. The characters in both stories are completely different, but there feelings on the thought of death are very similar. In “Hills like White Elephants” the antagonist Jig and the antagonist the older waiter in “A clean, Well-Lighted Place” have similar feelings of sorrow and despair on the thought of death. On the other hand, both protagonist the American and the younger waiter both feel burdened and have a
According to Raymond Williams, “In a class society, all beliefs are founded on class position, and the systems of belief of all classes …” (Rice and Waugh 122). His work titled, Marxism and Literature expounded on the conflict between social classes to bridge the political ideals of Marxism with the implicit comments rendered through the text of a novel. “For the practical links,” he states “between ‘ideas’ and ‘theories’ and the ‘production of real life’ are all in this material social process of signification itself” (133). Williams asserts that a Marxist approach to literature introduces a cross-cultural universality, ensuingly adding a timeless value to text by connecting creative and artistic processes with the material products that result. Like Williams, Don DeLillo calls attention to the economic and material relations behind universal abstractions such as aesthetics, love, and death. DeLillo’s White Noise brings modern-day capitalist societies’ incessant lifestyle disparity between active consumerists and those without the means to the forefront of the story’s plot. DeLillo’s setting uses a life altering man-made disaster in the suburban small-town of Blacksmith to shed light on the class conflict between the middle class (bourgeoisie) and the working poor (proletariat). After a tank car is punctured, an ominous cloud begins to loom over Jack Gladney and his family. No longer a feathery plume or a black billowing cloud, but the airborne toxic event—an event that even after its conclusion Jack cannot escape the prophecy of his encroaching death. Through a Marxist reading of the characterization of Jack Gladney, a middle-aged suburban college professor, it is clear that the overarching obsession with death operates as an...
In a Rose for Emily by William Faulkner, we meet a young woman that is surrounded by death. As the story progresses we find more and more death and decay throughout Emily’s life. This leads to the theme of Death and Dying. Through-out the short story the theme of Death and Dying is represented through many symbols. These symbols include dust, the house and Emily herself. This essay will examine how each of these symbols represent Death and Dying.
One primary element of death is the experience of dying. Many of of us are scared of the thought of death. When we stop and think about what death will be like, we wonder what it will feel like, will it be painful, will it be scary? In Emily Dickinson's poem Because I Could Not Stop for Death, she focuses on what the journey into her afterlife will be like. Dickinson uses the first person narrative to tell her encounter with death. The form that she uses throughout the poem helps to convey her message. The poem is written in five quatrains. Each stanza written in a quatrain is written so that the poem is easy to read. The first two lines of the poem, “Because I could not stop for Death, He kindly stopped for me;” (Clugston 2010), gives you a clear view of what the poems central theme is. Unlike most poems that are about death, Dickinson's attitu...
There is probably no one, among people, who has not considered death as a subject to think about or the events, people, and spirits that they would face after death. Also, since we were little kids we were asking our parents what death is and what is going to happen after we die. People have always linked death with fear, darkness, depression, and other negative feelings but not with Emily Dickinson, who was a reclusive poet from Massachusetts who was obsessed with death and dying in her tons of writings. She writes “Because I could not stop for Death” and in this particular poem she delivers a really different idea of death and the life after death. In the purpose of doing that, the speaker encounters death which was personalized to be in a form of gentleman suitor who comes to pick her up with his horse-drawn carriage for a unique death date that will last forever. In fact, she seems completely at ease with the gentleman. Additionally, their journey at the beginning seems pretty peaceful; as they pass through the town, she sees normal events such as children who are playing, fields of grain, and a sunset. After this, dusk takes place and the speakers gets chilly because she was not ready for this journey and she did not wear clothes that would make her feel warm. Consequently, readers get the idea that death is not a choice, so when it comes, that is it. Emily Dickinson, in her poem “Because I could not stop for Death,” uses personification, imagery, and style to deliver her positive and peaceful idea of death and life after death.
...’s bleak words to Jack represent the human condition he face. In the postmodern American Dream, consumerism serves as “white noise” to forget our death.
In “Because I Could Not Stop for Death,” the speaker is explaining the passage of her own death from beyond the grave in a more tender way. In the beginning, the narrator is too busy for death-- “Because I could not stop for Death/ He kindly stopped for me” (Belasco 1338). The character is not going to wait for her life to end; rather the speaker will live life and allow death come to her naturally. Death is what helps the speaker stop. Death causes the narrator to give up what made her so busy—“And I had put away/ My labor and my leisure too” (Belasco 1338). Death gives the speaker a chance to reflect on life and the memories of it. “Death is figured as the nineteenth-century “gentleman caller,” but one who arrives unexpectedly” (Greenberg 219). The speaker acts kind towards death because she feels that death is chivalrous when it picks her up in a carriage and gives her time when she has none. “The speaker encounters two entities in the carriage when it...
Often when a person suffers through a tragic loss of a loved one in his or her life they never fully recover to move on. Death is one of hardest experiences a person in life ever goes through. Only the strong minded people are the ones that are able to move on from it whereas the weak ones never recover from the loss of a loved one. In the novel The Sweet Hereafter by Russell Banks, character Billy Ansel – having lost his family serves as the best example of brokenness after experiencing death. Whether it is turning to substance abuse, using his memory to escape reality or using Risa Walker as a sexual escape, Billy Ansel never fully recovers from the death of his twins and his wife. This close analysis of Billy’s struggle with death becomes an important lesson for all readers. When dealing with tragedies humans believe they have the moral strength to handle them and move on by themselves but, what they do not realize is that they need someone by their side to help them overcome death. Using unhealthy coping mechanism only leads to life full of grief and depression.
In the final chapter of Don DeLillo’s White Noise, Wilder absentmindedly rode through the freeway with a childlike innocence thus showing the clear contrast in perception of death between children and adults. Wilder’s name already hints at his different nature as compared to the rest of the family. The name suggests something wild, free, savage, nothing that should be associated with society. Wilder demonstrates a lack of development and thus avoids the mentality of knowing an end exists. As Wilder goes on a nearly suicidal ride, Jack describes his misadventure as a mystical tale despite its simplicity: “Wilder, meanwhile, ignoring their cries or not hearing them in the serial whoosh of dashing hatchbacks and vans, began to pedal across the
In Don Delilo’s, White Noise different themes are displayed throughout the novel. Some themes are the fear of death, loss of identity, technology as the enemy, and American consumerism. The society represented in the novel views people as objects and emotionally detached from many things. Death is always in the air and trapped in peoples mind. The culture that’s represented in the novel adds to the loss of individualism, but also adds to the figurative death of the characters introduced in the novel.
As “Thanatopsis progresses, the tone of nature becomes darker and more death oriented, but it still conveys a component of consolation to them. When it is said that, “Bryant had written that, although in death one may lose his "individual being . . . to mix forever with the elements, / To be a brother to the insensible rock," nature taught that one may learn to approach death with trust by living life” (Kagle 152). In this passage, Bryant is saying that once we die, our physical bodies will return to nature forever. He says that a person should prepare for death by living a meaningful life and trusting in nature. To make nature come across as a powerful force, Rio-Jelliffe states that, “Enhancing nature's grandeur heightens the attractiveness of man's final resting place, but contrarily, intensifies rather than mitigates feelings of sorrow and loss which, from the start, imbues natural objects in the body of the poem” (Rio-Jelliffe). A possible reason as to why Bryant chose a more somber tone in parts of “Thanatopsis” is for the effect of making nature appear more powerful. People both fear and respect power. The fearing of God is a prevalent part of most Puritan literature. This fear caused people to obey and trust God’s word in order to save their souls from damnation after they had died. Similarly, Bryant wants to get the reader to trust the power and grace of nature so that death will be
Death it is something we all must face at one point in our lives or another. It is either a death of a loved one, friend or co-worker. Sometimes it’s the devastation from a natural disaster. No matter what makes us face the idea of death it is how we handle this realization that truly matters. When Gilgamesh is faced with the horrendous loss of his dear friend and comrade Enkidu he begins to fear death. In Gilgamesh’s youth he is proud without fear of death, it is not until he watches his friend die that his own mortality becomes a fear.