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The media's portrayal of body image
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When In Doubt, Simply Walk Up Nine Flights Of Stairs
Have you ever gotten into an awkward situation? If so, then the comedic short film, The Elevator would be the perfect representation of that moment in your life.
This award winning short, directed by Greg Glienna, begins with a very slim man walking toward the elevator. The character’s name is unknown, which allows viewers to better identify with this strange man with no name. He presses the button and patiently waits for the elevator doors to open. When the doors finally open, he walks inside.
The closeup of the ninth floor button being pressed proved to be a very significant part of the film. That particular shot foreshadowed every person’s pet peeve. When I’m in the elevator by myself,
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Before the next obese man steps into the elevator, the slim man looks at a sign. The director of the short film was very exact, when incorporating the eyeline match. When the man’s eyes are directed to the sign, the camera immediately cuts to what he’s looking at, causing viewers to become a part of the film’s diegetic world.
During the next shot, the slender man begins to calculate what he perceives to be the strangers’ weights. His weight assumption for others is an accurate representation of weight assumption in today’s society. There’s a plus sized section in mainly every retail clothing store nowadays, which proves that society isolates overweight individuals from lean individuals.
After calculating that their combined weights were over the elevator weight capacity, the elevator dropped down to the first floor again. There was no reaction from anyone, which showed confidence that the overweight people didn’t care how much they weighed. They were happy with themselves, and that seemed to be all that mattered to them.
As the elevator proceeded to rise up again, it stopped on the fifth floor, where an even more obese man was walking toward the elevator. Before he reached the doorway, the slim man pushed through and got out of the
However, with this transition, some questions come up: What is the difference between being ridiculed and being pitied for? Is it really that much better to be pitied for? Answers to these questions would have made the transformation process of the term “fat” clearer. Though there is no doubt that Carver is making a statement here with the waitress’s pity, it is more than just pity for the fat man and more than just the presence of “the grotesque” (Kurkjian 2). It is seeing the fat man beyond his fat, someone who is mannerly and also shameful of his weight. When the waitress interacts with him, he thanks her for the food, forgives her for spilling his water, and frequently says that “they” (himself) do not eat so much all the time (Carver 67). The waitress realizes the kind-hearted and self-critical man he truly is and stands up for him when her fellow employees mock him. Carver does not change the term “fat.” In reality, he emphasizes the perception of what is beyond being fat, that there is more under the surface of what he or she looks like. Here, Carver is, in fact, using the Freudian idea of superego, which “concentrates on the mind of morals and ethics” (Abrams
In “Cruelty, Civility, and Other Weighty Matters” by Ann Marie Paulin, she was trying to get across a very important message: skinny doesn’t mean happy. The main idea was about how our culture in America encourages obesity because of the food choices they offer, how expensive weight loss pills and exercise bikes is, and etc., yet the culture also is prejudice against these same fat people that they encourage. It’s a constant back and forth in America between what is convenient with the little time we have in between everything we have to do each day and working out to be skinny enough for everyone to not judge you. Ms. Paulin wrote this article for literally everyone, this article was for skinny people to show them like hey, you’re not all
The article “Fat and Happy: In Defense of Fat Acceptance” is written by Mary Ray Worley, a member of the National Association to Advance Fat Acceptance. She writes of her firsthand experience as a “fat person” in society. Throughout the article, Worley explains what it is like to be obese and describes the way society treats those who have a weight problem. She attacks the idea of dieting, criticizes medical professionals for displaying an obscured view of health risks, and defends the idea of exercising to feel good rather than exercising to lose weight. Unfortunately, her article seems to reflect only own opinions and emotions rather than actual facts and statistics.
In the article, “Too ‘Close to the Bone’: The Historical Context for Women’s Obsession with Slenderness,” Roberta Seid goes in depth on the emotionally straining and life altering trials women take on to try to portray society’s “ideal” body over time. She delves far into the past, exposing our culture’s ideal body image and the changes it has gone through over time. The article brings to light the struggles of striving to be the perfect woman with the model body. On the other hand, in the article “Rethinking Weight”, author Amanda Spake, details the many differing views of obesity. Spake voices her opinion on the idea that being overweight, and not losing weight, is caused by laziness. “Too Close to the Bone” and “Rethinking Weight” both deliberate about weight issues that are
Obesity and opposition are the two main issues of this film. The issue of obesity, treated lightly in the beginning of the film and then severely by the end, reflects society’s approach to weight loss. To ...
“Buddy the Elf, what’s your favorite color?” - Everybody has seen the very well know movie Elf. Its apart of every child's Christmas. The one thing that makes the movie so funny is the main character’s social abnormalities. He does things that most people would not even think about doing, such as sleeping in a display window, or screaming while running in a revolving door with disregard of how people would look at him. Breaking such social norms would give people a reason to make jokes and watch you with a disapproving eye. Being from an entirely different world, one of the many things that fascinated Buddy was this magical thing called an elevator. If you have seen the movie, then you know that he acts all excited and presses every button in the Empire State Building’s elevator and claims it looks like a christmas tree. The man that is with him in the elevator of course looks at him strangely, because as well all know, Buddy does not follow the social norm. Buddy’s example of breaking a social norm is what I did for this project. He didn’t know that in today society this would have been odd behavior, which is what makes the movie so great. So for about a half hour I decided to be adventurous and just have fun.
This country places great value on achieving the perfect body. Americans strive to achieve thinness, but is that really necessary? In his article written in 1986 entitled “Fat and Happy?,” Hillel Schwartz claims that people who are obese are considered failures in life by fellow Americans. More specifically, he contends that those individuals with a less than perfect physique suffer not only disrespect, but they are also marginalized as a group. Just putting people on a diet to solve a serious weight problem is simply not enough, as they are more than likely to fail. Schwartz wants to convey to his audience that people who are in shape are the ones who make obese people feel horrible about themselves. Schwartz was compelled to write this essay,
Interest in the social aspects of obesity is nothing new. Jeffrey Sobal has written extensively about the social and psychological consequences of obesity , including the stigmatisation and discrimination of obese and even overweight individuals (Sobal 2004).
Sociocultural standards of feminine beauty are presented in almost all forms of popular media, revealing women with images that portray for what is considered to be the "ideal body." Such beauty standards for most women are completely unattainable; what is seen on TV Is another story, majority of models are considered to be well below what is known as a healthy weight. Media conveys a practical message using models that are not considered to be healthy and stating that in order for a woman to be considered beautiful, she must be unhealthy, or “thin.” The mindset in today’s society for many women is that you need to be thin, which is all too predominant and for females it makes it more difficult to achieve any level of serenity of their physical appearance. In the American culture, the “ideal body” for a female is represented very negatively, as it has dramatically changed. The number of people who are thin is starting to be the minority, while the people who are overweight/obese is going to other way and is the majority. Andre Dubus, the author of the short story "The Fat Girl," demonstrates each of these traditional behaviors towards the overweight main character, Louise.
knock at the door and Mr. White answered it to let the man in. His name was
The negative encounters have caused social withdrawal and isolation from certain societal events. Annis et al (2004) argued that the negative opinions regarding obese people starts in childhood when early stigmatisation alters the internal schemata, leaving the person susceptible to depression, poor quality of life and social anxiety. The participants seemed to determine their quality of life in line with their physical functioning and how others treated them, which had a strong influence on relationships and interaction, which were uncommon beyond their immediate family. This theme also touched upon physical functioning. Shilling (2003) suggests that a person’s life experience is mediated via the body. The result regarding the capability to act, live and function in public is reliant on by what means the body is handled through space and
Libal, Autumn. "The Poor Get Fat, The Rich Get Thin?" Social Discrimination & Body Size: Too Big to FIt? 2005. 40-55. Print. 10 Nov. 2013.
Feldman, Jamie. “Finally, A Realistic Look At The Plus-Size.” The Huffington Post, TheHuffingtonPost.com, 30 June 2015, www.huffingtonpost.com/2015/06/30/plus-size- model-documentary_n_7696740.html.
At the beginning, Schwartz writes how the community around the fat people is to blame, particularly the citizens (179). He uses commercials and common phrase to justify this argument(179). He compares fat people to "persecuted like minorities", implying that they are ridiculed due to their unique condition (180).Schwartz also states, that society will not be satisfied, until all fat people are gone (183). The author of "The Problem with Fat Jokes, Romeo Vetilli, claims that we live in an "anti-obese society." Schwartz persuades the reader to agree with him by using emotional appeal and common phrases.
It is not an unknown fact that in today’s society many adolescents are dissatisfied and ashamed of their own body size. Bombarded with social media’s ideal body type and lofty, unattainable standards on a daily bases young adults are always fighting an uphill battle for self-worth. They are expected to constantly jump through pop culture’s skintight size two hoops in an attempt to avoid the growing stigma of an “unsatisfactory body size”. With the constant negative stereotyping of heavier set individuals, society has instilled in young people an inherit dislike for larger body types causing prejudice solely based on the size of an individual’s clothes. It seems the harmful trend of low self-esteem and weight based prejudice is an unavoidable issue for our current society as a whole transcending the gap of both the genders, the races, and, as a study so recently showed, the ages.