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Characterise shakespeare plays short topic
Shakespeare's plot and characterization
Shakespeare and his characterization
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In the poem, “Buffalo Bill’s” by E.E. Cummings the form of the poem is very free flowing which means it has a open form style. The poem is written this way because the author is commemorating “Buffalo Bill’s” death. In line 2, the word “defunct” could be translated to the word death, this already shows the reader a picture of what the poem is about. The poem, “Let me not to the marriage of true minds” by William Shakespeare is about free forming love between two individuals. The poem talks about how true love is unbreakable and can weather any storm, love will stand the test of time no matter what the barrier is, even until death. There is support to this in line 4, “Or bends with the remover to remove” the word “bends” which could translate
In order to prove the first premise, this essay will begin by examining the last line of the couplet which argues that the lovers are trying to "cure the secret sore". This line prompts the idea that love is a sore that needs a cure, but it also raises two questions: (1) why does the speaker call love a secret sore? And (2) how does the speaker use this imagery in the rest of the poem? In the poem's mythology, love is a sore left by Love's arrow (which probably alludes to Cupid's handy-work) as described in the first line of the poem: "he who feels the Fiery dart/ Of strong desire transfix his amorous heart". The "secret sore" can also refer to the idea that Love's wound is concealed (as an internal injury), and thus cannot be helped by external/physical remedies. The speaker argues that even sex proves unprofitable in trying to cure love: "Our hands pull nothing from the parts they strain,/But wande...
In the poem, the act of 'waltzing' symbolizes love, though not without some strife. "Such waltzing was not easy" (Roethke pg 602, 4)....
The structure of this poem is complex and it tied directly into the figurative meaning. This poem consists of three quatrains written in iamic meter but with no set number of feet per line. Also, the second and fourth lines of each quatrain thyme somewhat. Perhaps the most perplexing attribute of the structure is that Dickinson capitalizes words in mid-sentence that would not normally be capitalized. This could represent decaying objects; capitalized words represent things still standing and lowercase words represent things decayed. This poem is choppy at timed, but it flows smoothly at others. Long hyphens throughout the poem slow down reading speed. This could be compared to the rate of decay. Sometimes decay is rapid, sometimes it is slow. the last three parts of the poem’s structure help create its figurative meaning.
This work shows a number of things about Dickinson's style of writing. Firstly, it is another example of Dickinson's style of structure, with a loose ABCB rhyme and iambic trimeter. Its theme is of hope which hints at a cry for help signifying further isolation and depression. The poem seems to have an audience of just herself. This could be a poem that she wrote in an attempt to cheer herself up in a time of sadness with an uplifting verse or just a poem written because of how she felt that day; either way it is clear that this poem was not designed for a large audience.
So begins No Thanks, a book of poetry written by the already well-established Edward Estlin Cummings. When most people think of poetry, certain vocabulary comes to mind. Imagery. Rhyme. Meter. Flow. Figurative language. When the poetry of E.E. Cummings is mentioned, these stereotypical poetic techniques are forgotten. Instead, the mind focuses on Cummings' technique of avoiding technique. The lack of capitalization and nonstandard punctuation most likely begin the list of Cummings' nonrules in the minds of many. Sadly, the knowledge of...
This source is reliable because it provides all the information needed to write a biography on E.E. Cummings. It has an author’s biography, poem text, poem summary, themes, style, historical content, and a critical overview. It gives a brief summary of each line of the poem, so I have a clear understanding of what the poem means. This poem displays Edwards’s poetic innovations that distinguish his verses. Two of Cummings most significant contributions to modern poetry were word play and unusual spatial arrangement.
In the poem “Friendship”, Katherine Philips writes her perspective over love, marriage, and friendship. When describing love, Philips compares it to heaven, claiming, “nature subsists by love…Love chains the different elements in one great harmony, linked to th’ Heavenly Throne,” (Friendship, line 5-8) and if a person knows how to love, then they are worthy enough to do so, according to heaven. If one cannot love, they are thought to be worse than a beast. When Philips is writing of this incredible love, she is not referring to a romantic love, the love Philips describes would be the love throughout a friendship. Her opinion of marriage shows in lines 29-34, as she writes, “The marriage-tie hath much of honor and divinity, but lust, design, or some unworthy ends may mingle there.” Even though it is possible for marriage to be a wonderful life choice, the factors that could end that relationship do not exist in a friendship. Love is often misinterpreted into something it is not by those who are married in order to fit a couples relationship. It is only through a friendship that one feels real, true love. In line 33, Phillips writes that friendship is more of a mental aspect, rather than just the physicality of many marriages in the 18th century. Philips idea of many marriages is that they are “Like earthly fires…is with offensive smoke accompanied, and by resistance only is supplied” (Line 39-42), in order to keep a marriage going, one must constantly put in effort and watch it to be sure that the fire does not die, however, even if the relationship is working, a couple will still have on-going problems, much like a fire has constant smoke. Friendship, on the other hand, is a “fiery element, with it’s own heat and nourishment content.” (Lines 42-43) Very few things can truly affect a friendship; it does not need constant help because a good friendship is strong. Friendship to
Deceiving and irrational, love can be a challenging emotion to endure. It can be difficult to find happiness in love, and on the journey to find that happiness, love can influence one’s thought process. Shakespeare uses specific wording in his play, A Midsummer Night’s Dream, to poke fun while exploring the individual’s quest for love. The desire to find love and a happy ending with a lover is so strong in the foundation of mankind, that people will not accept a life without it. In fact, they would rather give up their attribute of rationality than their opportunity to find a significant other. The heart’s control of the mind can make a foolish man.
yet never means to wed where he hath wooed" (act 3 Scene 2 Lines 15-17).... ... middle of paper ... ... In this play, as any other, Shakespeare proves to be a visionary.
The poem "The Iceberg" is a metaphor for life, it is the voice of something that has approached the end and is facing death with the peacefulness of calm waters but with the forcefulness of a massive iceberg. What makes the poem more personal is that it is written in free verse. Free verse is known as "open form" verse. It is printed in short lines rather than continuity of prose, it differs because its rhythmic pattern is not organized into meter. Most free verse also has irregular line lengths and lacks rhythm1, all of which this poem possesses. Writing the poem in free verse allowed the poet to express himself fully and without any limitations. This coincides with the poem being written in the modernist period, which was first and foremost an era in which all traditionalist literary forms of the 19th century were abandoned.
“The noble knight slays the dragon and rescues the fair maiden…and they live happily ever after.” This seemingly cliché finale encompasses all the ideals of courtly love, which began in the Medieval Period and still exists today. While these ideals were prevalent in medieval society, they still existed with much controversy. Geoffrey Chaucer, a poet of the period, comments on courtly love in his work The Canterbury Tales. Through the use of satiric elements and skilled mockery, Chaucer creates a work that not only brought courtly love to the forefront of medieval society but also introduced feministic ideals to the medieval society. At times, Chaucer even makes readers question his beliefs by presenting contrasting elements of principle in The Knight’s Tale and The Wife of Bath’s Tale, both tales told in his profound, multifaceted The Canterbury Tales.
This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
Throughout his poetry, E. E. Cummings seduces readers deep into a thicket of scrambled words, missing punctuation, and unconventional structure. Within Cummings's poetic bramble, ambiguity leads the reader through what seems at first a confusing and winding maze. However, this confusion actually transforms into a path that leads the reader to the center of the thicket where Cummings's message lies: one should never allow one's experience to be limited by reason and rationality. In order to communicate his belief that emotional experience should triumph over reason, Cummings employs odd juxtapositions, outlandish metaphors, and inversions of traditional grammatical structures that reveal the "illogic" of reason. By breaking down the formal boundaries of his poetic structures, Cummings urges his readers to question boundaries of any kind. Indeed, in the same manner Cummings's literary style appears to be uncontrolled; many of his poems, such as "since feeling is first" and "as freedom is a breakfastfood," in turn suggest that emotion provides the compositional fabric for our experience of life, and therefore, emotion itself should never be defined or controlled.
The overriding theme of the play "A Midsummer Night's Dream" by William Shakespeare deals with the nature of love. Though true love seems to be held up as an ideal, false love is mostly what we are shown. Underneath his frantic comedy, Shakespeare seems to be asking the questions all lovers ask in the midst of their confusion: How do we know when love is real? How can we trust ourselves that love is real when we are so easily swayed by passion and romantic conventions? Some readers may sense bitterness behind the comedy, but will probably also recognize the truth behind Shakespeare's satire. Often, love leads us down blind alleys and makes us do things we regret later. The lovers within the scene, especially the men, are made to seem rather shallow. They change the objects of their affections, all the time swearing eternal love to one or the other. In this scene Shakespeare presents the idea that both false love and true love can prevail..
In the first stanza we can see that all the words fit together and they express the same feeling. We can clearly see that the beginning of each line is not capitalized and that some thoughts are stopped, such as “to” and “attention” from line to line. When looking at the second stanza there is assonance. In the phrase “and kisses are a better fate” (Cummings, 1931, L.8) the “e” sound is the same in these words. We can see assonance again in the line “wholly to be a fool while spring is in the world” (Cummings, 1931, L.5-6) the “o” sounds in the words “to” and “fool” are the same. Cummings wrote the stanzas like this to show that the poem is meant to be tied together. Personification is also used in the third stanza "my blood approves"(Cummings, 1931, L7) giving human characteristics to something non-human. In this poem life is compared to a paragraph, and death is compared to parenthesis. Cummings seems to note that life and death cannot be summed up in poetry, or in any writing at all. He suggests that life is substantial and death is not an afterthought or an unimportant side note. Life and death are vital beginnings and endings which every person must face, and writing cannot begin to explain the extent those things possess. Cummings' use of contrast to make the reader understand the irrelevance of writing compared to living life to the