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Julius caesar shakespeare female characters
Julius caesar shakespeare female characters
Literary analysis of shakespeare
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William Shakespeare the author of Julius Caesar. In this story, Portia the wife to Brutus feels based on his behavior something is bothering him. He had urgently left the bed and the night prior and he arose from supper as he walked about, as something is bothering him. Portia begins to beg her husband to tell her what is on his mind and why he was being so secretive. Portia has a tone of serious concern, as she feel she has been left in the dark. As his wife, she is not used to seeing him or his mind so distributed and secretive. As in line 242, “when Portia says, I asked you what the matter was, you stared upon me with ungentle looks.” It is apparent that Brutus behavior is vastly different from his past actions. As Portia describes
Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on the villains who killed his beloved Caesar. After Antony turns a rioting Rome on him and wages war against him and the conspirators, Brutus falls by his own hand, turning the very sword he slaughtered Caesar with against himself. Brutus is unquestionably the tragic hero in this play because he has an innumerable amount of character flaws, he falls because of these flaws, and then comes to grips with them as he bleeds on the planes of Philippi.
The play The Tragedy of Julius Caesar by William Shakespeare showcases many characters and events that go through many significant changes. One particular character that went through unique changes was Julius Caesar. The 16th century work is a lengthy tragedy about the antagonists Brutus and Cassius fighting with the protagonists Octavius, Antony, and Lepidus over the murder of Julius Caesar. Although the play’s main pushing conflict was the murder of Julius Caesar, he is considered a secondary character, but a protagonist. Throughout the theatrical work Julius Caesar’s actions, alliances, character developments, and internal and external conflicts display his diverse changes.
The issues involving The Tragedy of Julius Ceaser is an equivocal topic, although to narrow one down is to reiterate how the men and women are viewed in this society. This play written by William Shakespeare, he introduced numerous characters but there are a few focal characters that surface around the idea of a bend in gender roles. To clarify, the characters that illustrate this are Julius Ceaser, the romans leader, as well as, his wife Calpurnia; and the other being Brutus, Ceasers friend, and his devoted wife Portia. This book reveals how dominance was ensued in men, while women’s worries were taken into account, but when challenged by a man’s there was no decision to be made the man hurled toward their fellow man’s idea. They felt that the men made more logical decisions when in fact that was utterly wrong.
Since the Elizabethan era, society has been familiar with William Shakespeare’s play The Tragedy of Julius Caesar. Throughout the play, Brutus struggles to confront his internal conflict, which later leads him to join the conspiracy to assassin Caesar. After the assassination of Caesar, Brutus does not realize the fact that the Romans despise him for his actions taken. When he finally realizes his tragic flaw of gullibility, he tells Strato to kill him, so he would not have to witness him getting defeated in the war against Marc Antony in front of the Romans. Shakespeare wrote the play so that the audience visualizes that Caesar along with Brutus are the tragic heroes of the play, but he does not recognize Portia as a tragic hero; therefore, the audience fails to realize that Portia has the characteristics of a tragic hero as well. In The Tragedy of Julius Caesar, Shakespeare uses Portia to present to the audience the tragic flaw of the struggle to become manlier. In The Tragedy of Julius Caesar, Shakespeare uses Portia to demonstrate that manliness is the highest virtue in society.
Shakespeare uses literary devices to appeal to the audience and persuade them. In Brutus’s speech, he used pathos to appeal to the emotions. When he stated that he did not love ‘Caesar less, but that he loved Rome more, he gave a dramatic sense of patriotic pride. He is so loyal to his own country, he would sacrifice loved ones in order to protect it. It also gave an effect of pity towards him because he sacrificed his friend anyways for the better good. Shakespeare make him appear more sincere.
Shakespeare's The Merchant of Venice exemplifies a principle that is as unfortunately true in our time as it was in his - he who has money also has love, sex, and above all, power. In this case, the use of 'he' is deliberate; 'she,' in the Elizabethan era, rarely had either financial independence or much control over the course of her life. Portia, the deceitful heroine of the play, is a major exception. To put it bluntly, Portia is enormously rich. This unique position allows her to meddle in the affairs of the unsuspecting and somewhat dim male characters, and eventually gives her unprecedented power of self-determination. However, the play is more than a tale of feminine wiles overcoming male dullness of wit. Portia's wealth and intelligence may fuel her successes in marriage and the courtroom, but in each case it is her ability to usurp traditionally masculine roles that guarantees her victory. As Portia exploits the codependence of wealth, masculinity, and public power in her society, she becomes the only woman in the play who consistently controls her own destiny.
Brutus has a naive view of the world. He is unable to see through the roles being played by Cassius, Casca, and Antony. He does not even recognize the fake letters were sent from Cassius. Then Brutus says,“You shall not blame us Antony, in your funeral speech, but speak all the good you can of Caesar.
Brutus, a senator in William Shakespeare's play Julius Caesar, claims the life of Julius Caesar in order to preserve Rome, his country and home. He puts aside his love for his comrade; Caesar to do what he felt was best. Both of these characters, Creon and Brutus, clearly felt compelled to do what each felt was preeminent for their country.
In this character interaction, the two characters have warring motivations. The soothsayer wants to warn Caesar again; this is evidenced by his statements, "I shall beseech him to befriend himself," meaning to protect himself. When he says, "I'll get me to a place more void and there/Speak to great Caesar as he comes along," we find that the soothsayer wants to get Caesar alone, probably because he doesn't know who around him can be trusted. Conversely, Portia wants Brutus to succeed in his assassination of Caesar. When the soothsayer tells her he is going to warn Caesar to protect himself she replies, "Why? Know'st thou any harm's intended towards him?" in an effort to find out what he knows. By her lines "O Brutus,/The heavens speed thee
In life, people and things are not always as they appear. William Shakespeare displays this idea throughout his play, Julius Caesar. The play portrays the historical murder of one of ancient Rome's most precious leaders, Julius Caesar. The play takes its readers through the minds of the conspirators as they plot this massive murder and deal with the responsibilities of its consequences. During the aftermath of Caesar's death, Octavius talks to Antony about how they should bring peace back to Rome. He states, "And some that smile...have in their hearts...millions of mischiefs" (4.1.50-51). Here, Octavius is referring to the false appearance of the conspirators. He says that they might appear harmless, but behind their false smiles is a heart full of dirty tricks. He is also saying that someone's outward appearance doesn't always symbolize how he or she feels inside. This theme of appearance versus reality can be seen various times throughout Julius Caesar. It is developed through the personalities and actions of Antony, Brutus, and Cassius. These characters deceive their friends and add to the intriguing plot of the play.
As a “speculative man of high motives and refined sensibility”(Catherine C. Dominic) Brutus does have his confusion of motives. Act I, scene ii, is the first we see his weakness, “his concern with reputation and appearance, his subtle vanity and pride”(Gayle Green). Yet the main bases of Brutus’s bewilderment of motives takes place in Act II, scene I, with his famous soliloquy beginning with “It must be by his death”. This speech may be the turning point in which Brutus feels better about the assassination of his once called friend.
In the epic poem “The Tragedy of Julius Caesar” written by Shakespeare who has been known for his groundbreaking literary devices used in his works, had a character return in the play as a ghost in a few different occasions, this character was seen again by two characters. Brutus, conspirator with the most cleanest of cuts as said by Antony, was one of the characters whom Caesar returned to as a ghost. Caesar took Brutus under his wing and became him mentor, friend, and family only to be betrayed by someone that he thought would only support and follow him no matter what. The guilt coursing through Brutus’ veins was too much that it caused him to see Caesar, and tried to rationalize his guilt and fear by committing suicide, in addition, act
In Shakespeare’s play Julius Caesar, the character Brutus, was portrayed as a malevolent and hateful person. Although he is forced to betray his best friend and suffer through the bitter passing of his wife, he never lets that distort the goal that he has set, which is to better his country. Throughout the play, Brutus shows very knowledgeable, perceptive, and noble qualities toward the Roman Democracy.
In conclusion, this passage showcases many aspects of Shakespeare’s style. While this play is actually a shift from his normal rhetorical style in that is displays simple prose or poetry, as opposed to his usually complicated and flowery style, Shakespeare’s use of pun is characterizing of his traditional work. Shakespeare shift in style can be attributed to his desire to authentically imitate and portray Roman life, as to make his play more effective. Shakespeare’s maintenance of iambic pentameter meter throughout this passage is also consistent with Roman or Classical society in that it symbolizes, or seeks to achieve balance. The passage also reveals or maintains many things about some of Julius Caesar’s characters. For examples, Brutus’ initial motive for wanting to assassinate Caesar—that it is for the overall good of Rome, and Cassius’ malicious motives.
I would love to write a critical essay about the role of Portia in Shakespeare's Merchant of Venice, hailing her as one of Shakespeare's greatest contributions to the society of the sane; however, I find this impossible after studying the text. At first, I hung on her every word and was amazed at her wit, but later I found her to be just another Shakespearean psycho. Basically, I understood Portia to be nothing less than an obedient daughter obeying the whims of her dead, over-protective father. She speaks in terms of respect about the coffinritual, and the reader believes her to be sincere. Later as her character