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Bluest eye by toni morrison essay author introduction
Racism in literature
Bluest eye by toni morrison essay author introduction
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The Bluest Eye by Toni Morrison and The Catcher in the Rye by J.D. Salinger prove to be significant yet controversial within American literature because it provides an uncensored and unromanticized view of race, gender and class. The Bluest Eye illustrates the specific cultures and histories of African-American women and how social contractions are often tied with racial and gender differences. She provides evidence on the influence white society possess over the erasure and replacement of the black community. Her purpose is to rewrite the history of black Americans whose positive light and image have been eradicated by white supremacy and mass culture. Similarly, in his coming-of-age novel, The Catcher in the Rye (1951), J.D. Salinger critiques …show more content…
Pecola believes she is far from meeting the white standards of beauty, offering no opposition to the judgements implied on to her. Her unconscious assimilation to beauty standards brings her into a state of delirium and worthlessness. Her conviction of her ugliness is rooted from societal standards of beauty rather than from herself: “...long hours she sat looking in the mirror trying to discover the secret of her ugliness, the ugliness that made her ignored and despised at school, by teachers and classmates alike” (Morrison 34). Pecola’s inability to reject and oppose standards of beauty is expected, as every encounter and experience further reinforces her low self-esteem. All members of Pecola’s community, participate in crushing any possibility of a healthy self image of herself. For example, when Pecola heads to the grocery store, the clerk looks at her and her money with disdain: “She looks up at him and sees the...total absence of human recognition the glazed separateness. She doesn’t know what keeps his glance suspended...The distaste must be for her, her blackness” (Morrison 48). From this quote, Morrison describes how non-black members of the community treat Pecola lower than human. She is rejected due to her blackness and therefore her ugliness. Pecola frequently encounters such discrimination not only due to her race, but her gender as well. Such distressing encounters paired with a poor sense of self, Pecola falls victim to cultural expectations and her community’s prejudice. Society has eaten away at her self-esteem and self-worth; thus, Pecola is prevented from developing a positive self image and instead, loses her innocence on account of her community’s own need for self assurance. Living in a community that internalize white beauty standards, and condemned by her peers and parents for it,
The bildungsroman ‘The Catcher in the Rye’ by J.D Salinger and the play ‘A Streetcar Named Desire’ by Tennessee Williams are both post-World War Two narratives which incorporate protagonists that challenge contemporary American attitudes. Blanche DuBois and Holden Caufield are quintessential examples of characters who subvert societal expectations, impositions and hegemony of America in the late 1940s and early 50s, the author and playwright have the plot revolve around these characters and their itinerant lifestyles as they literally and socially move from one milieu to another. Both Salinger and Williams use a plethora of literary devices such as symbolism, juxtaposition and imagery whether it is visual, auditory or olfactory to highlight
One of the best known novels in English-speaking countries, J.D Salinger’s Catcher In The Rye deals with Holden Caulfield’s past trauma which is the triggering factor in his depression, anxiety and alienation. Holden tells an unnamed person what has happened in the three days prior to his mental breakdown. Through Holden’s relatable characteristics and Salinger’s narrative treatment, the book continues to engage audiences across generations.
American Literature is widely known for possessing themes of disillusionment. Faulkner, Harper Lee, Fitzgerald, and Hemingway dominate this category of literature. However, the most influential piece of American Literature is arguably J.D. Salinger’s The Catcher in the Rye. What makes this piece of art stand so far out from any other work of literature is the attributes that make this novel so relatable. The source of this raw, real emotion that completely captivates the reader is Salinger himself. The Catcher in the Rye ‘s main character Holden Caulfield is undeniably Salinger. This work of fiction nearly resembles an autobiography. J.D. Salinger uses his novel to express his disillusionment through motifs, pathos, and symbols.
22). Brooks supports this through comparing the characters of The Catcher in the Rye to other well known books with similar teenage character and showing how these characters act their ages and that is what draws in the attention of many around them. The purpose of the piece is to show how Salinger had written Catcher in such a way that the book is timeless and shows how The Catcher in the Rye has aided his writing career. Brooks creates an aloof tone, making it seem the intended audience is everyone who has read to the novel and related to it in some
The Catcher in the Rye by J.D Salinger is a coming-of-age novel set in New York during the 1940’s. Holden Caulfield, the protagonist of the story, is a detached seventeen-year old boy harboring feelings of isolation and disillusionment. He emphasizes a general dislike for society, referring to people as “phonies.” His lack of will to socialize prompts him to find nearly everything depressing. He’s alone most of the time and it’s apparent that he is very reclusive. This often leads him to pondering about his own death and other personal issues that plague him without immediate resolution. Holden possesses a strong deficit of affection – platonic and sexual – that hinders and cripples his views toward people, his attitude, and his ability to progressively solve his problems without inflicting pain on himself. The absence of significant figures in his life revert him to a childlike dependency and initiate his morbid fascination with sexuality. In this novel, Salinger uses Sunny, Sally Hayes, and Carl Luce to incorporate the hardships of discovering sexual identity and how these events affect adolescents as they try to understand their own sexuality.
Trends that can be noticed in these entries are the main focal point, which the authors all seem to cover, that is racism and the social-cultural problems created for young African American women. Many of the authors seemed to blame white culture, or the colourist culture for the problem of lost identity in black girls. They seemed to take the same direction in their articles, but many took different routes in explaining and proving their point. These ideas seemed to be arranged by the stating that Pecola Breedlove is a lost little black girl, who because of her idea that being white would solve all her family and life problems, loses her true self. The authors would then blame the white culture for this deficiency in the young mind of an African American girl.
The second stage of Pecola coming to think of herself as ugly simply compounds on the fact that she has no backup when her friends tell her that she is ugly and isn't worth a damn.
Sandra Cisneros’ The House on Mango Street, written in 1984, and Toni Morrison’s The Bluest Eye, first published in 1970, are both aimed at adolescent audiences but deal with deep, often disturbing themes about serious social conditions and their effects on children. Both books are told in the first person; both narrators are young girls, living in destitute neighborhoods, who witness the harsh realities of life for those who are poor, abused, and hopeless, although the narrators themselves manage to survive their tough environments with their wits and strength intact. The books are more than simple literary exercises written merely to amuse or delight their audiences.
Toni Morrison’s novel The Bluest Eye provides social commentary on a lesser known portion of black society in America. The protagonist Pecola is a young black girl who desperately wants to feel beautiful and gain the “bluest eyes” as the title references. The book seeks to define beauty and love in this twisted perverse society, dragging the reader through Morrison’s emotional manipulations. Her father Cholly Breedlove steals the reader’s emotional attention from Pecola as he enters the story. In fact, Toni Morrison’s depiction of Cholly wrongfully evokes sympathy from the reader.
Some people feel all alone in this world, with no direction to follow but their empty loneliness. The Catcher in the Rye written by J.D Salinger, follows a sixteen-year-old boy, Holden Caulfield, who despises society and calls everyone a “phony.” Holden can be seen as a delinquent who smokes tobacco, drinks alcohol, and gets expelled from a prestigious boarding school. This coming-of-age book follows the themes of isolation, innocence, and corrupted maturity which is influenced from the author's life and modernism, and is shown through the setting, symbolism, and diction.
The most damaging interracial confrontation related to color involves Pecola and an adult, Geraldine (Samuels 12). When Pecola enters Geraldine's home at the invitation of her son, Geraldine forces her to leave with words that hurt deeply, saying "Get out... You nasty little black bitch. Get out of my house" (92).
Toni Morrison's novel, The Bluest Eye contributes to the study of the American novel by bringing to light an unflattering side of American history. The story of a young black girl named Pecola, growing up in Lorain, Ohio in 1941 clearly illustrates the fact that the "American Dream" was not available to everyone. The world that Pecola inhabits adores blonde haired blue eyed girls and boys. Black children are invisible in this world, not special, less than nothing. The idea that the color of your skin somehow made you lesser was cultivated by both whites and blacks. White skin meant beauty and privilege and that idea was not questioned at this time in history. The idea that the color of your skin somehow made you less of a person contaminated black people's lives in many different ways. The taunts of schoolboys directed at Pecola clearly illustrate this fact; "It was their contempt for their own blackness that gave the first insult its teeth" (65). This self hatred also possessed an undercurrent of anger and injustice that eventually led to the civil rights movement.
“The Bluest Eye” by Toni Morrison, is a story about the life of a young black girl, Pecola Breedlove, who is growing up during post World War I. She prays for the bluest eyes, which will “make her beautiful” and in turn make her accepted by her family and peers. The major issue in the book, the idea of ugliness, was the belief that “blackness” was not valuable or beautiful. This view, handed down to them at birth, was a cultural hindrance to the black race.
Morrison provides the reader with a light-skinned black character whose racist attitudes affect the poorer, darker blacks in the community, especially the main characters, Claudia MacTeer and Pecola Breedlove. Maureen Peal comes from a rich black family and triggers admiration along with envy in every child at school, including Claudia. Although Maureen is light-skinned, she embodies everything that is considered "white," at least by Claudia's standards: "Patent leather shoes with buckles...fluffy sweaters the color of lemon drops tucked into skirts with pleats... brightly colored knee socks with white borders, a brown ...
In The Bluest Eye, Morrison describes the absurd and racist standard by which the characters are judged. And through the actions taken by each character, that absurd standard becomes more defined, the conflict more poignant. In this particular work, it is the American ideal of beauty that makes Pecola resign her self-image as ugly and it is Pecola's reaction to this standard, her futile wish to become beautiful, that drives her into madness and thus completely exposes the absurd and wrongful nature of this standard. And yet who created this standard? It is present in movies, on candy wrappers. It is completely visible, yet the creator of this standard is somewhere else, never appears as a character.