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Critical analysis of the tale of two cities
Significance of social classes in victorian era
Critical analysis of the tale of two cities
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The novel A Tale of Two Cities by Charles Dickens begins in the year 1775, 14 years prior to the French revolution in the cities of Paris and London. The story follows the lives of three families: the Manettes, the Evermondes, and the Defarges, along with people close in relation to them, and tells of each person’s contribution to the rise of the revolution. Dickens writes of the social injustices in the two cities, describing how the poor scramble and fight for mere loaves of bread, while the rich overindulge in their wealth.
William Butler Yates, in his poem “The Second Coming” writes:
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned.
The poem metaphorically suggests the theme of the tendency toward violence and oppression in revolutionaries after being so wrongfully treated by the aristocracy. Dickens supports this theme by finding immense fault in the social structure of society, the judicial system during that time period, and the lunacy of the revolution.
Throughout the novel, Dickens approaches the revolution with ambivalence. He provides layers of perspective, for while he supports the revolutionary cause, he often gestures to the evil of the revolutionaries themselves. Dickens often conveys his deep sympathy towards the plight of the French peasantry and accentuates their need for liberation. The first fault that Dickens addresses in the social structure of society is the difference in classes between the aristocrats and peasantry. In the chapters including the Marquis Evrémonde or Monseigneur successfully portray how the nobilities abuse their power in society by shamelessly exploiting and oppres...
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...pilled blood.
When the emotional turmoil caused by the aristocracies’ cruel oppression rose amongst the poor, it caused them to undertake the same horrendous actions of the aristocracies that they once despised. The author cleverly conveys to the reader how although the initial motive for the French Revolution may have been justified, quickly became just as corrupt as the system they were fighting against. Dickens’s most concise and relevant view of revolution comes in the final chapter, in which he notes the slippery slope down from the oppressed to the oppressor: “Sow the same seed of rapacious license and oppression over again, and it will surely yield the same fruit according to its kind.” Though Dickens sees the French Revolution as a great symbol of transformation and resurrection, he emphasizes that its violent means were ultimately antithetical to its end.
Madame’s introduction to the Vengeance further elaborates her motivation by the Revolution as they rally the town to kill Foulon, a French aristocrat. Upon finally seeing Foulon tied up in the Hall, Madame “clapped her hands as at a play,” expressing her deep desire for the fall of the aristocracy, the main cause of the Revolution (Dickens 395). In reference to these events marking Madame’s connection with the Revolution and unwavering devotion to the cause, she is a protagonist in the fight for French
During the 1800s, the aristocracy of England and France lived in luxury and possessed an enormous amount of power in the society while peasants live in poverty. Dickens links the two countries with the theme of how history repeats itself. Dickens compares the social rankings, rulers, and events of the two countries and warns how if the English aristocracy did not change their ways, what happens in France would happen to them. In the novel, Dickens portrays the character, Monseigneur as an individual character as well as a social class of France. Monseigneur is a character who Dickens portrays as the entire class of the French aristocracy in the way of which he abuses his power. Dickens describes how the Monseigneur was having chocolate prepared for him by four men who are wearing gold watches as peasants were starving and dying. Dickens uses the actions of the Monseigneur to represent the entire population of the aristocrats in the city of St. Antoine. Another way in which Dickens shows how the Monseigneur was corrupt was how he appointed people to be officials not by their skill but by the way they would appraise him or by their status. Dickens foreshadows how France would become corrupt over time from the action...
The villagers of St. Antoine killing Old Foulon, the acts of the Revolutionaries, and the Evrémonde family’s treatment of the peasant boy and his family display Dickens’ theme of man’s inhumanity toward his fellow countryman. This theme depicts the persistent cruelty leading to and during the French Revolution in the late 18th century. The events demonstrate that the cruelty was not just from the Revolutionaries or just from the nobles, but from all classes. Although some of the events in the novel are fictional, they represent the spirit of the Revolution that Dickens discerned, and the events easily could have happened. Dickens’ novel very well represents the inhumanities of man and the character of the people during this time period.
Dickens states that Jacques sees “a beautiful city“this beautiful city is Paris France before the French revolutionary war. Once the war came the city turned dark and dreary. “In their struggles to be truly free“, this line shows that even normal people were trying to have the freedom that they deserved.
The blue flies, Madame Defarge’s knitting, and the sea are just three of Dickens’ many symbols that develop the theme of man’s inhumanity to his fellow man in A Tale of Two Cities. Although Revolutions are not particularly humane in themselves, the individual characters and the majority of the peasantry in this book took inhumane to its extreme. Because the revolutionaries follow their ruthless leader, Madame Defarge, they do not question the humanity or morality of the massacre of the aristocracy. In a Revolution meant to free peasants, peasants should be last on the list of those being murdered, and this injustice should be realized. In the French Revolution as well as A Tale of Two Cities, the oppressed become the oppressors and the main cause behind the revolution is lost.
...derestimated power, and the blood it produced are a reminder of the brutality of the French Revolution, a period Dickens so accurately paints red with the blood of the deceased and the lust it stirred up in the Devil. The blood imagery of which Dickens writes in A Tale of Two Cities marvelously, in an impeccable yet sanguinary way, epitomizes the savagery of the French Revolution.
A Tale of Two Cities by Charles Dickens is a classic novel written in the 1850’s by Charles Dickens. The novel is set in London and France during the French Revolution. The novel features an amazing use of themes as well as sensational development of characters. Charles Dickens and his feature style of the poor character who does something great is very evident in Sydney Carton, a drunken lawyer who becomes the hero of the book.
Throughout the book, Dickens portrays his objectivity between the classes through a series of graphic descriptions. For example, the horrid events that occur when the Marquis murders the child is a time when Dickens most definitely favors the rebels. Dickens’s attitude when Jacques kills the Marquis is that justice has been supplied. There is a definite tone of approval in his voice after these actions. On the other hand, Dickens’s attitude towards the mutineers is not always one of endorsement. When the activists nearly kill Gabelle and burn the Chateau, Dickens’s attitude changes from one of approval to one of disbelief. His disposition is almost one of sorrow for all the beauty being carelessly destroyed. As the reader can see, Dickens’s opinion varies greatly in accordance to the portion of the story the person is reading.
Charles Dickens’ novels criticize the injustices of his time, especially the brutal treatment of the poor in a society sharply divided by differences of wealth. He lived through that world at an early age; he saw the bitter side of the social class system and had wanted it to be exposed, so people could see the exploitation that the system rests on. But he presents these criticisms through the lives of characters, Pip and Magwitch.
Dickens notes that in the midst of a revolution, heavy bloodshed must be made in order to achieve the vengeance that the peasants desire. Though the peasants were originally people of good faith, they were forced by the aristocratic government to take drastic actions. Poverty, the mother of all crimes, along with the aristocrats “crushing humanity out of shape once more” gave the peasants no choice.” Dickens conveys here that because of the negligence of the government, the people were forced to sacrifice their good nature and engage in the violent acts that caused a time of great animosity and dejection. Sacrifices are often made to strengthen bonds, and no other bond in the novel is stronger than the one that Lucie Mannette shares with her father, Dr. Manette.
When Dickens describes the peasants he makes sure their plight is made clear to all. The nobles consistently take advantage of them and do not show any compassion. The peasants are starving to death to the extent where when a wine casket breaks on the ground they “...suspended their business or idleness to run to the spot and drink the wine”(31). The peasants are starving to death and a sincere lack of compassion is shown to them. The nobles have no regard to peasant life. After the Marquis
With imagery revealing the poor straits and desperation of the peasant class of France, Dickens influences the reader to pity them. He writes, “The cloud settled on Saint Antoine, which a momentary gleam had driven from his sacred countenance, the darkness of it was heavy—cold, dirt, sickness, ignorance, want were the lords waiting on the saintly presence—nobles of great power all of them; but most especially the last” (Dickens 22). Through hunger, want, etc. being personified and compared to nobles through language such as “nobles” and “lords”, Dickens shows the extent of the suffering of the peasants, their deserving to be pitied, and the human nobles’ apathy towards them. The peasants of Saint Antoine suffer in the 1770s, and the town’s name is made into a play on words with “saintly presence”, with the cloud of cold, dirt, sickness, ignorance, and want looming forming the imagery of irony. Another description of the peasants’ plight is revealed in the quote saying, “Ploughed into every furrow of age and coming up afresh, was the sign Hunger. It was prevalent everywhere...Hunger was the inscription on th...
The main focus of Dickens’ novel is the French Revolution. This was a tragic time that took place between the years of seventeen eighty-nine and seventeen ninety-nine. It was the lower class revolting against the corrupt authoritarian government. The ideals that the French stood for were liberty, equality, and brotherhood. Dickens uses this for the background of his novel. Marie Shephard once said that Dickens was helped by his friend Carlyle for a background on the French Revolution, and tried to focus more on the plot than a character (51). Another historian said that “the French Revolution exists in the novel only insofar as Dickens’s characters vivify it, live through it, react to it, and make its reality manifest to the reader”(Allingham). Dickens understood this and used it to help him write the novel, and to help us in understanding it.
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.
A Tale of Two Cities promoted the image of a stable England by using revolutionary France as a setting to highlight the contrasts between the two countries, although Dickens seemed to believe in the eighteen-fifties that England was heading towards an uprising on the scale of the French Revolution. In the twentieth century, we see the French Revolution used as a 'lavish' setting in film and TV productions of A Tale of Two Cities. In the preface to the novel, Dickens says "It has been one of my hopes to add something to the popular and picturesque means of understanding that terrible time" (xiii).