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Symbolism of marriage
Understanding the joy luck club
Understanding the joy luck club
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Throughout the novel, The Joy Luck Club, by Amy Tan there are numerous symbols to help the reader to understand the characters and their backgrounds with broader depth. Among these metaphorical images includes Lindo’s unbreakable marriage bond tied together by the red candle. The red candle not only symbolizes the powerful meaning of Lindo’s marital promise, but also her ability to honor her family, and her revelation to finally put her nearly forfeited destiny back in the control of her own hands. The red candle with two ends to light, one for the husband and the other for the wife, symbolized a Chinese marriage, “a marriage bond that was worth more than a Catholic promise not to divorce” (Tan 59). Lindo’s candle symbolized more than just her vows; it also represented the everlasting connection between a husband and wife. According to Lindo, the red candle’s purpose was to seal the wife with the “husband and his family, no excuses afterward” (Tan 59). If the candle was continuously lit for the …show more content…
entire night, the authenticity of the inescapable marriage would be confirmed, allegedly locking Lindo into her life long commitment to be Tyan-yu’s wife. The red candle was a symbol of sealing a husband and wife together forever in matrimony, but for Lindo, it was to honor a promise to her family, an important aspect of Chinese culture.
“I once sacrificed my life to keep my parents’ promise. This means nothing to you, because to you promises mean nothing” (Tan 49). In this quote, Lindo told her American-born daughter, Waverly, that she was blind to what a true promise was. Lindo proved she had a strong sense of obligation when she accepted her undesirable fate as Tyan-yu’s spouse in order to honor her family, and not put them to shame. While she did not want to live with her destined groom and his horrendous mother, Huang Taitai, where she was treated as no more than a servant, she would to honor her family. As Lindo was leaving to live with Tyan-yu and his family, her own mother said, “Obey your family. Do not disgrace us” (Tan 54); Lindo was not willing to disappoint her mother, so she did as she
commanded. Lindo formerly dreaded the red candle, thinking it was controlling her marriage, but eventually she came to understand that she determined her fate, not a candle. Before the marriage ceremony began, Lindo had a revelation and came to understand that she was strong and did not have to surrender herself to honor her family’s wishes. “My throat filled with so much hope that it finally burst and blew out my husband’s end of the candle” (Tan 60). Lindo asserted herself for the first time by putting the candle’s flickering flame to its silence. By doing so, she decided for herself that she was not permanently married and she began to assemble a clever plan on how to escape her unwanted marriage without shaming her kin. The red candle symbolized an unbreakable Chinese tradition and Lindo’s inevitable marriage to Tyan-yu. However, Lindo takes a stand for herself when she extinguishes the candle’s flame, no longer letting it determine the outcome of her life. Her bold act led to the realization that no one but herself could change her life for the better, and she was at last able to break away from the unsought grip of the red candle.
To guide the reader into following the storyline of The Joy Luck Club, Tan utilizes literary techniques in order to emphasize events and ideas in the novel. One of the various techniques used in the novel is foreshadowing. Lena and her mother, Ying-ying, is one of the four mother-daughter relationships which exemplifies foreshadowing. Lena describes her mother to have the ability to foretell unfortunate events which she views as a pessimistic viewpoint. For example, when Lena was eight years old, Ying-ying warned if Lena did not eat every piece of rice in her bowl that she would end up marrying a bad man. Although concerned with her mother’s pessimistic views, Lena comes to understand Ying-ying when she realizes everything she projected
Tan likes to show Lindo through indirect characterization. Lindo would always try to make things right. She would be polite to her new mother in law and when she was with her mother in law she would hold out a treat and say “ For you, Mother” (53). Even though Huang Taitai was not her real mother, Lindo would act as though she was, but before Lindo did this she would turn to her mother and ask for forgivness. This shows that she is a caring girl and she will always try to behave and be nice to every one. Tan also shows us how brave Lindo is. When it came time for the family to leave for shanghai, it was said that “the whole family except for Lindo would leave” (53). Lindo didn’t say a word. When the day finnaly came, no one said goodbye. All that was said was, “do not disgrace us”
Whereas Ts’ui-lien herself in an upset to the traditions, she blatantly shows she does not respect these ideals placed upon her and wants to be able to express herself freely and do as she pleases. The first example of her upsetting what is expected of her is when her Father, Li Lucky, says “Our daughter is faultless in most respects; only her tongue is quick and you and I cannot be easy about it” (Anonymous 873). From here Ts’ui-Liens parents go on to say, “We were grieving even because your tongue is sharp as a blade. We feared when you entered your husbands’ house you might talk too much and offend against the proprieties and thus incur the displeasure of your parents in law and everyone else, and become a laughing stock” (Anonymous 874). Within these two passages, Ts’ui-Lien is presented to the reader as adhering to many ideals except for her inability to remain quiet. The story is telling the reader that in order to fit into society one must fulfill all societal norms they could become ostracized. Ts’ui-Lien seems to care not that she could be ostracized, and even feels that because she is so well versed in other societal and wifely duties, that she would easily please her potential mother and father and law and besides her familial tasks, “nought matters more than a fart” (Anonymous 874).
The Joy Luck Club by Amy Tan consists of characters who encounter antagonistic forces in the story. For instance, Lena St. Clair, the daughter of a Chinese mother, and an American father, experiences issues regarding racial discrimination, danger in new environment, and family issues throughout her story. Firstly, Lena comes to face with racial discrimination. During her story, “The Voice from the Wall,” she mentions a drunk Chinese man who runs into her and her mother, Ying-Ying St. Clair, on the street.
Deception binds the characters of the Joy Luck Club together. In the Joy Luck Club, Amy Tan depicts deception at almost every turn in the novel. Mothers often help their daughters through deceptive comments; husbands hide secrets from their wives through deceptive acts. Even best friends deceive each other as they struggle for one reason or another. Throughout the story, deception is an irreplaceable tool for parenting; for attempting to keep marriages together, or maintaining friendships. From time to time, it grows out of control from a benign lecture to a life changing scam.
Taoism has been a major influence in China throughout much of its history and The Joy Luck Club, by Amy Tan, reflects this influence through its infusion of Taoist principals. One of the fundamental concepts within Taoism is that of Wu-hsing. Wu-hsing is a way of understanding a matter by dividing it into five and is often represented by five phases, elements of directions. This is an unfamiliar concept to a western perspective, which tends to divide things into four. Understanding this fifth additional element, however, is essential to understanding The Joy Luck Club.
In class there have been many discussions over the relationships and marriages among the books we have read. When someone thinks of marriage, a fairy tale with a happy ending might come to mind, or possibly a safe haven for those looking for something stable. In The Awakening by Kate Chopin, and “The Yellow Wallpaper” by Charlotte Perkins Gilman, marriage takes a turn for the worse. Marriage is no longer the happy memories in a lifetime. It can be the thing that hinders the women in these stories from developing their full potential or experiencing the world and other lifestyles. Through these texts and this time frame, we will analyze the meaning of their marriages, how they function, and the end result of both.
In The Joy Luck Club, by Amy Tan, the characters Suyuan and June have a mother-daughter relationship fraught with conflict, but ultimately rooted in deep love and commitment for one another. Because of drastic differences in the environments in which they were raised and in their life experiences, these two women have many opposing ideas and beliefs. This coupled with their lack of communication are responsible for many of the problems they encounter during the course of their relationship. These conflicts are only resolved when June learns about her mother's past and accepts their respective differences. The manner in which their relationship develops and the conflicts June and Suyuan face reveal some of the themes that Amy Tan intends for the readers to learn. These themes concern such topics as finding life's importance, making choices, and understanding ourselves and our families.
The film explains the difference between Chinese and American values of gender in marriage and family as well. It clearly shows how Chinese woman is expected to good wives for their chosen husband. Girls are promised at an early age to a man. In the film Aunty Lindo had an arranged marriage when she was only four years old. In an American marriage, it is supposed to be based on a love and connection between two people.
“Only two kinds of daughters,” “Those who are obedient and those who follow their own mind!”(476). When a mother pushes her daughter to hard, the daughter rebels, but realizes in the end that their mothers only wanted the best for them and had their best interest at heart. In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei eagerly hoped to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei.
The Chinese mothers, so concentrated on the cultures of their own, don't want to realize what is going on around them. They don't want to accept the fact that their daughters are growing up in a culture so different from their own. Lindo Jong, says to her daughter, Waverly- "I once sacrificed my life to keep my parents' promise. This means nothing to you because to you, promises mean nothing. A daughter can promise to come to dinner, but if she has a headache, a traffic jam, if she wants to watch a favorite movie on T.V., she no longer has a promise."(Tan 42) Ying Ying St.Clair remarks- "...because I remained quiet for so long, now my daughter does not hear me. She sits by her fancy swimming pool and hears only her Sony Walkman, her cordless phone, her big, important husband asking her why they have charcoal and no lighter fluid."(Tan 64)
...ime. Majority of the women in the novel overcame the tough traditions of women treatment in ancient Chinese culture. The ancient Chinese culture believed that women should fall under patriarchy and strict ethics. This gave women no opportunity to move up the social class ladder. Being treated poorly effected would often affect women. Women like Lindo represent the power of escaping the oppressive atmosphere. Lindo decided to leave when she saw the Huang couldn’t control her anymore. Women had to be able to find their own independent identity. Ying-Ying is an example of this since she always wished to be found by someone, but inevitably she realized that she was her solution to finding her wholeness. Today modern women can express their thoughts, independence, and creativity. Aid should be continually provided for liberating women from oppression and discrimination.
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.
The women soon began competing for the lanterns. They are jealous of one another and double cross one another. This brings out a darker side of the women capable of anything in order that their needs are met. This example shows a negative aspect. It is a humiliation of the neglected mistress.
The novel A Shift in the Light by Patricia Glinton-Meicholas the author shows the importance of family throughout the novel in many different ways such as the symbol of light, culture, values and ethics. The author uses light to symbolize the importance of staying close to your family. She also uses culture to show that the house is mainly male dominated and finally she shows the values and ethics that the children follow by all throughout the novel.