Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Joy luck club eight perspectives
Joy luck club eight perspectives
Joy luck club eight perspectives
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Joy luck club eight perspectives
The Joy Luck Club by Amy Tan consists of characters who encounter antagonistic forces in the story. For instance, Lena St. Clair, the daughter of a Chinese mother, and an American father, experiences issues regarding racial discrimination, danger in new environment, and family issues throughout her story. Firstly, Lena comes to face with racial discrimination. During her story, “The Voice from the Wall,” she mentions a drunk Chinese man who runs into her and her mother, Ying-Ying St. Clair, on the street. She remembers this moment: “His runny eyes saw us and he quickly stood up straight and threw out his arms, shouting, “I found you! Suzie Wong, girl of my dreams!” Hah!” And with his arms and mouth wide open, he started rushing towards us. My mother dropped my hand and covered her body with her arms as if she were naked, unable to do anything else.” In this particular moment, Ying-Ying and Lena find a sense of fear, unable to protect themselves. The drunk man finally releases her mother …show more content…
Lena notices how dangerous the streets of their new place is, due to the “narrow glass panes opened into a musty lobby that smelled of everybody’s lives mixed together.” The setting that is described in the story indicates that the building lacks secureness. The streets outside of the apartment is also risky, and Ying-Ying protects her daughter from unknown dangers by providing her with every dangerous scenario. Furthermore, she twists the backstory of a homeless woman on the street: “And her feet and her hands-the tips were as black as if she had dipped them in India ink. But I knew they were rotted. “What did she do to herself?” I whispered to my mother. “She met a bad man,” said my mother. “She had a baby she didn’t want.” Her mother mother distinguishes people on the street as a hazard, in order to warn Lena and help her avoid danger, since they lived in a risky
No relationship is ever perfect no matter how great it seems. In the novel The Joy Luck Club, written by Amy Tan, she tells the story of a few mother daughter pairs that are in a group named the Joy Luck Club. The Joy Luck Club is a group of women who come together once a week to play mahjong. The founder of the Joy Luck Club, Suyuan Woo, dies, leaving her daughter Jing-mei to take her place in the club. Her daughter, Jing-mei, receives money from the other members of the club to travel to China in order to find her mother's twin daughters who were left many years ago. In this book you get more of the details of this family and a few more. Amy Tan uses the stories of Jing-mei and Suyuan, Waverly and Jindo, and An-mei and Rose to portray her theme of, mother daughter relationships can be hard at times but they are always worth it in the end.
The narrator begins the story by recounting how she speculates there may be something wrong with the mansion they will be living in for three months. According to her the price of rent was way too cheap and she even goes on to describe it as “queer”. However she is quickly laughed at and dismissed by her husband who as she puts it “is practical in the extreme.” As the story continues the reader learns that the narrator is thought to be sick by her husband John yet she is not as convinced as him. According
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
In The Joy Luck Club, the novel traces the fate of the four mothers-Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair-and their four daughters-June Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. Through the experiences that these characters go through, they become women. The mothers all fled China in the 1940's and they all retain much of their heritage. Their heritage focuses on what is means to be a female, but more importantly what it means to be an Asian female.
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
Deception binds the characters of the Joy Luck Club together. In the Joy Luck Club, Amy Tan depicts deception at almost every turn in the novel. Mothers often help their daughters through deceptive comments; husbands hide secrets from their wives through deceptive acts. Even best friends deceive each other as they struggle for one reason or another. Throughout the story, deception is an irreplaceable tool for parenting; for attempting to keep marriages together, or maintaining friendships. From time to time, it grows out of control from a benign lecture to a life changing scam.
On a train in China, June feels that her mother was right: she is becoming Chinese, even though she never thought there was anything Chinese about her. June is going with her father to visit his aunt, who he hasn't seen since he was ten. Then, in Shanghai, June will meet her mother's other daughters. When a letter from them had finally come, Suyuan was already dead--a blood vessel had burst in her brain. At first, Lindo and the others wrote a letter telling the other sisters that Suyuan was coming. Then June convinced Lindo that this was cruel, so Lindo wrote another letter telling them Suyuan was dead. In the crowded streets of China, June feels like a foreigner. She is tall--her mother always told her that she might have gotten this from her mother's father, but they would never know, because everyone in the family was dead. Everyone died when a bomb fell during the war. Suddenly June's father's aunt comes out of the crowd. She recognizes him from a photograph he sent. June meets the rest of the family, having trouble remembering any words in Cantonese. They all go to a hotel, which June assumes must be very expensive but turns out to be cheap. The relatives are thrilled by how fancy it all is. They want to eat hamburgers in the hotel room. In the shower, June wonders how much of her mother stayed with those other daughters. Was she always thinking about them? Did she wish June was them? Later, June listens while her father talks with his aunt. He says that he never knew Suyuan was looking for her daughters her whole life. Her father tells her that her name, Jing-mei, means, "little sister, the essence of the others." June asks for the whole story of how her mother lost her other daughters. Her father tells her that though her mother hoped to trade her valuables for a ride to Chungking to meet her husband, no one was accepting rides. After walking for a long time, Suyuan realized she could not go on carrying the babies, so she left them by the side of the road and wrote a note, saying that if they were delivered to a certain address, the deliverer would be rewarded greatly. She got very sick with dysentery, and Canning met her in a hospital. She said to him, "Look at this face.
Susie’s mother opened the door to let Molly, Susie’s babysitter, inside. Ten-month old Susie seemed happy to see Molly. Susie then observed her mother put her jacket on and Susie’s face turned from smiling to sad as she realized that her mother was going out. Molly had sat for Susie many times in the past month, and Susie had never reacted like this before. When Susie’s mother returned home, the sitter told her that Susie had cried until she knew that her mother had left and then they had a nice time playing with toys until she heard her mother’s key in the door. Then Susie began crying once again.
The Joy Luck Club is an emotional tale about four women who saw life as they had seen it back in China. Because the Chinese were very stereotypic, women were treated as second class citizens and were often abused. Through sad and painful experiences, these four women had tried to raise their daughters to live the American dream by giving them love and support, such things which were not available to them when they were young. These women revealed their individual accounts in narrative form as they relived it in their memories. These flashbacks transport us to the minds of these women and we see the events occur through their eyes. There were many conflicts and misunderstandings between the two generations due to their differences in upbringing and childhood. In the end, however, these conflicts would bring mother and daughter together to form a bond that would last forever.
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
In The Joy Luck Club each mother and daughter learned different things from each other. Also, it talks about the transition from China to America and how the Chinese raised mothers must raise their daughters in America but keep their Chinese values. Jing-mei's story represents her mother to her two half sisters as well as the struggle of relationships between mother and daughter.
In the novel, The Joy Luck Club, by Amy Tan, Ann-Mei Hsu, Lindo Jong, and Ying Ying St. Clair are all women who grow up in a traditional China, where there is sexism. They deal with serious problems that corrupt their lives. Through perseverance and the passing of time their lives return to normal.
Throughout the novel, The Joy Luck Club, author Amy Tan explores the issues of tradition and change and the impact they have on the bond between mothers and daughters. The theme is developed through eight women that tell their separate stories, which meld into four pairs of mother-daughter relationships.
The movie, The Joy Luck Club, focuses around the lives of four Chinese mothers and their Chinese-American daughters. The story takes place a few months after Junes mother, Suyuan has died. The mothers and daughters hold very different principles, where the mothers are still very traditional to their Chinese upbringings the daughters are much more “American.” The movie can be viewed from the Feminist Literary Theory, since the 8 main characters are female. The women’s life stories are told through a series of flashback scenes that deal heavily with female gender roles and the expectations of women. While the mothers and their daughter grew up in vastly different worlds, some of their experiences and circumstances correlate solely due to that fact that they experienced them because they are females.
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.