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The use of symbolism in Lord of the Flies
Symbolism of Lord of the Flies
Lord of the flies essays on symbolism
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Lord of the Flies symbolism essay ` ` There is a profound urge within us all, of which we are largely unaware. The evil impulse is located deep within our roots. Luckily, society works to keep the hate and violence in check. In William Golding’s Lord of the Flies, the author employs symbols such as Jack, the conch, and Roger to show that all humans are inherently evil. Jack, one of the main characters, while humane and tolerable at first, soon morphs into a blood-craving beast. When first landing on the island, Jack acts quite rude, but nothing like a savage animal. Promptly after failing to be elected as chief, he soon becomes obsessed with hunting and killing a pig. After being unable to catch a pig, Jack makes the excuse “I was choosing a place” … “I was just waiting for a …show more content…
moment to decide where to stab him” (31).
At this point in the novel, Jack still maintains most his humanity as he is too frightened to kill the pig. As his previous society condemned violence, Jack clings to its norms like a baby. With humanity still inside him, Jack is deeply haunted by the idea of massacring the swine for food. Yet, his mercy doesn’t last very long. Later, he tries to explain why he was out hunting so late: “‘I went on. I thought, by myself—’The madness [comes] into his eyes again. ‘I thought I might kill.’”(51). As Jack is getting closer and closer to killing a pig, he is slowly getting closer to losing all his humanity. Soon, all he can think about is being able to kill that pig; not for meat, but for the joy of the slaughter. Later in the chapter, Jack makes himself a mask to camouflage himself when hunting. However, it is clear that the only thing Jack is trying to camouflage is his true self: “He [begins] to dance and his laughter [becomes] a bloodthirsty snarling. He [capers] toward Bill, and the mask [is] a thing of its own, behind which Jack [hides], liberated from shame
and self-consciousness.” (64). Jack is nearly animalistic in this quote as he now uses a mask to exhibit his true, evil identity. With the mask, Jack no longer has to hide his inner wicked self, as he can hide behind the mask like the coward that he is. Jack is finally unleashing the evil that has been watching, waiting, and desperate to escape since the very beginning. In the beginning, the conch is employed to instill order; yet its power soon fades as the hatred within all humans begins to expand. When the conch is first discovered, the boys who found it couldn’t help but marvel at its beauty and, more importantly, its aura of order that it implants within their society. The conch is the knot that ties their society together. Without it, order will cease to exist and chaos will reign. Despite being physically dominant, the real determining factor between Jack and Ralph “[is] the conch. The being that [has] blown, [has] sat waiting for them on the platform with the delicate thing balanced on his knees, was set apart. ‘Him with the shell.’” Cries the Littluns “Let him be chief with the trumpet-thing!” (22). The conch is the only thing that sets him apart from the other boys. Without it, he is just another boy who wants a taste of power. Later, Ralph tries to stop Jack interrupting by saying “Piggy’s got the conch.” Yet Jack, irritated, responds with “That’s right-- favor Piggy as you always do-”… “‘The rules!’ shout[s] Ralph ‘You’re breaking the rules!’ ‘Who cares?’” (91) Utters Jack as in that exact moment the conch is absorbed of some of its power. Jack (not surprisingly) is the first boy to defy the authority of the conch. The conch no longer has any power over Jack. Even though all the other boys still believe in the conch, all it takes is one boy to disobey its power to completely destroy the order on the island. It’s as if in that exact moment, part of the conch’s power had been shattered and lost forever. By the end of the book, the conch has little to no power at all. As Roger launches the rock into the air, “the rock [strikes] Piggy a glancing blow from chin to knee; the conch [explodes] into a thousand tiny white fragments, and [ceases] to exist.” (181). The conch’s power, once and for all, is gone. The hatred within human-kind finally has vanquished the authority on the island. As the hatred grows and grows, the power of the conch fades and fades until its existence is only a memory. Without it, all order and justice will be simply discarded. Roger, who was driven by society’s rules when first landing on the island, quickly adapts to using evil and violence to accomplish his objectives. Although he was always a little mean, even when landing on the island, Roger always manages to let his society’s standards to guide him. As “Roger [gathers] a handful of stones and [begins] to throw them”…” yet there was a space around Henry, perhaps six feet in diameter, into which he [dares] not throw. Here, invisible yet strong, was the taboo of the old life.” (62) Roger, like many of the other boys, still felt a strong connection to his previous life where hurting little kids was not acceptable. Even though he knows there are not adults on the island, he still feels the need to follow the rules he would’ve followed in his previous life. He still very much wants to throw rocks at Henry yet he still feels society urging him not to. As “Roger [edges] past the chief, only just avoiding pushing him in the shoulder. The yelling ceased. And Samneric lay looking up in quiet terror. Roger [advances] upon them as one wielding a nameless authority.” (182) Roger has now shown that he is no longer afraid of society. He finally realizes that he can do anything and get away with it. With the conch gone, Roger can now do whatever evil he pleases with no one to stop him. Later, the twins tried to explain why they wouldn’t leave with Ralph: “You don’t know Roger. He’s a terror.” murmured the twins “Roger sharpened a stick at both ends” (189-190). Roger has now completely transformed into a savage. He no longer even considers what society thinks of him. He is filled with so much hate for Ralph even though Ralph didn’t do anything to him. It doesn’t matter; he hates Ralph just because he can. Not only does he hate him, he plans to slaughter and behead Ralph. Ralph is the martyr for society and it is Rogers duty to eradicate any scrap left of society or order. As long as society has stood, it has battled the evil that is found deep inside us. Yet, without society keeping it constantly in check, evil slowly begins to take over the mind. In Lord of the Flies, William Golding uses symbols like Jack, the conch, and Roger to show that evil is deeply rooted within us all.
The evil in man is seen in many parts of life and it could be only be brought out when they have the power and position to do it. In the novel Lord of the Flies by William Golding symbolism is used to show the theme of the Inherent Evil of Man through the conch, the Lord of the Flies, and the fire. The breaking of the conch shows how the boys forget authority and destroy their only symbol of civilization. The Lord of the Flies shows the violence of the boys, and the temptation of the evil Lord of the Flies. The fire shows how something used for rescue and hope is turned into something violent and evil. The fire burns down trees and parts of the island when the savage boys are trying to kill Ralph.
Mankind is innately evil. The allegorical novel, The Lord of the Flies, allows for little interpretation about human nature. William Golding depicts the idea, “evil is an inborn trait of man” (Golding). Throughout the novel the children who have crash landed on the island begin to uncover their savage nature. Although all of the children somehow succumb to a heinous behaviour, Jack, Ralph, and Roger become most noticeably corrupt. Ultimately, it becomes clear that malicious intent is intrinsic in mankind.
Lord of the Flies, written by William Golding, has four very important dynamic characters. A dynamic character is a character that develops and grows during the course of the story. Ralph, Jack, Piggy, and Simon are four dynamic characters in Lord of the Flies that adapt to their new lifestyles in different ways. Jack is a very important dynamic character in Lord of the Flies because he goes through the most changes during the novel. While on the island, Jack has many life experiences that change him forever. Jack never thought he would live his life the way he is living his life in the island. Jack’s authoritative figure, savage-like/instinctual behavior, and violence are three qualities that make Jack a dynamic character.
As Jack hunts his “frustration seemed bolting and nearly mad” which shines in his slowly deranging eyes (Golding 67). In Lord Of The Flies by William Golding, stranded boys struggle to find order and civilization on an island with no other humans. After their plane crash lands, a few boys, such as Ralph and Piggy, are quick to set up standard rules. But, not everyone agrees that rules and rescue are what is most important. Jack, a boy who cares more about hunting, disrupts the goodness and order that remains in the boys. When a simulated hunting influenced and led by Jack goes awry, the boys kill Simon. The now deceased Simon is the purest and kindest of the boys. Jack leads the elimination of the only good left on their island. Whether it is his intention to kill him or not, Jack should be held responsible for Simon’s demise because he leads the group to kill him, regardless of his age.
Jack is made the leader of the hunting tribe. He and his hunters have much trouble trying to hunt and kill a pig. Since he was raised as part of a sophisticated and wealthy family in England, he has not had any experience with hunting before. He struggles to become a hunter. But Jack is shown to have savage urges early. The author says, "he [Jack] tried to convey the...
When viewing the atrocities of today's world on television, the starving children, the wars, the injustices, one cannot help but think that evil is rampant in this day and age. However, people in society must be aware that evil is not an external force embodied in a society but resides within each person. Man has both good qualities and faults. He must come to control these faults in order to be a good person. In the novel Lord of the Flies, William Golding deals with this same evil which exists in all of his characters. With his mastery of such literary tools as structure, syntax, diction and imagery, The author creates a cheerless, sardonic tone to convey his own views of the nature of man and man’s role within society.
Jack Merridew is the devil-like figure in the story, Lord of the Flies. Jack is wicked in nature having no feelings for any living creature. His appearance and behavior intimidates the others from their first encounter. The leading savage, Jack leans more towards hunting and killing and is the main reason behind the splitting of the boys. It has been said that Jack represents the evilness of human nature; but in the end, Jack is almost a hero. With his totalitarian leadership, he was able to organize the group of boys into a useful and productive society
While Jack and Ralph are exploring the island, they encounter a piglet which Jack supposedly attempts to kill. After gaining the courage to kill the baby pig, Jack rectifies the situation by saying "I was just waiting for a moment to decide where to stab him (Golding 31)." This event clearly illustrates that along with inherent evil, "man is [also] capable of being good and kind, and has to choice and free will to choose which one he will become."(Ridley 97) Jack's mercy is short-lived, however, and when they encounter another pig, Jack and his hunters are relentless.
The portrayal of the pig demonstrates his rationality of being a chaotic savage. He tends to cover up his actions with reasoning that only deems to be true through the eyes of insanity. “He rubbed the charcoal stick between the patches of red and white on his face [...] A rounded patch of sunlight fell on his face and a brightness appeared in the depths of the water. He looked in astonishment, no longer at himself but at an awesome stranger. He split the water and leapt to his feet, laughing excitedly.”(Golding 63). There is no room for civilization on the island, and Jack takes advantage of this opportunity. Jack, compels himself to distance himself from social normalities through the exterior of the world. The paint on Jack’s face represents his cover up to society and to make himself believe that he is doing the right thing. Consequently speaking, Jack desperately desires confirmation of his actions from one of his peers. However, none of his peers condone of these certain actions, so, he relies on the tangible aspects of life to give him a sense of comfortability. “All that makes sense to him is his own need to control others and impose himself, and hunting, because it is a kind of power assertion” (Lord of the Flies, Bloom’s Modern Critical Interpretations). On the island, Jack’s role is the leader of the hunting party. Although, this seems
As the story progresses it shows how the boys change from disciplined school boys to savages. Jack is the first to show the transition. When Jack, Simon and Ralph go exploring for the first time, they come across a piglet caught in a curtain of creepers. Jack couldn't kill it "because of the enormity of the knife descending and cutting into living flesh; because of the unbearable blood (31)." From that moment on, Jack felt he needed to prove to himself to the others that he's strong, brave and isn't afraid to kill. When Jack says, "Next Time (31)" it's foreshadowing his future of savage hunting.
On the dystopian island of Lord of the Flies, authored by William Golding, one can observe the boy's’ descent into madness. When a group of young children were abandoned on an island without adult supervision, chaos rampaged. This loss civility is most clearly demonstrated by Jack and his effect on others. The text illustrates how quickly he succumbed to the savagery, the way his thirst for power and his dire situation brought him to barbarity, and how the boys followed suit, losing all their humanity.
In William Golding's Lord of the Flies, the boys who are stranded on the island come in contact with many unique elements that symbolize ideas or concepts. Through the use of symbols such as the beast, the pig's head, and even Piggy's specs, Golding demonstrates that humans, when liberated from society's rules and taboos, allow their natural capacity for evil to dominate their existence.
Jack begins the novel partially innocent, cruel enough to yell at the boys yet pure enough to hesitate when faced with the task of killing the pig. Jack obtains the tools necessary to kill the pig, yet claims to need help cornering the animal. Jack, not truly needing help to kill the pig but rather needing the support provided by the mob mentality, acquires the support of his choir and together the boys hunt and kill the pig, all the while chanting, “Kill the pig. Cut her throat. Spill her blood”...
This paper will explore the three elements of innate evil within William Golding's, Lord of the Flies, the change from civilization to savagery, the beast, and the battle on the island. Golding represents evil through his character's, their actions, and symbolism. The island becomes the biggest representation of evil because it's where the entire novel takes place. The change from civilization to savagery is another representation of how easily people can change from good to evil under unusual circumstances. Golding also explores the evil within all humans though the beast, because it's their only chance for survival and survival instinct takes over. In doing so, this paper will prove that Lord of the Flies exemplifies the innate evil that exists within all humans.
The whole entire story could've had an entire different outcome if Jack didn’t have so many personality blemishes. Jack seems like he has something wrong with him as far as handling his emotions go. He is always very mean to Piggy and was the first to thirst for blood.