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Louis SullivanArchitecture
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Louis Sullivan, an architect, created the Carson, Pirie, Scott and Company Building from iron, steel, glass, and terracotta around 1889-1903 C.E. This architecture demonstrates a Chicago style as an early skyscraper in Illinois in the United States. Louis Sullivan emphasizes the entrance to attract shoppers into the building.
The unity, lines, and emphasis help identify this architectural style. The Carson, Pirie, Scott and Company Building includes a rounded corner entryway covered with lavish decorations and a bronze-colored ground floor. The unity of the identical windows above the bottom floor contributes to the uniqueness of this style as they serve a purpose to stress the similar function throughout the building. This building connects
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the relationship of architecture and commerce. The lines on this building also pinpoint the architectural style. Sullivan’s building highlights the long, uninterrupted horizontal lines under each window from each side of the building towards the entry bay. The lines leading to the entry also contribute to the unity. The emphasis on the ornate entrance and the lower street-level serves as the main attraction. The cast-iron ornaments hold complicated, delicate, organic and floral motifs. This pattern distinguishes this attractive building from the other buildings built around the Carson, Pirie, Scott and Company Building. The emphasis on the larger bottom windows displays the store’s products. The entrance contains elaborate decorations with a cornice line that flows around the corner. The similarity of the style with past architecture in the terracotta elaborations included in the entrances of the buildings illustrate an example of influence in the past artworks like the architecture Temple of Minerva. The Temple of Minerva, constructed around 510-500 B.C.E, utilizes terracotta for decoration.
This artwork originated from the culture of the Etruscans and the master sculptor Vulca in Veii near Rome, Italy. Although Vulca selected the materials of wood, mud brick, and tufa, a volcanic rock, terracotta provides the most decorations. The similarities between the ornate design and terracotta portray possible influences. Although the Temple of Minerva functioned religiously and the Carson, Pirie, Scott and Company Building served as a commercial center, they both welcomed the public citizens to enter these buildings. The embellished frontal entrance of the Temple of Minerva possibly influenced the idea of the attractive entrance of the Carson, Pirie, Scott and Company Building. These buildings both influence the construction of new buildings due to their ideas of a decorative entrance to lure people in. However, the evident difference of the format of architecture proves that the Carson, Pirie, Scott and Company Building did not base its floor plan off of the Temple of Minerva. The Temple of Minerva, a Classical architecture, differs because of its large portico, or porch, and it contained terracotta sculptures on top of the entrance for decorations instead of floral motifs on the entrance. The Temple of Minerva also included tufa columns and walls covered in stucco while the Carson, Pirie, Scott, and Company Building did not build any columns to support the building and does
not exhibit Classical architecture but more of a Modern style due to the new technology of steel beams.
The Newport Coast structure is clearly a representation of Roman architecture in general, but more specifically, the sturdy columns and enlarged entablatures are reminiscent of the Tuscan order. Although the simplified columns may at first glance appear to be rather doric in their style, upon closer inspection they prove to be more similar to the less renowned Tuscan order. This in fact, does not diminish the influence the doric temples of Greek architecture had on the Etruscan invention of the Tuscan temple, but rather demonstrates yet again how one culture can inspire another artistically. The Tuscan order refers to "the variation that resembles the doric order, with an unfluted shaft and a simplified base, capital, and entablature" (Stokstad, 227). Like architecture of the Tuscan order, the Newport Coast structure's entablature is very plain and geometric in its form. The Tuscan order was originally used by the Etruscans around the time of 700-509 BCE and was later adopted by the Romans. Even though the Newport Coast structure and the Tuscan temple function differently in terms of public use, for the Tuscan temple was used by the Etruscans for religious purposes, their appearances prove to be strikingly similar.
In comparison to Sullivan's preceding office structures, like the 1891 Wainwright Building in St. Louis, Carson, Pirie, Scott in Chicago was expected to address its contributor’s demands in a very different manner. As opposed to accentuating the beehive of exact windows proposed to reflect the exact work occurring in each individual office, in the Carson Pirie Scott building, Sullivan displayed instead the secondary street level section and passage to persuade customers into the store. This was executed in various ways. The windows on the ground floor, exhibiting the store's merchandise, are much bigger than those above. The three entryways of the primary access were fixed within a rotunda on the corner of the building, so they are noticeable from all directions drawing nearer the building. The three primary entrances and the integrated base section are separated from the additional stories above by an undivided arrangement of elaborately baroque adornment. The cast-iron adornment incorporates the same exceptionally perplexing, fragile, natural, and floral motif that had become trademarks of Sullivan's pleasing
Queen Anne architecture can not be defined easily. It's architectural style has many different characteristics. In this paper, I will show how the Queen Anne style evolved from the architecture that was common during the reign of Queen Anne herself and also show how it evolved in America in the late 1800's during the Industrial Revolution. I will then show how the Queen Anne style is incorporated into today's architectural design.
Born in Ohio, Cass Gilbert studied at MIT and in Europe he subsequently set up practice in St. Paul with a former classmate, James Knox Taylor. After a ten-year partnership they split and Gilbert moved on to New York City. Although he had already designed notable buildings, such as the Broadway Chambers Building in 1899 and the Union Club in 1901, his widespread recognition came mostly after winning an Exposition gold at the Fair where he also designed the Palace of Fine Arts, which is now known as the St. Louis Art Museum.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 167.
Pantheon and Hagia Sophia Pantheon and Hagia Sophia are two extremely outstanding architectural pieces of their times. They have been built according to the traditions of those particular times. The materials used to built these buildings and the purpose for which they were used are all very important aspects and have been briefly covered in this report. Pantheon The statesman Agrippa built pantheon in 27 B.C. Then it was completely rebuilt by the emperor Hadrian. The Pantheon is remarkable for its size, its construction, and its design. The dome was the largest built until modern times. The present structure was probably originally built as a temple for all the pagan gods. We do hear of it as being a law-court and a reception area for Emperor Hadrian meeting his quests too. Some say that the rotunda of the building was once a Roman bath. Due to all this mystery, the Pantheon is often referred to as the Sphinx of Rome. The visitor will probably not appreciate the construction as much as the Flavian amphitheatre, but it is still a great masterpiece of engineering and well worth a visit. Most Roman and Greek temples at the time of the Pantheon's construction were large, colonnaded, rectangular enclosures with sanctuaries situated in their centers. The Pantheon was different. It consisted of a large circular drum topped with a hemispherical dome. It is a masterpiece of both engineering and art a lasting memory of Ancient Rome’s might. Roman architecture is architecture of wall and enclosed tactile space. Individual column with entablature is no longer the basic architectural unity. Spatially, it shows a development from closed, simple space units and regular articulation to more complex spatial relations, more fluid interpenetrati...
Pedimented entrance to the building. Digital image of the ad. Bluffton. Web. The Web.
In Chicago, he worked for architect Joseph Lyman Silsbee. Wright drafted the construction of his first building, the Lloyd-Jones family chapel, also known as Unity Chapel. One year later, he went to work for the firm of Adler and Sullivan, directly under Louis Sullivan. Wright adapted Sullivan's maxim "Form Follows Function" to his own revised theory of "Form and Function Are One." It was Sullivan's belief that American Architecture should be based on American function, not European traditions, a theory which Wright later developed further. Throughout his life, Wright acknowledged very few influences but credits Sullivan as a primary influence on his career. While working for Sullivan, Wright met and fell in love with Catherine Tobin. The two moved to ...
As one of the greatest structures in Rome, the Pantheon was built between 118 and 128 CE. It is described as the most remarkable ancient building surviving in Rome. After being destroyed and rebuilt twice, it was renamed the “Temple of the Gods”. In 126 AD, the Pantheon was restored to its glory, by the architects who at that time has learned and mastered their craft in concrete construction in the Greek Classical order. They constructed a massive 25 foot thick walls which was to support the huge dome made of concrete to be placed at the top. The dome was the largest ever made of unreinforced concrete at 43.4 meters in diameter (Matthews, Roy and Platt pg. 5).
But these contrived differences give rise to esthetic difficulties too. Because inherent differences—those that come from genuinely differing uses—are lacking among the buildings and their settings, the contrivances repre...
Greek and Roman architecture is truly amazing. They each had great ideas, and fabulous productions. It is said that the Pantheon is to Italy what the Parthenon is to Greece. Both are tremendous monuments that reek of culture and history. Each had a purpose which was displayed by the design and construction of each. There are such great meanings behind each of these architecural structures. The Romans and the Greeks alike worshipped and dedicated their structures and designs to the Gods and Goddess they believed in.
The end of the Geometric period resulted in the beginning of the Orientalizing Period, dated between 700-600 BC. Within this time frame, Greek introduced a new innovation, the Peripteral Temple. For many years prior, a row of colonnade was used on the interior primarily to hold up the roof of the building. In contrast, columns are seen being used on the outside, creating a visual wall around the building exposing parts of the interior. With in the temple existed the megaron style, carried forward from Bronze Age homes. It was also in eastern influenced period, the first real stone temples, and terra cotta roof tiles came to exist to hold the weight on these new stone temples. The population grew drastically, introducing new techniques and styles, which blended to form designs with balance and symmetry. It was during this period, two major Greek designs were developed, the Ionic and Doric order. (Pedley, 2012: pg. 180) The Doric order, being the first and most simple, consisted of baseless columns placed closely together as the Greeks did not know how much weight the shortened columns could hold. Reason behind this was the lack of length in the columns were believed to hold less weight and therefore forced into being placed closer together. This closely set arrangement created a very bold statement in the Doric temple. The Capital, which sat on top of the concaved shaped shaft, was left plain but when grouped alongside others, suggested a bold harmony. In contrast, the Ionic order was less bulky and more delicate than the Doric order. The top of the capital is decorated with two scrolls, also known as volutes, which could have resembled a shell or animal horns. Above the capital, held room for a surrounding frieze depictin...
Frank Lloyd Wright, American architect, who was a pioneer in the modern style, is considered one of the greatest figures in 20th-century architecture. Wright was born June 8, 1867, in Richland Center, Wisconsin. When he entered the University of Wisconsin in 1884 his interest in architecture had already acknowledged itself. The university offered no courses in his chosen field; however, he enrolled in civil engineering and gained some practical experience by working part time on a construction project at the university. In 1887 he left school and went to Chicago where he became a designer for the firm of Adler and Sullivan with a pay of twenty-five dollars a week. Soon Wright became Louis Sullivan’s chief assistant. Louis Sullivan, Chicago based architect, one of America’s advanced designers. Louis had a profound influence on Frank Lloyd Wright. Wright was assigned most of the firm’s home projects, but to pay his many debts he designed ‘Bootlegged Houses’ for private clients in his spare time. Sullivan disapproved, resulting in Wright leaving the firm in 1893 to establish his own office in Chicago.
A great deal of money and effort has been placed into the look and feel of all Family Guardian offices over the past few years. The aesthetics of the office that clients frequent is important in establishing mood. The company’s Financial Centre and Corporate office underwent major renovations. Both offices have now adopted the new corporate colors, design schemes and signage is now consistent throughout all locations. It is also worth mentioning that all our sales offices look the same on the outside, making them instantly recognizable.
—. Southwest Interior Design Style for Your Living Space. 2007-2014. Online. 1 Jan. 2014. .