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Sympathy by Paul Laurence Dunbar analysis line by line
Racism in America in the 20th century
Sympathy by Paul Laurence Dunbar analysis line by line
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“We wear the Mask” by Paul Laurence Dunbar talks about people, especially African Americans who are forced to wear a mask to cover their faces and hide their true feelings behind the mask. The poem talks about people who have been tortured and choose to conceal their pain and frustrations behind a mask. They refuse to allow the world to see their pain instead, they want the world to only see their mask of contentment. The summary, symbolism, figurative language, poetry devices help understand the poem’s message.
In the first stanza of the poem, the writer writes about how people use masks to hide their real feelings. The poem talks about how the mask hides our cheeks and shades our eyes, which implies that if the mask shades our eyes, then
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There was a lack of civil right and African Americans had to behave or they would be punished or killed. The nineteenth century was a rough time to be black in America. This era forced African Americans to conceal their emotions and wear a mask to disguise their true emotions and also avoid being punished.
We Wear the Mask contents some symbolism in its stanzas. The mask in this poem is used as deception. The mask refers to the emotions that people pretend to wear to conceal the emotions that they truly feel. People use smiles and happiness as untrue expressions to cover their pain and cries. Smiles in the poem also symbolize wearing a mask. It is an expression used to cover up real emotions in the poem. Another symbolism occurs in line fourteen. It says “Beneath our feet, and long the mile” (Dunbar, line 14). This line expresses how far African Americans have come and the long struggles on the
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Refrain emerges in the poem. The most obvious refrain is “We wear the mask” This appears once in every stanza of this poem. It is also the title of this poem which explains why it appears in all of the stanzas to prove a point. Another repetition that occurs in the poem is “we smile”. These words appear twice in the poem. In the poem, smile represents wearing a mask. This means that we smile represent a group of people wearing masks to reflect false expression. One type of sound device that materializes in the poem is alliteration, assonance, and rhyme. These devices emerge in the fifth line of the poem. It says “And mouth with myriad subtleties” (Dunbar, line 5). The alliteration in this line is mouth and myriad because they sound similar and the initial consonant repeat in the neighboring word. Other repeating words in this poem are mask and world. These are some of the repetitions and sound devices found in the
The work, the Souls of Black Folk explains the problem of color-line in the twentieth century. Examining the time following the civil war the author, W.E.B. Dubois, explains the African American experience of living behind the “veil”. To fully explain the experience of living behind the veil, he provides the reader with situations that a black race experiences in reconstruction. This allowed the readers to metaphorically step into the veil with him. He accomplishes this with the use of “songs of sorrow” with were at the beginning of each chapter, and with the use of anecdotes.
The inconsistent American view of integrity exposed in “We Wear the Mask” Paul Laurence Dunbar and “Theme for English B” Langston Hughes acknowledges the struggle between how society views African Americans and how the community views itself. Circumstances were difficult in America amongst the end of the 19th and beginning of 20th century. An immense amount of changes were happening, and numerous people had a troublesome time dealing with them. African Americans specifically got in a culture that showed up to more superior to anything it had been before and surrounded by the Civil War. The truth was, things simply weren 't so divine. African-American of this time period are prime cases
For fear of judgment based on appearance, any human being might cover up his sorrows as to not display any signs of weakness. Throughout Dunbar’s poem, the characters reflect upon their perception of the world and ironically accept the world the way it is. Revealing the true nature of the world, Dunbar states, “Why should the world be over-wise, /In counting all our tears and sighs?” (Dunbar 6). The poet insists that everyone need to be more comfortable and open to new ideas while embracing each others uniquenesses defined by strengths and weaknesses. The world was never “over-wise” because people dismiss the idea of helping others in fear of ruining their own reputation. Because of the utter nature of society, citizens have no other option but to wear a mask of apathy and cover up their insecurities. The narrator feels the need to conceal their feelings by “wear[ing] the mask that grins and lies” (Dunbar 1). They use “lies” to cover themselves, but at the same time question why no one seems to care. This contradiction complicates the battle between the world and the individual. Nevertheless, by changing their identities, they spread the idea of disguise, making everyone blind to the truth of human
The poem, "We Wear the Mask”, by Paul Laurence Dunbar is about separating Blacks people from the masks they wear. When Blacks wear their masks they are not simply hiding from their oppressor they are also hiding from themselves. This type of deceit cannot be repaid with material things. This debt can only be repaid through repentance and self-realization. The second stanza of “We Wear the Mask” tells Blacks whites should not know about their troubles. It would only give them leverage over Blacks. Black peoples’ pain and insecurities ought to be kept amongst themselves. There is no need for anyone outside the black race to know what lies beneath their masks. The third stanza turns to a divine being. Blacks look to god because he made them and is the only one that can understand them. They must wear their mask proudly. The world should stay in the dark about who they are. This poem is about Blacks knowing their place and staying in it. This is the only way they could be safe.
In the nineteenth century African-Americans were not treated as people. The white men and women treated them as pieces of property rather than people. Throughout this time those men and women fought for their own independence and freedoms. However none of these freedoms happened until the late 1800’s. The black men and women of this time never got the opportunities to earn money or have property of their own.
... collective consciousness of the Black community in the nineteen hundreds were seen throughout the veil a physical and psychological and division of race. The veil is not seen as a simple cloth to Du Bois but instead a prison which prevents the blacks from improving, or gain equality or education and makes them see themselves as the negative biases through the eyes of the whites which helps us see the sacred as evil. The veil is also seen as a blindfold and a trap on the many thousands which live with the veil hiding their true identity, segregated from the whites and confused themselves in biases of themselves. Du Bois’s Souls of Black Folks had helped to life off the veil and show the true paid and sorry which the people of the South had witnessed. Du Bois inclines the people not to live behind the veil but to live above it to better themselves as well as others.
The 19th century was a hard time for the African-Americans and Native Americans of the U.S. Treatment of these people by the White society brought about much pain and suffering for their races. This is because race played a large role in society during the 19th century, because of this, African-Americans and Native Americans were treated poorly in their relationship with the White Society.
Times were looking up for African Americans, their new freedom gave them the option to go down a road of either criminal actions or to make something out of themselves. But the presence of racism and hatred was still very much so alive, Klu Klux Klan, although not as strong as they were after the Civil War was still present. Laws like Jim Crow laws and “separate but equal” came into play and continued to show how racism was alive. Besides these actors of racism, blacks still started gaining a major roll in American society.
“We Wear the Mask” by Paul Laurence Dunbar and “Richard Cory” by Edwin Arlington Robinson are two poems that depict how many people hide their feelings from others. The two poems are similar in theme, but are told from different points of view and differ in plot.
It is Du Bois awareness of the veil that gives him the opportunity to step in and out it. He is not imprisoned and blinded by the veil, and writes not just to make black Americans aware of it, but also to give whites the opportunity to look at what they had created in erecting it, and how both races could play part in taking down the veil. The use of spirituals enforces the black Americans journey of striving for better in times of war, or the failed Reconstruction, and in the experience of living on the other side of the color-line, while trying push through it towards better times. The stories within the chapters are punctuated with beautiful and spiritual hymns, personal disclosures, facts, and psychological impacts that racism has imparted on the relationship between black and white Americans. The metaphor of the veil is impressive, and understood as a construct born of the color-line, which in turn created within the black American a double-consciousness. This condition would not allow them to see, or be themselves wholly, as the stereotypical images and beliefs of whites overshadowed them, made them invisible behind the veil. Du Bois real hope in constructing Souls of Black Folks was to give blacks a better understanding of their own nature and psychology as a result of others lack of regard for their blackness, while
In the story "Battle Royal" the narrator's grandfather tells the family to undermind the whites with "yeses" and "grins", he also instructs them to "agree'em to death and destruction". The grandfather felt that in order to keep the family safe and also hold on to the oppression that scars them everyday, they should put on a mask. This will keep the white man pleased and the blacks could keep there self respect because as soon as the opportunity for social equality comes they'll go for it. This didn't seem like a bad idea but it was hard for the narrator to comprehend.
African-Americans used to be treated very poorly by the rest of the United States. They were still treated as though they were slaves until the end of the Jim Crow laws. Even after that, southern states still attempted to keep African-Americans from being equal to the rest of Americans. Taxes were put up in order to vote, which kept African-Americans from doing so because most were very poor. They still did not have equal opportunity in the workforce either.
The mask is a form of deception or illusion. Sometimes, it can be worn as both. It hides the true emotions of slaves, keeping the slave master from knowing what is going on in their minds. The mask also allows the slave to have an identity without the master’s detection. The mask gives the illusion that the slave is exactly how the masters believe, ignorant, incapable of true emotion, and unable to think for themselves.
The poem begins with the refrain, "Ah, look at all the lonely people." The same refrain is used to end the poem, making a complete circle. This creates, for the reader, a sense of loneliness about the poem as a whole. In the second stanza, Eleanor is introduced as a woman who cannot face the world as her self. She wears the “face that she keeps in a jar by the door.'; Literally this can be interpreted as makeup, but symbolically she is hiding her self.
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream be otherwise” (13). The unreal character of the mask has played a significant role in the lives of African Americans, who pretend to put on a smile when they feel sad internally. This occasion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart, and Miller 466).