Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How the media influences public beliefs
Television in 1950s america
Television in 1950s america
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How the media influences public beliefs
War of the Worlds 1 The War of the Worlds was a book that was written by Orson Wells, that was performed on a live radio station. Many people thought that what they were hearing was true and that there really was an alien invasion. Although aliens attacking is a far-fetched idea, people still believed it, because of the cultural traditions that were in place. Before this time, everything that was written in the newspapers or heard on the radio was supposed to be true. This may have happened over 75 years ago, but this event can still relate to our current culture. Because of our media options today, this could happen again. There were laws and boundaries that were in place during the time of 1938 that gave some people a reason to believe …show more content…
This I believe played on a lot of cultural traditions and assumptions at that time. For starters, it was broadcasted the night before Halloween, so Hallows Eve. The listeners would have already been in the mind set of “creepy or scary” things. Second, the broadcast was altered to allow it to be more realistic like an actual radio news broadcast. On top of altering the broadcast to include pieces of news, you had fake news bulletins like “huge flaming object.” During the broadcast Wells also managed to portray very vivid descriptions and detailed images to the listeners. Such as this portion of the broadcast “Good heavens, something's wriggling out of the shadow like a gray snake… They look like tentacles to me. There, I can see the thing's body. It's large, large as a bear and it glistens like wet leather... The eyes are black and gleam like a serpent. The mouth is V-shaped with saliva dripping from its rimless lips that seem to quiver and pulsate… It seems weighed down by… possibly gravity or something. The thing's raising up...” Wells used a lot of detail to give the viewer the idea that maybe this was actually real and not just a fictional play broadcasting on air. You also had in the mix cut parts of just music and then cutting back into the play. With very distinctive …show more content…
During that time, it was start of an age where the power of stimulation was becoming more widely used. Manipulation was used to make the broadcast seem more realistic and nonfictional. The present culture traditions and assumptions also thrive on manipulation and the power of stimulation. One of the most common examples of this was in the beginning of the 1990s when lip syncing became a huge sensation. Before that, around the 1950s, you had televised game shows that stimulated people on their ability to win things. We still have this going on in our society today and we will continue to have things like this happen in the future. The only difference now would be the form of the media that it comes
World War Z was written by Max Brooks and published in 2007. Max has two other books that are also about surviving a zombie apocalypse. The general maxim about zombie apocalypse books is that they are for pure entertainment; however, his books carry hidden messages that pertain to modern society. World War Z is an exceptional book of entertainment and knowledge. The book was created into a motion picture starring Brad Pitt because of the much kudos that Max Brooks received from readers.
In The Looking Glass Wars by Frank Beddor, the sweet nonsensical story of Alice in Wonderland is retold in an interestingly strange way that includes everything from war and rebellion, to love. Towards the beginning of the story Alyss is forced to leave Wonderland after having her castle ambushed by her evil Aunt Redd. Hatter Madigan, her mother’s trusted bodyguard, is told by Queen Genevieve herself to look after the young princess but is separated from her when they enter the Pool of Tears. He eventually finds her in england where she had been staying for the duration of her time on Earth, and takes her back to wonderland where she reclaims her throne. By altering this story, Bedder adds a more significant twist to what was a children’s book, creating many meaningful themes to go along with his version that develop throughout the novel. One example is taking responsibility, which is evident in many of the actions involving the characters Hatter Madigan, Alyss Heart, and Dodge Anders.
The early 1960s saw the expansion of television. The television had become a common household
The title of this novel, “The Wars” is illusory. Upon first glance, it makes one expect a protagonist who goes to an actual war, uses physical strength to fight on the battlefield and becomes a war hero.While part of that is true, there are also other significances of the war associated with this title. This novel recounts the journey of the protagonist, Robert Ross as he starts out as a shy, introvert and an inexperienced person before he goes to war; he experiences a change in himself as a result of the people and the battle(s) that he fights with the factors in his surroundings. Therefore, “The Wars” doesn’t necessarily mean the war with the enemy but it includes the wars at home, wars against nature and wars of relationships. Which
By 1958, no one was laughing anymore. Grabbing the attention of the public even more than the shows themselves were the scandals which emerged around them. The public's naive trust had evolved into suspicious cynicism because it had learned that many of the shows were rigged. As can be imagined, this caused great disgust among viewers. The supposed winners, for whom Americans had ro...
There are two main cultures in The War of the Worlds, the Martian culture and the British culture. In the novel, there are several cultural similarities between H.G. Wells’ Martians and the British Empire of the 19th Century. These similarities include colonialism, superior intellectual skills, and advanced weaponry. In addition, there are also cultural similarities between the human race represented in the novel and the Tasmanian Aborigines dominated by the British Empire in the 19th Century. These similarities include inferior intellectual skills, primitive weapons, and geographic isolation.
...on and bring pleasure in the form of entertainment. Even though television, a technology that produce moving picture and current events affected the lives of America from 1930s to 1960s. They found a way to recuperate by minimizing the use of television and maximizing the use of the outside world.
War of the Worlds starts with off as a normal day in Woking, England, but that night astronomers observe flares of light and energy on the surface of Mars. This continues every twenty four hours for ten days. Later on, the first of ten pods land nearby in the pine forest and the narrator is one of the first to see the cylindrical capsules. Out of these capsules five Martian tripods will arise, straining against the greater gravity of earth. These tripods send the narrator on the run across England only stopping to take refuge at night, to find his wife in Leatherhead. Upon his journey he is aided by a few survivors, the first of whom is the artilleryman. They set off together and travel a good distance, but are later separated by a Martian attack. The narrator escapes, but scalded by the water heated to near boiling by the Martian’s heat ray. While by himself he discovers the Martian’s new weapon of mass destruction, a capsule of toxic black smoke that runs across the ground with the likeness of a liquid. The narrator later finds himself taking refuge with a man called the Curate. While taking refuge a capsule lands on the house they were hiding in and part of the building collapses trapping them inside. Here, while trapped together, the narrator realizes he can’t stand the nearly mental Curate. While the whole time, all they know of the outside world is what they can see through a small crack in the wall that overlooks the newly formed Martian pit. Days later the narrator discovers how the Martians feed when they capture the Curate. The Martians feed by extracting the blood of humans and animals through a tube tipped with a syringe. Soon after the noise of Martian machinery stops and the narrator crawls out of the ...
The Martians in the book The War Of The Worlds that was written by H. G. Wells were on the quest to Earth for resources to help them survive. At first landing and reading their spherical vehicles that were armed with both a heat ray gun and smoke gun, began to lay waste to mankind. Throughout the book, it is from the point of view of the narrator and what he experiences and sees on the Martians destruction of the world he knows. While Earth gives as much defense as they can, it cannot stand up against the great power of the Martians great vehicle’s destructive weapons. Towards the end of the book, mankind resorts to hiding in the shadows of this deadly terror and like the narrator, in a hole. Several days pass until the narrator comes out of his hole to see that the alien force has been eradicated by a bacteria that their body’s immune system was not able to save them.
The War of the Worlds--are observing through telescopes the spectacle of the collision of the comet and the moon and are preparing scientific papers on what they take to be the minor damage done to the earth. Wells's narrator then neatly upends homocentrist pretensions: "Which only shows how small the vastest human catastrophes may seem, at a distance of a few million miles."
device to use in this novel because it makes it real and also makes it
War of the Worlds is an out of the box radio play that changed the world of mass communication forever and allowed the entire nation to see power of imagination and the unique power of radio over its audience. The creators of this nationwide hysteria were Orson Welles and the Mercury group. Orson Welles was a famous American actor, producer, director and radio broadcaster. In an effort to increase the shows audience, Orson Wells catered the idea of a Halloween public scare. The War of the Worlds radio play was a dramatization of H.G. Well’s novel The War of the worlds (1898 novel relating the story of an alien invasion on Earth) and performed as a scary Halloween episode on of the radio show Mercury Theater On The Air. The episode was aired over the Columbia Broadcasting System (CBS) on October 30th, 1938. The first two thirds of the 62-minute broadcast were presented as a series of simulated news bulletins, which suggested to many listeners that an actual alien invasion by Martians was currently in progress. Orson Welles’s scripted act was so convincing that the broadcast caused hysteria throughout the nation as several listeners believed that the nation was actually being invaded by Martians in a seemingly unstoppable attack. Many people were terrified by the news, and they left their homes in panic and fled. The aftermath of the broadcast was so disastrous that even Welles and his team were shocked. This 1938, 62 minute broadcast truly changed the meaning of mass media and everybody came to realize the true potential and power of mass communication.
One of the ways we accomplished this was by using imagery. In our podcast we provided vivid detail of what the black angel statue looked like. We explained in vivid detail what the statue looked like, from the color, to a description of the face. We also explained where the statue was. By using imagery in the podcast it allowed for the audience to imagine the statue and create an eerie essence behind it. To keep the eerie feeling within the audience we began to describe the myth behind the black angel. We explained how people different people had reportedly died after touching the black angel in some way. All of these aspects of the podcast helped set the mood of the
Hall, Stuart. 1974. "The Television Discourse--Encoding and Decoding." In Studies in Culture: An Introductory Reader, ed. Ann Gray and Jim McGuigan. London: Arnold, 1997, pp. 28-34.
Throughout the 1950s, executives experimented with the television and how to use it effectively. In the beginning, producers struggled with the new technology–introducing visual transitions or the beginning use of graphics to accompany news, which were mostly crude line drawing (Barkin 28-29). But, in 1963 (some pinpoint the exact day to be November 22, 1963) the television cemented itself as a mass medium–an integral part of American culture–and the “Big Three,” television networks (CBS, NBC, and ABC) established themselves at the forefront of innovation in the field (35).