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Walt Whitman prose
Walt Whitman as a representative poet
Walt Whitman's use of transcendentalism
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Walt Whitman: Transcendentalism
By the late 19th century, Walt Whitman had become positioned at the forefront of the American cultural lexicon. His poetry was at once brash, dissonant and resoundingly erotic. His raw, unabashed poetry flew in the face of the prevailing ideals of his time. Whitman's greatest literary accomplishment, Leaves of Grass, had set the ideas of divinity, the hierarchy of the holy trinity, and the ethereal perfection afforded these things into turmoil. What he did was take the theologian ideas of perfection and divinity and juxtaposed them onto mankind and the world around him. This theology of transcendentalism was the cornerstone theme throughout all of Whitman's writing.
Throughout Whitman's poetry, there exists several major themes. First, the idea of the Holy Trinity of father-son-holy spirit is taken from a heavenly, theological realm and brought into the present. Second, there is the idea of the Adamic myth of America, whereupon mankind has found a temporal Garden of Eden in which to recreate himself and the world around him. The final theme is that of the perfect order of the cosmos as the stage for which these things can happen. Whitman makes the case that each individual, each "leaf of grass" has its own place within nature.
Up until the time of Whitman, the prevailing religious dogma of America had been one of strict adherence to traditional values and beliefs. Approaching the turn of the century, however, sentiment for an alternative path had begun to grow. Thus came the age of the Great Awakening. The idea of a spiritual equality amongst all people had begun to spread across the country and Whitman was one of the biggest proponents. What made Whitman controversial was not so much his embrace of an alternative religion, but how he took the Christian ideals of otherworldly reverence and planted himself firmly on the middle.
The idea of the Holy Trinity in theology is that of the father-son-holy spirit. This idea of each part of the triangle being one and the same is a major ideal throughout Christianity. Whitman took the old ideas of divinity and perfection and placed them upon his own ideas of the universe. Indeed, Whitman often puts himself squarely in the middle of the trinity, "Di...
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...ement. Whitman took these and brought them to the level of the common man. Man being one with nature as well as one with God was a major reversal in popular ideology within America. No longer was mankind to aspire to the perfection of God, he must merely choose to be such. Whitman had abolished the idea of original sin as casting a pall on the spirit of every man, woman, and child born into the Christian religion. They should not repent and seek redemption, he argued, they should look into this new beginning as a way to create a new self. Whitman thought that man could choose to make his own decisions without an inherent guilt bestowed upon man at the behest of Adam in the Garden of Eden. America was the New Eden. It was up to man to create his own destiny. Above all, these things existed within the grand cosmic structure of the universe and all moved in harmonious conjunction. Nature, man and God all traveled through the great cosmos of space and time as one. Whitman attempted to show that the things which he wrote were not exclusive of one and other, but were intertwined to the very core of each one's existence. It was that idea which stated the true ideals of transcendentalism.
Spinal Muscular Atrophy, also known as “SMA” is a genetic and also a motor neuron disease that affects the area of the nervous system that controls your voluntary muscle movements such as walking, crawling, and swallowing. When someone acquires this condition their muscles start to shrink as a cause to the muscles not receiving signals from the nerve cells in the spine that control function. Spinal Muscular Atrophy is a rare but serious condition.
The 1830s was a time of serious religious conflict. Many people, especially authors, had different opinions on how to find true spirituality. In the end, authors in America created Transcendentalism. Transcendentalism is a philosophical and literary movement that searches for individual truth through spiritual reflection, complete solitude, and a deep connection with nature. Because this was established by authors, many of them wrote different pieces reflecting and using the beliefs of Transcendentalism. Ralph Waldo Emerson was considered to be the father of Transcendentalism. He wrote many influential pieces that follow and emphasize major Transcendental beliefs. The major beliefs include the over-soul, nature, and senses. In addition to those, there are minor beliefs and overall ways of living. These beliefs were included in Transcendental pieces as a general way to share the belief and to create a movement. Due to the use of nature, senses, and the over-soul as its three core Transcendental beliefs, Ralph Waldo Emerson’s “Nature” successfully explain the fundamentals of Transcendentalism.
Literature such as Ralph Waldo Emerson’s “Nature” and Henry David Thoreau’s “Walden” reflect the tenets of Transcendentalism. They set the foundation for Transcendentalism because Emerson and Thoreau were the “fathers” of the literary movement. Both writers searched for truth and the meaning of life on an individual level that fit their feelings. They demonstrated the perfectibility and self-reliance of individuals. For example, “Walden” tells of Thoreau’s two years of living in the woods relying on himself for food and shelter and trying to simplify his life. He wanted to demonstrate that there was no evil in the simplicity of his forest home. Just as Thoreau’s “Walden” demonstrated Thoreau’s renewal or refreshing of his own spirit, Transcendentalism was the renewal or rebirth of American Literature.
Throughout the span of this semester, much of the literature discussed revolved around the so-called renaissance of American literature and its impact upon both the nation and its people. Of all the authors studied in this time period, Walt Whitman may well be known as the quintessential American author. Famous for breaking every rule known to poetry in the inimitable compilation, Song of Myself, Whitman provided a fresh and insightful commentary upon the dualistic nature of society, love, and life itself. Through defining these essential aspects of humanity, Whitman indeed composed one of the most accurate and enduring definitions of the individual self that literature, American or otherwise, has ever seen. Specifically, this was done through
Very few people will contest that Walt Whitman may be one of the most important and influential writers in American literary history and conceivably the single most influential poet. However many have claimed that Whitman’s writing is so free form as evident in his 1855 Preface to Leaves of Grass and Song of Myself that it has no style. The poetic structures he employs are unconventional but reflect his very democratic ideals towards America. Although Whitman’s writing does not include a structure that can be easily outlined, masterfully his writing conforms itself to no style, other then its own universal and unrestricted technique. Even though Whitman’s work does not lend itself to the conventional form of poetry in the way his contemporaries such as Longfellow and Whittier do, it holds a deliberate structure, despite its sprawling style of free association.
Walt Whitman had many ideas of how America was not living up to what the founding fathers had hoped to have achieved in their democracy a century before in succeeding from England. Whitman thought that the government was beginning to resemble what the founding fathers had fought and multitudes of soldiers died to escape from. In contrast to what the government had been returning to, Americans as a whole were finding their identity as a very young nation and were proud to call themselves Americans. Whitman was progressive when it came to his ideas on women and industry and it showed in the book Democratic Vistas.
Ralph Waldo Emerson and Emily Dickinson were two of America’s most intriguing poets. They were both drawn to the transcendentalist movement which taught “unison of creation, the righteousness of humanity, and the preeminence of insight over logic and reason” (Woodberry 113). This movement also taught them to reject “religious authority” (Sherwood 66). By this declination of authority, they were able to express their individuality. It is through their acceptance of this individuality that will illustrate their ambiguities in their faith in God.
“Not I, nor anyone else can travel that road for you. You must travel it by yourself. It is not far. It is within reach. Perhaps you have been on it since you were born, and did not know. Perhaps it is everywhere” (Whitman 33) is Walt Whitman’s first and one of his most popular works, Leaves of Grass. It was and still is very inspirational to many people including Ralph Waldo and many others after him. He had a major influence on modern free verse. Following a hard childhood in and around New York, Walter Whitman was well known and received in his time for Leaves of Grass which did not use the universal theme, which he became known for in the eighteenth century as well as his way of seeing the world in a view that very few could comprehend in his time.
Whitman’s works take on the idea of the human body and sexuality which may scare off some readers. He brings in the idea of worshipping both Men and Women bodies, so with in comparison to Dickinson, Whitman work differs in style due to him not make his stories go dark like Dickinson traditionally does with her works. So what it really comes down to is that Whitman and Dickinson both have their distinct topics but they both are trying to convey their idea about either God, self, or death and Human Body, and sexuality they are trying to enlighten ones knowledge of topics and steer ones mind to truth and what they truly believe is right and what is wrong.
Whitman's radical ideas of individualism have a great deal to do with his Quaker background. The Quaker religion is one in which the authority was Inner Light. "Whitman himself was not only personally familiar with, but deeply impressed by, a religion whose only authority was the Inner Light" (Canoy 481). The Inner Light is a special influence, which made Whitman's poetry unique. This certain influence did such things as guide Whitman down his soul searching path as well as help him define within himself the characteristics of an individual. In section fifteen of "Song of Myself," Whitman discusses people from every class and every profession. He goes on to say "the young fellow drives the express-wagon... love him though I do not know him;" (2753). ...
From looking at the titles of Walt Whitman's vast collection of poetry in Leaves of Grass one would be able to surmise that the great American poet wrote about many subjects -- expressing his ideas and thoughts about everything from religion to Abraham Lincoln. Quite the opposite is true, Walt Whitman wrote only about a single subject which was so powerful in the mind of the poet that it consumed him to the point that whatever he wrote echoed of that subject. The beliefs and tenets of transcendentalism were the subjects that caused Whitman to write and carried through not only in the wording and imagery of his poems, but also in the revolutionary way that he chose to write his poetry. The basic assumptions and premises of transcendentalism can be seen in all of Whitman's poems, and are evident in two short poetic masterpieces: "A Noiseless Patient Spider" and "When I Heard the Learn'd Astronomer."
The poem has set a certain theme and tone but no definite rhyme. In this poem, the poet explores into a thought of the self, the all-encompassing "I," sexuality, democracy, the human body, and what it means to live in the modern world. He addresses that the human body is sacred and every individual human is divine. Hence, Whitman was known for writing poems about individualism, democracy, nature, and war.
In a significant event in section six of the poem, a child asks, “What is grass?” (91). The speaker does not know how to answer, but in this case, grass becomes a visual metaphor for American democracy, a group of equivalent individuals (Casale 64). Whitman struggles to answer the child, but he knows for certain that it –both grass and democracy—is for everyone: “…old people… women, and… offspring taken soon out of / their mothers’ laps” (106-107). This relates to individuality and unity because multiple blades of grass create one field, just as myriads of people unite under democracy (Delancy). Just as grass grows everywhere, the poet believed that American democracy should be spread and become an international concept. Furthermore, grass is separate blades, or leaves, that grow together and form grass, which is considered one whole entity. Whitman loved how nature reflected the paradox of
While the poem can be termed to be democratic, both in subject matter and its language, Whitman is viewed to be cataloging the ‘new’ America that he is seeing around him. The poem includes subject matter such as relationships, patriotism, heroes, family and ancestors, and a view on social commentaries too.
In “On the Beach at Night Alone,” Walt Whitman develops the idea that everyone has a connection with everything else, including nature. Whitman uses a variety of writing techniques to get his point across. First, the repetition and parallel structure that his poems contain reinforce the connection between everything in nature. The usage of “All” 11 times emphasizes the inclusion of everything in the universe. The sentence structure remains the same throughout the poem, without any drastic change; however, the length of the lines in the poem vary. In addition, Whitman’s’ extravagance with his words further illustrates his idea of the Over-Soul. For example, “A vast similitude interlocks all” (4) shows his verbose nature. Whitman does not do directly to the point, but gives every little detail. Most importantly, Whitman’s’ use of catalogues stands as the most recognizable Whitman characteristic that illustrates his beliefs. These long lists that he uses set the mood of the poem. “All spheres, grown, ungrown, small, large, suns, moons, planets,” (5) shows the idea that everything is connected in nature. Similarly, “All nations, colors, barbarisms, civilizations languages.” (10) furthermore emphasize Whitman’s belief in the Over-Soul.