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Describe Walt Whitman
Describe Walt Whitman
Literary devices and their effects
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Some people may accuse Walt Whitman, of being an egotist. Whitman is not an egotist, he is not overfocused on himself, but on all of humanity. In poem number 1, I celebrate and sing myself, he is not only focusing and celebrating himself, he is celebrating life and all humans. Whitman says, “And what I shall assume, you shall assume, For every atom belonging to me as well belongs to you.” In this line Whitman is explaining how we are all the same, we all come from the same place, from the same ancestors, and we will all return to the earth in death. “My tongue, every atom of my blood, form’d from this soil, this air, Born here of parents born here from parents the same, and their parents the same”.
In the poem 6, A child said what is the grass? Walt Whitman is not focused on himself but the grass and what it really is. Whitman does not know anymore than the kid knows about the grass. Whitman says the grass could be “the handkerchief of the Lord,” “a uniform hieroglyphic,” or “the beautiful uncut hair of graves.” Whitman talks about the grass, saying “It may be you transpire from the breasts of young men… It may be you are from old people, or from offspring taken soon out of their mothers’ laps.” He also states in this poem that us humans, we really
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never die, we return to the earth and form life again. He believes that grass is the sprout of life that shows there is really no death. In poem 33 I understand the large hearts of heroes Walt Whitman is honoring and celebrating all the ordinary people who do heroic things. He understands how the skipper suffered while on a ship for days, he feels for “the mother of old, condem’d for a witch, burnt with dry wood, her children gazing on.” Whitman says the hounded slave who tried to escape but failed, is also a hero. He states “I am the mash’d fireman with breast-bone broken,” is a hero because he risked his life to save others from death. He feels the nurse caring for all the sick is a hero for what she does. The old artillerist who’s fort was attacked is also a hero “I take part, I see and hear the whole, The cries, curses, roar, the plaudits for well aimed shots, The ambulanza slowly passing trailing it’s red drip… The whizz of limbs, heads, stone, wood, iron, high in the air.” In the poem The spotted hawk swoops by Whitman is comparing himself to a hawk.
“I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world.” Whitman also revisits his idea about what happens to people when we die and how we go away and all end up back in the same place. When Whitman gets old and as he dies, he says “I depart as air, I shake my white locks at the runaway sun”. He also shows how even though he seems dead he really isn’t, “I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles.” Whitman says that if you're missing someone, search somewhere else because they always “stop somewhere waiting for
you.” Overall, Walt Whitman may seem like an egotist by using the word “I” in many lines of his poems, but he isn’t. Although he always talks in first person in his book “Song of Myself” he is comparing himself to all other people and explains how we are all the same. He compares himself to all of humanity in poem number 1, to a child and all of our ancestors that returned to the earth after death in poem number 6. In poem number 33 Whitman is honoring all people for the heroic things they do. Then, in poem number 52 he compares himself to all other people and to nature.
Here Whitman’s persona is taking a great interest and pleasure in the mere routine and wit of this young man, who is most likely unaware of the fact he is being observed. Whitman is e...
Whitman claims that “there was never any more inception than there is now…nor any more heaven or hell than there is now.” The remainder of the poem goes on to say that similar to the law of conservation of matter, the impending presence of any aspect of life is constant, driven only by humanities “procreant urge.” Yet rather than lazily labeling the variety of essential human traits such as youth, old age, sex and isolation; Whitman divides the world based upon his soul saying, “Clear and sweet is my soul, and clear and sweet is all that is not my soul.” While at first this may appear to be a weak dichotomy that is far too lenient of evil actions, Whitman continues to write of it that “lack one lack both.” This somewhat ambiguous statement becomes clarified when observed against the larger backdrop of the idea of the self which Whitman is attempting to paint. Essentially, without the awareness or experience of ideas or actions that are decidedly not a part of your soul, it is nearly impossible to construct a genuine personal and moral code. Just as without darkness there is no light, without a definition and example of what is wrong, identifying a correct moral path becomes infinitely
Whitman’s approach to poetry is a reflection of his thought. These thoughts are free and wild, and his typical run-on sentences and his endless litanies of people and places represent the thoughts trying to be conveyed. The overall effect of these run-on sentences provides the reader with a feeling of greatness and of freedom. All of the feelings that are evoked from Whitman’s style can be classified as quintessentially American democratic feelings. The belief that Whitman had no style would imply that Americans as a society have no style, a statement that not only Whitman but Emerson and Thoreau as well fought against through their writings. Whitman and Emerson fighting for the same cause is not coincidental, Whitman has often been viewed as the “child” of Emerson, his work being greatly influenced by Emerson. Whitman’s technique of looking at everything as a whole and always opposed to breaking up the whole can be linked to his belief of unity within our country and the reason why he took the Civil War extremely hard and personal.
The Heath Anthology of American Literature repeatedly refers to Walt Whitman and his poetry in terms of being American, yet as I read Song of Myself, my thoughts are continually drawn to the philosophies and religions of the Far East. Like the Tao Te Ching ideas are expressed in enigmatic verse and each stanza is a Zen koan waiting to be meditated on and puzzled out. Even Emerson called Whitman's poetry "a remarkable mixture of the Bhagvat Gita and the New York Herald" ("The Whitman Project"). Song of Myself contains multitudes of passages that express Hindu, Buddhist, and Taoist thought.
Walt Whitman's "Song of Myself" is a vision of the American spirit, a vision of Whitman himself. It is his cry for democracy, giving each of us a voice through his poetry. Each of us has a voice and desires, and this is Whitman's representation of our voices, the voice of America. America, the great melting pot, was founded for freedom and democracy, and this poem is his way of re-instilling these lost American ideals. In this passage from "Song of Myself" Whitman speaks through his fellow man and speaks for his fellow man when his voice is not socially acceptable to be heard.
In stanza six of the poem "Song of Myself", by Walt Whitman, he poses the question "What is the grass?" I believe that grass is a metaphor for the cycle of life. Throughout the poem Whitman points out images that grass could represent. All of these images stem from the life and death that we come to expect in our lifetime. During your life you will experience death, it at times surrounds you, but if you look past the grief and look to the beauty you will see that it is a cycle that keeps our world in balance. The images of flags, tears, children and older people that are torn from the ones they love, but only to soon return to other lost ones are all parts of Walt Whitman's poem.
In this passage, Whitman talks about being a spirit, being greater than the stairs, and being in an intimate relation with God, being kept safe while traveling through a great expanse of nothing. As he does many places elsewhere in his poem, Whitman uses much repetition in his poem, although they rarely last very long, as shown when he writes words and lines such as, “I am an acme of things accomplished, and I am an encloser of things to be”, here repeating the word ‘things’ in one line. There are other repetitions of words, such as his saying of “mount and mount”, “Rise after rise”, and “long and long”. By using the repetition of these words, Whitman is emphasizing that these actions and nouns are with him for a long time. “All below duly
The homosexual themes displayed in Walt Whitman’s works, especially in his most famous collection of poems Leaves of Grass, raise the question of his own sexuality. Many of his poems depicted affection and sexuality in a simple, personal manner, causing nineteenth century Americans to view them as pornographic and obscene. Based on this poetry, Whitman is usually assumed to be homosexual, or at least bisexual. However, this assumption does not account for major influences of his writing such as the shift from transcendentalism to realism and the American Civil War. After considering these factors, it can be concluded that Whitman’s poems were not intended to set apart a few homosexual men, but to bring all men and women together. Walt Whitman’s poems of spiritual love and physical togetherness of both genders emphasized exalted friendships and are indicative of his omnisexuality, or lack of a complete sexual preference, rather than his alleged homosexuality.
Whitman's radical ideas of individualism have a great deal to do with his Quaker background. The Quaker religion is one in which the authority was Inner Light. "Whitman himself was not only personally familiar with, but deeply impressed by, a religion whose only authority was the Inner Light" (Canoy 481). The Inner Light is a special influence, which made Whitman's poetry unique. This certain influence did such things as guide Whitman down his soul searching path as well as help him define within himself the characteristics of an individual. In section fifteen of "Song of Myself," Whitman discusses people from every class and every profession. He goes on to say "the young fellow drives the express-wagon... love him though I do not know him;" (2753). ...
In a significant event in section six of the poem, a child asks, “What is grass?” (91). The speaker does not know how to answer, but in this case, grass becomes a visual metaphor for American democracy, a group of equivalent individuals (Casale 64). Whitman struggles to answer the child, but he knows for certain that it –both grass and democracy—is for everyone: “…old people… women, and… offspring taken soon out of / their mothers’ laps” (106-107). This relates to individuality and unity because multiple blades of grass create one field, just as myriads of people unite under democracy (Delancy). Just as grass grows everywhere, the poet believed that American democracy should be spread and become an international concept. Furthermore, grass is separate blades, or leaves, that grow together and form grass, which is considered one whole entity. Whitman loved how nature reflected the paradox of
Explication Through a multitude of literary devices and techniques, Walt Whitman's poem, "Song of Myself," is one of his most famous contributions to American literature. He uses simile and metaphor, paradox, rhythm, and free verse style, to convey his struggle between the relation of the body and soul, the physical and the spiritual being. He continues to disobey all social restrictions of the romantic time period. From the beginning, Whitman begins by stating, "What I shall assume, you shall assume, for every atom belonging to me as good belongs to you," proposing that the reader listen to him, for he possesses all of the answers to life. The setting is somewhat naturalistic, and offers an image of the speaker, relaxing, possibly sprawled out across a blanket, philosophizing about life, while in the middle of a peaceful meadow. As the poem later shifts in tone, and setting, Whitman starts to think about the answers to life he has come up with, based upon the past, and decides that the reader should hear him out, one final time, as his ideas have changed. This brings us to #44 of "Song of Myself." In section #44 of, "Song of Myself," Whitman's first stanza begins: "It's time to explain myself…let us stand up. What is known I strip away…I launch all men and women forward with me into the unknown. The clock indicates the moment…but what does eternity indicate? Eternity lies in bottomless reservoirs…its buckets are rising forever and ever, they pour and they pour and they exhale away." Whitman is simply stating that he wants to tell the purpose of his madness. The madness that Whitman expresses is that of power and self-confidence. Whitman has written this based upon his experiences in life. Through these experiences, he has grown to know certain things about life and tries to pass them down to the reader. Throughout the beginning of the poem, Whitman takes the reader by the hand and demands that he follows Whitman and his ideas, because based on his own life Whitman holds the answers to the reader's questions. But now, he asks the reader to erase everything that he has previously said - forget the past. Why don't we try something new? We have to focus on the present, not on the past, but also to focus on what we are going to experience in the future, what can we expect?
Whitman opted to publish his own passionate evaluation of Leaves of Grass. Whitman’s style of writing was quite unnerving to readers and critics. His poems received minimal public acclaim owing to a number of reasons: this openness in regard to sex, his self-portrayal as a rough working man and his outstanding innovations. He appeared to be a poet who didn’t adhere to the normal meter and rhyme schemes as set by his contemporaries.
In “On the Beach at Night Alone,” Walt Whitman develops the idea that everyone has a connection with everything else, including nature. Whitman uses a variety of writing techniques to get his point across. First, the repetition and parallel structure that his poems contain reinforce the connection between everything in nature. The usage of “All” 11 times emphasizes the inclusion of everything in the universe. The sentence structure remains the same throughout the poem, without any drastic change; however, the length of the lines in the poem vary. In addition, Whitman’s’ extravagance with his words further illustrates his idea of the Over-Soul. For example, “A vast similitude interlocks all” (4) shows his verbose nature. Whitman does not do directly to the point, but gives every little detail. Most importantly, Whitman’s’ use of catalogues stands as the most recognizable Whitman characteristic that illustrates his beliefs. These long lists that he uses set the mood of the poem. “All spheres, grown, ungrown, small, large, suns, moons, planets,” (5) shows the idea that everything is connected in nature. Similarly, “All nations, colors, barbarisms, civilizations languages.” (10) furthermore emphasize Whitman’s belief in the Over-Soul.
As Whitman, the specific individual, melts away into the abstract, “Song of Myself” explores the possibilities for communion between individuals. Whitman addresses the reader in a particularly direct manner. He integrates his reader into the poem, and is freed of the constraints of poetic principle and social etiquette. The poem presents entire body lounging on the ground, leaning and idling. Whitman deliberately conflates natural world and poetical world. “Song of Myself” goes beyond the boundaries of Transcendentalism in the relationship of the physical and spiritual, individual and universal. The self that Whitman cheerily sings and celebrates substantiates a ‘uniform hieroglyphic’: suggestive, multiform, and awash with inconsistency. “It is as much a physical presence as a projected spiritual possibility” (Jason 2). Even as it blatantly and fervently expresses Whitman’s faith in evolution (and therefore in the necessary indivisibility of self-reliance), “Song of Myself” also conveys a separation with the “self,” the poet himself, and the co...
Both poets present readers with characters questioning the apparent transience of nature. Whitman's young girl weeps to see the black "burial-clouds that lower victorious soon to devour all," (line 12) just as Stevens' young woman is saddened "when the birds are gone, and their warm fields/Return no more" (lines 49-50). These characters, unable to grasp the entirely of the cycle of mortality, are dismayed by earthly loss they continually observe.