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Themes in whitman writing
Walt whitman impact on society essay
Analysis of walt whitmans works
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Walt Whitman was a nineteenth century poet who made a large impact on the world through his work. Though his poetry was not accepted in his time, today, he is quite revered for his visionary ideas explored in them. His most comprehensive work, Leaves of Grass, Whitman often discusses common themes of literature, such as death. On the subject of death, rather than examine it in a morbid, depressing manner, Whitman’s work conveys that death is a unifying part of life that needs to be accepted. He explains this from various angles in his poems The Sleepers and Out of the Cradle Endlessly Rocking. The Sleepers is an excellent example of Whitman’s views on death. It describes a world of people, all asleep in different places and having different dreams. The narrator, who is observing the sleepers, realizes that in sleep, “The diverse shall be no less diverse, but they shall flow and unite”(7). Sleeping is one of the few actions everyone has in common. Whitman goes on to compare sleep to death, as both are natural and coalescing …show more content…
This poem, in an unusual style for Whitman, tells the story of his younger self hearing the anguished song of a bird, who had lost his mate. The bird is upset over this lost mostly because he misses his mate, and fears she may be dead, and to the young Whitman was touched as he “pour’d forth the meaning which I of all men know.” Though a child, he sympathized with the bird, and began to understand for himself the pain of death and loss. This conveys how death is something that affects everyone, another way that it connects people. Whitman cites this as the moment when he realized his calling as a poet, as he learned something very important. Curious, he asks the bird to tell him of “the word final, superior to all,” to which the bird responds “death.” This poem adds to Whitman’s message of death being an inevitable part of life that binds all living
As a way to end his last stanza, the speaker creates an image that surpasses his experiences. When the flock rises, the speaker identifies it as a lady’s gray silk scarf, which the woman has at first chosen, then rejected. As the woman carelessly tosses the scarf toward the chair the casual billow fades from view, like the birds. The last image connects nature with a last object in the poet's
The plot in Whitman’s poem quickly takes a depressing turn. The beginning entices readers with a vague sense of excitement. The narrator, a girl,
Whitman is giving a more graphic example of how sex is a natural thing. By comparing the act of reproduction to death he shows just how natural of an act sex is. Everything that is born will eventually die. He feels that the natural curiosities of the human sexual appetites should not be denied or not discussed because of social standards. Not only is sex a "miracle" that is a part of him, but also nature and the universe, and each individual part should be celebrated.
Whitman then sees the "uttering tongues...[who]...do not come from the roofs of mouths for nothing." This grass, again, is purposed. It is trying to tell us something. It is telling us something. Whitman has painted, for me, a picture of opportunity. Life is whatever you make of it. It is there, purposed, forever new, forever fresh, and it is up to us to learn from it.
The theme of Time to Come presents the mystery of life after death and calls attention to how vulnerable it’s victims are. Whitman begins his poem with the strong metaphor “ O, Death! a black and pierceless pall” (1). This bold statement allows the reader quickly realize that the work will somehow be connected to death, but in an insightful manner. The alliteration of “pierceless pall” emphasizes death’s ruthless approach. Whitman then describes death as a “mystery of fate” that " No eye may see, no mind may grasp” (3-4). This points out that death lingers in the future, essentially waiting to seize lives and nobody can know when th...
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
One line in this poem that describes the belief of an afterlife in the line about meeting again is the line, “I think we shall surely meet again,” (17-18). Walt Whitman is saying this after the solider has died and he believes that he and the comrade will meet again in death because he believes that death is not the end of eternal life. Walt Whitman also writes of death more realistically than Emily Dickinson even though his take on death is impersonal due to it being about the soldier’s death and not imagining his own death like Emily Dickinson. He describes death as he is mourning someone else’s death. He also seems to regret that grief of the death with the line, “But not a tear fell, not even a long-drawn sigh, long, long, I gazed,” (11). He is use to deaths by know because of the war. The Next poem by Walt Whitman that shows aspects of death is A Sight in Camp in the Daybreak Gray and
...man beseeches the multitudes of natural phenomena he already mentioned—the tide and waves, clouds, current and future ferry patrons, masts of Manhattan and hills of Brooklyn, the ships, and the sea birds to continue doing what they do best, their natural activities. This recapitulates the main themes of the poem and Whitman's own consciousness which both connects him to future generations and separates him from his present. Without being apart from the whole, Whitman would have no individual consciousness and no ability to seek out the complex connections he creates in his poetry. As he says in the last four lines:
The time Walt Whitman spent as a wound-dresser has greatly affected him, his views of death, and his poetry. Because of his experiences with the soldiers, Whitman learned to value death. He thinks as death as a blessing, almost a relief from the harsh world. He also talked about the living and how death affected them. This could very well come from his feelings of himself being left behind and watching people around him die. All in all Whitman uses his life experiences in his poetry, particularly regarding death.
The poem has set a certain theme and tone but no definite rhyme. In this poem, the poet explores into a thought of the self, the all-encompassing "I," sexuality, democracy, the human body, and what it means to live in the modern world. He addresses that the human body is sacred and every individual human is divine. Hence, Whitman was known for writing poems about individualism, democracy, nature, and war.
The poem starts by a description of a wonderful place. The images of a bright sun, and “wind stir[ing] through the springing grass”, and how the river flows, all show the design of a care-free, jubilant life in this peaceful place, that is just outside the bird’s reach. The speaker uses a simile to compare the river to a “stream of glass”, as the river was likely glistening perfectly in the bright sunlight. With the opening of the “first bud”, man indicates that spring is about to begin and that the bird sees life outside. The speaker uses a metaphor to
Whitman's Poem "Out of the Cradle, Endlessly Rocking," is not, at first glance, an obvious love poem. Most readers would probably consider this a tragic poem about death and love lost. In spite of the fact that the poem is about intrinsically sorrowful events, or perhaps because of it, Whitman is able to capture a very unique and poignant portrayal of love. There are three major perspectives to examine how Whitman develops the theme of love in Out of the Cradle, and by examining each reoccurring theme in the poem separately, we can come to a more complete understanding of how they work together to communicate Whitman's message about love.
Whitman goes as far to directly confront a personified figure of mortality, stating: “And as to you Death, and you bitter hug of mortality, it is idle to try to/alarm me” (Whitman 1288-1289). Instead of traditional belief that human life is finite, Whitman follows the transcendentalist idea that existence is one cycle composed of life, death, and rebirth, where he is “of one phase and of all phases. ”(Whitman 458). Due to life being a perpetual, death is therefore only a stage. Whitman uses the
At the heart of this poem are the struggles Whitman himself had to face concerning mutually exclusive assumptions about the nature of identity. Whereas one part of Whitman wants to believe that the self is immortal and infinite, he also realizes that the self exists in nature and is thus as mortal and finite as the mate of the bird which must now forever remain a “singer solitary” (“Out of the Cradle Endlessly Rocking” line 150). Indeed, all of the subjects in the poem must confront the loneliness inherent in existence; in his discussion on “Out of the Cradle Endlessly Rocking,” Bauerlein states: “Whitman’s birth as a poet happens when he joins a procession of singers and listeners – mockingbird, boy, man, poet, reader – attending to the cries of lonesome love” (Bauerlein 2). However, the sea, personified as a “fierce old mother” (“Out of the Cradle Endlessly Rocking,” line 133), rocks her oceanic cradle of death and serves as consolation for the poetic subject as he comes to terms with the realities of life. The sea’s climactic utterance of the certainty of death and loneliness – “death, death, death, death, death” (“Out of the Cradle Endlessly Rocking,” line 173) – serves as an initiation into maturity for both the boy and the poet.
The speaker begins the poem by revealing that he is not satisfied about his name being received “with plaudits in the capitol” (1), nor satisfied when accomplishing his plans. It is not until he thinks about his dear friend and lover coming to see him that the speaker becomes truly happy. This suggests that Whitman cares more about the connections between people over materialism. The night that his friend finally arrives, the speaker becomes very descriptive: And that night while all was still I heard the waters roll slowly continually up the shores, I heard the hissing rustle of the liquid and sands as directed to me whispering to congratulate me,