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Into the wild character analysis
The stronger character analysis
Into the wild character analysis
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Recommended: Into the wild character analysis
Many of us have heard of the “dysfunctional relationship” characterized by the twists and the turns of emotion and the outrageous behavior of two self-destructive individuals. However, we never envision ourselves in that situation, playing either the stereotyped role of the crazy woman or man, both blinded by love or another passionate emotion. However, in Waiting for the Barbarians, J.M. Coetzee creates an eye-brow rising, head-tilting relationship between the old and pedophilic magistrate and the damaged barbarian girl. The transformative relationship between the two individuals is based on torture, guilt, atonement, and power. Didactically, through their relationship, Coetzee intends for the reader to understand the effect of moral idleness and also to see himself reflected in the idea of the true barbarian.
Quickly into the novel, torture can be discerned as an important theme which shapes the transformative relationship between the magistrate and the barbarian girl. The magistrate views himself as “a responsible official in the service of the Empire” who carries out his routine duties in a remote tranquil town, just “waiting to retire” (8). His remarkably quiet and content lifestyle is disrupted as a result of Colonel Joll’s arrival and quickly after nonsensical imprisonment and torture commence. Initially, by abstaining from the investigation and torture the magistrate perceives himself as the opposite of the evidently villainous man with “discs of glass suspended in front of his eyes” (1). Without directly causing the bruises and subsequent scars, the magistrate is still a participant in the torture by his association with the Empire. He is aware and even states that many of the prisoners, like the fisherman, are innoc...
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...inistration’s desire to preserve its ideals of what is good and evil by creating a nonexistent enemy and a war.
If the soldiers under Colonel Joll “could never catch them [barbarians],” were they even there to begin with? Creating problems with no valid foundation is equivalently as injurious as waiting for an evil deed to occur and waiting for others to solve the issue. Coetzee uses the odd relationship between the magistrate and the barbarian girl as penance to intellectually display the effects of guilt due to moral idleness. If empires, governments, and administrations are committing wrongful acts, as a citizen and most importantly, as a human, one should react and voice his opinions, instead of crouching in fear or helping when the damage has already been done. The novel makes us question whether we will be a another facilitator of the bystander effect.
Perhaps one of the most haunting and compelling parts of Sanders-Brahms’ film Germany Pale Mother (1979) is the nearly twenty minute long telling of The Robber Bridegroom. The structual purpose of the sequence is a bridge between the marriage of Lene and Hans, who battles at the war’s front, and the decline of the marriage during the post-war period. Symbolically the fairy tale, called the “mad monstrosity in the middle of the film,” by Sanders Brahms (Kaes, 149), offers a diagetic forum for with which to deal with the crimes of Nazi Germany, as well a internally fictional parallel of Lene’s marriage.
Ludwig Tieck’s novella, Eckbert the Fair, presents a certain ambiguity of moral values. The story meets a tragic ending where the main couple of the fairytale, Eckbert and Bertha, die as punishment for their crimes of betrayal, theft, and murder. However, an uneasy feeling of injustice remains about the punishment despite the clarity of their guilt. The tale itself strongly resembles a tragic play defined by Aristotle, but the narrative deviates from the structure of standard tragedy. In effect, the unique set-up of the narrative makes the evil deeds seem ultimately inevitable. The structure of the novella helps justifying the crimes, causing the distinction between the good and the bad to become unclear. In this paper, I will discuss this unique structure of the tale to analyze how this uneasy feeling about the ending emerges.
“And the court had strong reason to believe in this judgment that the prisoner was Martin Guerre, not only because of what was said, but in addition because this opinion favored the marriage, the children, the issue of it, and the cause of the accused. De Coras calls out the court favored the societal construct of marriage, and the wish to have everything settled, was willing to settle in favor of the imposter, even with the lack of evidence to support such a
In literature, we often see the “happy ending”, where the guy gets the girl, they ride off into the sunset together, forever. This is a consistent presentation across literature. Though another popular style, but less often seen, is that of the unhappy ending, which we will explore in this paper. Its style is one that can strike emotion through readers as they turn each page. In this work, we will analyze two classic works: “A Good Man is Hard to Find” by Flannery O’Connor, and “Babylon Revisited” by F. Scott Fitzgerald. Both stories share the same type of ending style. We will analyze the themes & symbols that each story has and compare the two.
Many readers feel the tendency to compare Aphra Behn's Oroonoko to William Shakespeare's Othello. Indeed they have many features in common, such as wives executed by husbands, conflicts between white and black characters, deceived heroes, the absolute vulnerability of women, etc. Both works stage male characters at both ends of their conflicts. In Othello, the tragic hero is Othello, and the villain is Iago. In Oroonoko, the hero is Oroonoko, the vice of the first part is the old king, and the second part white men in the colony. In contrast to their husbands, both heroines—Desdemona and Imoinda—seem more like "function characters" who are merely trapped in their husband's fates, occasionally becoming some motivation of their husbands (like Desdemona is Othello's motivation to rage, Imoinda's pregnancy drives Oroonoko restless to escape). While Shakespeare and Behn put much effort in moulding them, to many readers they are merely "perfect wives". This paper aims to argue that, Desdemona and Imoinda's perfect wifehood may be the product of compliance to male-dominated societies, where women are
Devising the perfect murder is a craft that has been manipulated and in practice dating back to the time of the biblical reference of Cain and Abel. In the play, “Trifles” exploration is focused on the empathy one has for a murderer who feels they have no alternative from their abuser. As a multifaceted approach, the author Glaspell gives her audience a moral conflict as to whether murder should be condemned based on the circumstances rather than the crime. Presenting Mrs. Wright as the true victim of the crime of domestic abuse rather than a murderer gives Glaspell a stage which shows her audience the power of empathy.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
Hobbes, as one of the early political philosophers, believes human has the nature to acquire “power after power” and has three fundamental interests which are safety, “conjugal affections”, and riches for commodious lives. (Hobbes, p108, p191) From this basis, Hobbes deducts that in a state of nature, human tends to fight against each other (state of war) to secure more resources (Hobbes,
At the beginning of the novel, the magistrate actually seems to value the humanity of the barbarians quite a bit. After all, he is completely disgusted by the torture they have to go through at the hands of Joll, calling it an “obscure chapter in the history of the world.” (Coetzee, 24) The magistrate goes onto remark that if were in charge, he would “order that the prisoners be fed, that the doctor be called in to do what he can, that the barracks return to being a barracks, that arrangements be made to restore the prisoners to their former lives as soon as possible.” (Coetzee, 25) However, when one truly values humanity, one values it under all circumstances. When the magistrate begins taking care of the blind girl, he shows his true colors. The magistrate, sent to administer a remote post in the imperial colony most likely before the World War 2, wishes for a peaceful life.
We see that the author’s purpose is to allow the readers to understand that the prisoners were not treated humanly, and allows us to see the negative attitudes the authority had towards the prisoners.
Barbarians at the Gate Barbarians at the Gate is the story of the largest takeover in Wall Street history. Ross Johnson turned CEO of a company, which was the product of three merged companies, Standard Brands, RJ Reynolds, and National Biscuit Company (Nabisco). The newly formed company’s, called RJR Nabisco, stock began to fall and never recover. Johnson along with Shearson executives planned a leverage buyout (LBO), in which a brokerage firm (Shearson) would borrow money from banks and buy up all the outstanding shares from the stockholders to turn the company private. The problem with this is that the company would be put into jeopardy of other companies that could outbid the parent company, which would lead to a takeover.
The marriage between Mr. B and Pamela, in Samuel Richardson’s Pamela, has often puzzled readers because of the perplexing nature and history; Pamela is suggested as being in a constant state of anguish and Mr. B is argued to have “the pleasure of torturing [Pamela]” and, yet, all is ignored and forgiven ending in matrimony (Golden 10). Some suggest it is a companionate marriage due to Mr. B’s eventual reformation and Pamela’s developing love for him, while even more readers see it as a relationship arranged by Mr. B and his forty-eight rules dictating Pamela’s entire character after marriage. Perhaps, though, the readers overlook the complexity of Pamela’s character, specifically her involvement in those marriage negotiations while maintaining an appearance of passivity. Pamela displays an adolescent reliance on other characters, both before and during Mr. B’s initial advances, that allows her to embody a childlike weakness. As Pamela realizes the problematic positions of herself as a servant, her parents as distant and incapable of helping, and Mrs. Jervis’s servitude to Mr. B, she discovers an independency and a paradoxical power through acting weak during trials she endures. She displays clear mental and physical strength through her endurance and her attempts at escape, yet still portrays weakness during situations with Mr. B and Mrs. Jewkes with crying, fainting, and child-like pleading to suggest a manipulation of portraying virtue that eventually leads to Mr. B’s reformation. Mr. B’s reformation and the proposal of marriage demonstrates Pamela’s power; she gains a position to bargain from and arranges the marriage to achieve goals beneficial to her family and herself. Though her initial weakness seems genuine, Pamela’s sub...
This written task covers the tone and rhetorical style laid out by Jeanette Winterson in her book, The Passion, that explore controversial topics ranging from passion to morals; I decided to do an analysis of Janette’s Winterson’s portrayal of sexuality in the Napoleonic war period in the format of a letter sent from one character, Queen of Spades, to another character, Villanelle, expressing why she didn’t fall in love with Villanelle. As a result, Villanelle responds back to her lover, expressing that she is still in love and will not stop taking risks. Thus, the written task is divided into two parts. Having read and annotating Chapter 2, where Villanelle encounters the Queen of Spades and they begin a quiet love, I thought it would be fascinating and formidable to try to write in an
The Roman Empire was one of the largest in history. At its height in 117 A.D.,it spanned from Iberia all the way to the Caspian Sea, covering over 5 million square kilometers. The Roman Empire left behind a vast legacy, consisting of art, architecture, and religion. However, like all empires, the Roman empire fell. Usually, when people think of the fall of the Roman Empire, they think of the fall of the Western Roman Empire, formed after Diocletian split the Roman Empire in 284 A.D. The three main reasons that the Western Roman Empire fell were economic problems, flaws in the military, and barbarian invasions.
The Bildungsroman genre entails a character’s formative years and his or her development from childhood. The characters from this type of novel recall, in detail, past relationships and experiences that impacted the characters growth, maturity, and exemplar for their relationships with other characters. An important component to Bildungsroman novels is the concentration on the characters childhood (Gottfried & Miles, 122). In Jane Eyre and David Copperfield, both characters childhoods were despondent. Both characters experience the loss of a parent: Jane is a literal orphan; David’s loss is metaphorical, then literal. When Jane Eyre begins, Jane has already lost both parents and is under the guardianship of her aunt, Sarah Reed. Reed and her children, Jane’s cousins, are abusive to Jane and never accept Jane as family. Jane has lost both parents and with the death of her uncle, Sarah’s husband and an advocate for Jane, Jane is without any caring relationship. In addition to being without affection, Jane must endure torment. It is this lack of adoration that leads Jane to seek acceptance throughout her life, while attempting t...