Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Gender roles in the united states today
Perspectives on beauty pageants
Essays on beauty pageants
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Gender roles in the united states today
Whip It is a teen movie that hits all the classic markers in a coming-of-age film. Teen angst, feeling like an outsider, falling in love, and of course the importance of friendship. Set in a small Texas town in a foggy timeline that could be the eighties up to the early aughts, Bliss Cavendar is the daughter of a beauty pageant mom and elder sister to a doll like girl. Bliss has been doing beauty pageants for an unknown amount of time, but long enough for her to know she hates it. When the movie opens up it shows pastel girls readying themselves in vanity mirrors while the mother’s make small talk outside. Then the scene shifts to Bliss and friend Pash Amini struggling to wash bright blue dye from her hair. The contrast of these two images sets up the rest of the movie. In a scene halfway through Bliss shouts at her mother, “You really need to stop shoving your [psychotic] idea of fifties womanhood down my throat”. More than just figuring out who you are this movie dives in deep to what femininity means and how it should be portrayed.
The setting of this film is extremely important. Bodeen, Texas is a
…show more content…
Though Brooke works a rather masculine job as a mail carrier, she still presents herself in a quiet demeanor. When Brooke first discovers Bliss’s secret life she is appalled and disgusted at the brutal nature of the sport. However, despite the physical contact of roller derby it could still be considered feminine. Fishnets, skirts, and cosmetics are part of their uniform. According to Maggie Mayhem, “You can never have enough eyeliner or Lash Blast.” What Brooke never considers is that a woman can be feminine while speeding by on skates with a bloody nose. The women on The Hurl Scouts have taken the classic feminine identity and rebuilt it for themselves. Trading out high heels for quad skates and panty hose for
For this assessment, I have chosen the movie Real Women Have Curves. The movie follows a traditional Mexican family and their struggle to survive in America. The film focuses, on the youngest American-born daughter Ana. Ana lives in a Hispanic community in East Los Angeles the daughter of Latino working immigrants from Mexico. Her family unit consists of her parents, two brothers, older sister and her grandfather. The movie shows the conflict Ana faces between the clashes of the two cultures. The film shows that Ana goes to great lengths to attend school every day. Ana has had a successful school career, as her peers are getting ready to attend college. She’s expected to get a job to financially help her struggling family. She
Like a contemporary Dorothy, Romancing the Stone's Joan Wilder must travel to Columbia and survive incredible adventures to learn that she had always been a capable and valuable person. Romancing the Stone (Robert Zemeckis, 1984) is part of a series of 1980s action comedies that disrupted previous expectations for female heroines. These female protagonists manage to subvert the standard action narrative and filmic gaze, learning to rescue themselves and to resist others' limited vision of them. Not only did these action comedies present strong female characters, they also offered a new filmic experience for female audiences. The commercial success of comic action heroines paved the way for women to appear in serious action roles--without the personal sacrifices required of Sigourney Weaver’s Ripley. Figures like Joan Wilder serve as an important link between previous strong yet feminine screen personas and current female stars.
Everyone has that one friend who is a complete goofball: the one who is just different from the rest and can be a little abstract. The misfit may be easy to spot in a crowd and be judged; however, Tim Burton accepts the oddball and takes the concept of character dramatization one step further. Through his movies, Edward Scissorhands and Charlie and the Chocolate Factory, the outcast tries to break through the social barrier by reaching out to the community and trying to fit in. With Burton’s imaginative characters, Burton shows how being an outcast gives a person the potential for success.
In this paper I am going to write about the movie “Grease.” Specifically, on the two main characters Sandy and Danny. I will be describing and analyzing their interpersonal communication, but mainly on the conflict of their communication.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
The "Movie Up Close and Personal," is a modern-day story about a young reporter, Tally Atwater (Michelle Pfeiffer), who is determined to make a place for herself in the broadcasting field as a news reporter. At a Miami, Florida based station, where she is given her first chance at making it, Atwater meets Warren Justice (Robert Redford), a well known reporter who has irritated some important people in his career. Justice shows Atwater the ropes of becoming a successful news reporter and in the process, they fall in love. As the story progresses, the viewer is taken on a journey which consists of Tally Atwater's rise in the field as well as the budding romance between herself and her mentor, Warren Justice.
In Amy Moritz’s article, “Cheerleading: Not Just for Sidelines Anymore,” also explains this by saying, “For decades, female athletes were relegated to the sidelines - physically and metaphorically speaking. The cheerleader, the girl who looked pretty and cheered for the boys, became a symbol for many women's sports activists and second-wave feminists of the place athletically inclined females occupied in the sport world” (660). This quote from Moritz proves that the students and administration in my high school didn’t come up with these stereotypes by themselves and it also explains how cheerleaders are stereotyped as girls who only cheer for the skirt and for attention from males. This quote ties into my thesis because these examples are how the students and administration in my high school think of us. The Lake High School Cheerleading team is breaking this stereotype by cheering competitively. In this competitive routine, we have to tumble, dance, cheer, jump and sometimes stunt to music for two minutes and 30 seconds straight without stopping. To be able to do this, we condition daily, go to private tumbling classes to improve our tumbling skills individually and as a squad, and we also practice many times during the week to perfect the routine. It takes great athletic ability to be able to perform a
The Associate is a film taking place in 1996, in the white male dominated Wall Street and portrayed the business discipline as sexist towards women as well as racist. The main character, Laurel Ayres, an incredibly talented financial analyst, was a black women trying to make it in the white male dominated Wall Street, but struggled greatly. She was unable to get a client to read her proposal, so she created a white male character named Robert Cutty that becomes her partner. Instantly, the proposal was accepted and she started to build a wealthy investment firm with the help of her fictional partner Robert Cutty. Cutty, quickly became the most talked about man on Wall Street, even though no one ever saw him, and it was really Laurels work and ideas the entire time. In the end, the truth comes out and all the investors on Wall Street find out the truth about Robert Cutty and how it was really Laurel Ayres, a black woman. Everyone was shocked, but she ultimately gained the respect she deserved and her company continued to
There in the Nooksack gym, winter time, there is a girl named Brooke Debeeld; either shooting layins, practicing the triple threat, or playing defense. Or out in the fields during the spring time, she runs around the track, sprinting as if her life depended on it. Her blond hair flying away, as if the wind was made out of gold. Yet at the end of each sport, she drives herself home to her loving family. People would consider Brooke as just an athlete who works hard, but, others who know Brooke well know that there is more to her than just being a 3-sport athlete.
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
The film Whiplash directed by Damien Chazelle explores what it means to be truly successful. The film follows the protagonist Andrew Neiman in his pursuit to achieve greatness. Throughout his journey, he is brutally pushed along by his Music teacher Terence Fletcher, who believes humiliation and suffering is what creates a successful musician. Chazelle employs techniques to demonstrate that excessive obsession and suffering ultimately results in isolation and destructive behavior, taking Neiman away from what he truly desires, success.
The Fast and Furious franchise has been going on since 2001. Since then there have been seven movies to come out. Fast and Furious 7 may be the last movie in this series. With the actor Paul Walker, Bryan in the movie dead, there may not be any other way to produce another film. With that said, I thought the movie was very good and well thought of when coming to filming the rest of movie without Paul Walker and digitally having his face put in. In some scenes near the end of the movie you can tell that something is off and seems a little weird when looking at Paul’s character but aside from that it was a brilliant job done by the
I have never heard of the movie Ushpizin before. So when I saw this film in the list, I decided to give it a try. And I absolutely haven’t regretted choosing it, since it turned out to be one of the most inspirational movies I’ve seen recently.
When delineating between first and second generation American Independent cinema directors there is a fine line separating the two generations. This line usually lies somewhere in the early 80’s when the term ‘American Independent Cinema’ first began to emerge. Many other things that were pertinent to the American Independent Cinema movement also arose such as the emergence of video as a media form. There is a strong distinction in the change of dynamics between film school in the first and second generation of American Independent filmmakers as well. Reichardt exemplifies a strong relation to the second generation, executing these ideas in her films such as Wendy and Lucy and Old Joy.
The Lingerie Football League name has been changed from to the Legends Football League and its slogan to “Women of the Gridiron” in 2013.The uniforms have also been changed and improved to performance wear. The uniform change, according to the league’s founder, was to empower the women and to shift additional attention to the sport rather than the objectification of the women. Even though the uniforms remain a little bit revealing, they seem to provide the athletes the chance to own their appeal, which does work to counter the typecast of women athletes as extra mannish and unappealing. Likewise, it is indubitable that the LFL has given women the chance to partake in football whatsoever and that should not be disregarded.