Voltaire's Attack on Optimism in Candide
Leibnitz emphasized, in his Discours de Metaphysique (Discourse on Metaphysics) (1686) the role of a benevolent creator. He called the constituent components of the universe monads, and while the philosophy of monads is of little concern to readers of Candide, the conclusion which Leibnitz drew from these monads is crucial to an understanding of optimism.
Leibnitz argued that all of these monads were linked in a complex chain of cause and effect and that this linking had been done by a divine creator as he created the harmonious universe. Since he was benevolent, omnipotent, and omniscient, he logically would create the best of all possible worlds. Hence, everything that happens in the universe is part of this greater plan, and thus must be for the best. Humans cannot appreciate how the evils encountered in every day life contribute to the best of universes and universal harmony, but they do, nonetheless.
Optimism was attractive to many because it answered a profound philosophical question that mankind had been grappling with since the beginning of faith: if God is omnipotent and benevolent, then why is there so much evil in the world? Optimism provides an easy way out of this philosophical dilemma: God has made everything for the best, and even though one might experience personal misfortune, God (via your misfortune) is still helping the greater good.
Voltaire's experiences led him to dismiss the idea that this is the best of all possible worlds. Examining the death and destruction, both man-made and natural (including the Lisbon earthquake) Voltaire concluded that everything was not for the best. Bad things do ha...
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...e respond, in closing, to his friend the Optimist?
"That is very well put, said Candide, but we must cultivate our garden" (75).
Works Cited and Consulted:
Bottiglia, William. "Candide's Garden." Voltaire: A Collection of Critical Essays. New Jersey: Prentice-Hall, Inc., 1968.
Durant, Will, Ariel Durant. The Story of Civilization: Part IX: The
Age of Voltaire. New York: Simon and Schuster, 1965.
Frautschi, R.L. Barron's Simplified Approach to Voltaire: Candide. New
York: Barron's Educational Series, Inc., 1968.
Lowers, James K, ed. "Cliff Notes on Voltaire's Candide". Lincoln: Cliff Notes, Inc. 1995.
Richter, Peyton. Voltaire. Boston: Twayne Publishers, 1980.
Voltaire's Candide and the Critics. California: Wadsworth Publishing Company, Inc., 1996.
Voltaire. Candide. New York: Viking Publishers, 1998.
In chapter 5 of Candide, the Enlightenment and the birth of tolerance were on full display. In Candide, the Enlightenment thinkers’ view of the optimum world is challenged through the shipwreck and the satiric explanations of the Lisbon Bay and Lisbon Earthquake. Voltaire continues to use ironically tragic events to test Pangloss’s optimistic philosophy, which attempts to explain evil. The use of grotesque and naive behavior between individuals in this chapter makes the reader question Pangloss’s irrational thinking with the cause and effects of the events.
Voltaire. Candide. New York: Boni and Liveright, 1918. Project Gutenberg. Web. 11 January 2014. http://www.gutenberg.org/files/19942/19942-h/19942-h.htm
...the Turk ,Candide finally finds contentment in his work and establishes what Voltaires considers the correct mindset - positivity and negativity are only good in moderation.Candide finds that he mustn't need to find the good or bad in everything; that with cultivating his garden he is also cultivating his own life to his own liking.
In chapter 5 of book Candide, the Enlightenment period and the birth of tolerance were on full display. In Candide, the Enlightenment thinkers’ view of the optimum world is challenged through satiric examples of the Lisbon Bay and Lisbon Earthquake. Voltaire continues to use ironically tragic events to test Pangloss’s contention with the phenomenon of evil. The use of grotesque and naive behavior between individuals in this chapter makes you really question their irrational thinking with the cause and effects of the events that just transpired.
"All is for the best...in the best of all possible worlds." To picture greatness, perfection and brilliance all intertwined into one splendid world -- a utopia, infers visualizing absolute beauty, harmony, and a universal tolerance amongst mankind. Would not such "perfection" designate the "best of all possible worlds?" How could we possibly conceive the sinister world portrayed in Candide to be conveyed as "utopia?" Since the best of all possible worlds indicates that "all is for the best" is it not safe to derive at the conclusion that since our world is clearly not "perfect" it is therefore implied that "all" is not for the best? Who determines the "right" from the "wrong," the "beautiful" from the "hideous," the "strong" from the weak?" How does one know if they are right? How does one ever know if they chose "correctly?" How does one allow themself to be infatuated with an idea as to blindly (correctly or incorrectly) follow it and believe? When do you question yourself? Doubt and "double-guess" yourself? Such correlating topics of an ambiguous solution are sought to be explained in Candide.
Voltaire’s Candide can be understood in several ways by its audience. At a first glance it would appear to be simply a story blessed with outrageous creativity, but if you look deeper in to the novel, a more complicated and meaningful message is buried within. Voltaire uses the adventures of Candide as a representation of what he personally feels is wrong within in society. Written in the 18th century (1759), known commonly as the age of enlightenment, Voltaire forces his audience to consider the shift from tradition to freedom within society. He achieves this by exploring the reality of human suffering due to traditions which he mocks throughout Candide. In particular he focused on exploiting the corruption he felt was strongly and wrongfully present within three main aspects of society these being religion, politics and morals. Each chapter represents different ways in which Voltaire believes corruption exists providing the audience with the reality of society’s problems due to its fixation on tradition. As a philosopher of the Enlightenment, Voltaire advocated for freedom of religion, freedom of expression and the separation between church and state. Voltaire successfully presents these ideas within Candide by highlighting why they are a significant problem in 18th century Europe.
Candide: A Satire On The Enlightenment. Works Cited Missing Candide is an outlandishly humorous, far-fetched tale by Voltaire satirizing the optimism espoused by the philosophers of the Age of Enlightenment. It is the story of a young man’s adventures throughout the world, where he witnesses evil and disaster. Throughout his travels, he adheres to the teachings of his tutor, Pangloss, believing that "all is for the best in the best of all possible worlds. " Candide is Voltaire’s answer to what he saw as an absurd belief proposed by the Optimists – an easy way to rationalize evil and suffering.
Frautschi, R.L. Barron's Simplified Approach to Voltaire: Candide. New York: Barron's Educational Series, Inc., 1998.
Voltaire, Francois-Marie Arouet de. “Candide.” The Norton Anthology of World Literature. Gen. ed. Martin Puchner. Shoter 3rd ed. Vol. 2. New York: Norton, 2013. 100-59. Print.
Throughout the book, Voltaire critiqued Leibniz theory that we live in the “best of all possible worlds.” Pangloss was our optimist philosopher, who contended for the Leibniz theory. He argued that, “since everything was made for a purpose, everything is necessarily for the best purpose” (Voltaire, 16). After Candide was beaten, his love raped, his tutor sick with syphilis; After earthquakes, shipwrecks, slavery, being exiled, and l...
Candide, written by Voltaire and published in 1759, is based in the Age of the Enlightenment. Candide is a satiric tale of a virtuous man's search for the truest form of happiness and his ultimate acceptance of life's disappointments. The illegitimate son of the Baron's sister; Candide is raised in the Castle of Westphalia and taught by his friend and philosopher of metaphysico-theologo-cosmolo-nigology, Dr.Pangloss. Candide is abruptly cast out from the castle when he and Lady Cunegonde are found indiscreetly kissing behind a screen. Broken hearted and emotionally lost by the separation from Lady Cunegonde, his true love; Candide wanders off. After being tricked into servitude with the Bulgar army, Candide discovers that his one and only love Lady Cunegonde is dead and his friend Dr. Pangloss is deathly sick; Candide then decides that all is not lost and that a cure must be found for Pangloss. Tragedy, adventure and a series of horrible events follow Candide as he is forced to overcome misfortune to find true happiness; in the end he determines that all is not well and that he must work in order to find even a small amount of pleasure in life.
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