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Late medieval secular music made use of
Christian church music in middle ages
Late medieval secular music made use of
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The voice stands alone as the most important genre and instrument in music history. It’s development can be examined back as early as the 13th century from secular church music, Renaissance motets, early Baroque oratorios, classical opera, German lied, to jazz music in America. Vocal music is probably considered the oldest and the youngest forms of music. Music that dates back as far as the medieval time period is still being sung even today along with the newer popular genres of music. Vocal music is considered to dominate the first part of history considering that it started off with church music. During this time the church played a main role in society as a whole. For the reason that society was based on the church, most of the music was therefore sacred. This meant that the text was biblically based and was mostly themed around Christ. Text was another reason why vocal music was so much more important because you could actually know what was being interpreted through the music. It was not very common that instruments were used during the medieval time. Although, they used a few instruments such as the lyre, kithara, and aulos. Singing was a part of everyone’s daily lives in the medieval time period. Music was being sung eight hours a day to prepare for Mass, which was called Gregorian chant. Gregorian chant is monophonic religious music mostly set in Latin text intended to use in the Roman Catholic church. This chant was also considered to be “plainsong” because it was mostly sung in unison, and almost always without accompaniment or without instruments. The most important chant that was sung was for the Mass. This was the most important religious service that was performed each day in the monastery. The ... ... middle of paper ... ...Era." Georgia Regents University, n.d. Web. Ongaro, Giulio Maria., and David Brinkman. Music of the Renaissance. Westport, CT: Greenwood, 2003. Print. Perkins, Leeman L. Music in the Age of the Renaissance. New York, NY: W.W. Norton &, 1999. Print. Stein, Jack M. "Problems and Combining Poem and Music." Poem and Music in the German Lied from Gluck to Hugo Wolf. Cambridge, Mass: Harvard UP, 1971. 14+. Print. Wright, Craig M., and Bryan R. Simms. "Music in the Monastery and Convent." Music in Western Civilization. Vol. 1. Belmont, CA: Thomson/Schirmer, 2006. 25+. Print. Wright, Craig M., and Bryan R. Simms. Music in Western Civilization. Vol. 1. Belmont, CA: Thomson/Schirmer, 2006. Print. McClellan, Lawrence. The Later Swing Era, 1942-1955. Westport, CT: Greenwood, 2004. Print. Buelow, George J. A History of Baroque Music. Bloomington, IN: Indiana UP, 2004. Print.
Stolba, M. K. (1998) The Development of Western Music, A History, Third Edition. Boston, MA: McGraw Hill
The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 20 vols. (London: Macmillan, 1980)9: 708-709
TitleAuthor/ EditorPublisherDate James Galways’ Music in TimeWilliam MannMichael Beazley Publishers1982 The Concise Oxford History of MusicGerald AbrahamOxford University Press1979 Music in Western CivilizationPaul Henry LangW. W. Norton and Company1941 The Ultimate Encyclopaedia of Classical MusicRobert AinsleyCarlton Books Limited1995 The Cambridge Music GuideStanley SadieCambridge University Press1985 School text: Western European Orchestral MusicMary AllenHamilton Girls’ High School1999 History of MusicRoy BennettCambridge University Press1982 Classical Music for DummiesDavid PogueIDG Books Worldwide,Inc1997
Atlas, Allan W. Renaissance Music: Music in Western Europe, 1400-1600. New York: W.W. Norton & Company, Inc., 1998.
...f. Th.Reinach, La musique grecque, Payot, Paris, 1926; C.Sachs, The Rise of Music in the Ancient World, W.W.Norton & Comp. Inc. New York, 1969.
“For over one thousand years the official music of the Roman Catholic church had been Gregorian Chant, which consists of melody set to sacred Latin texts and sung without accompaniment” (Kamien 67). The credit for developing Gregorian chant music, also known as plain...
The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 20 vols. (London: Macmillan, 1980)16: 752-774
Willoughby, David. "Chapter 11." The World of Music. 7th ed. New York: McGraw-Hill, 2012. 249-53. Print.
Taruskin, R., & Taruskin, R. (2010). Music in the seventeenth and eighteenth centuries. Oxford: Oxford University Press.
Sadie, Stanley. New Grove Dictionary of Music and Musicians, The. Vol. II New York: The MacMillan Company, 1928
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
Music throughout the ages has changed dramatically. Starting in the Medieval period, from 400-1475, music was in the form of what is called the Gregorian chant. Instruments were very rarely used at this time. Since songs during this period were either troubadour or trouvere these chants had no real harmony. One example of this type of medieval composition is “Viderunt Omnes” by Leoninus. Like most Gregorian chants the texture of this piece is monophonic and polyphonic. “Viderunt Omnes” is a typical Gregorian chant in that it uses diatonic, not chromatic notes of the scale. Musical compositions during the Medieval period was made mostly by members of the church for the church. It was and is a very slow and steady movement that was meant to create a feeling of peace for worship purposes.
Sadie, Stanley. New Grove Dictionary of Music and Musicians. Macmillan Publishers, New York, 1980, Vol. 2.
Throughout history music has been one of the most powerful tools used to touch the lives of people in different ways. Soft playing keys of a piano have been used to soothe a crying baby. Melodies from a bass saxophone can used to express feelings of love. A marching army going into battle would hear for miles the beating of drums announcing their soon arrival to the enemies camp. In first Samuel chapter 16 verses 23, David would take the harp and play it with his hand; and Saul would be refreshed and be well, and the evil spirit would depart from him. In my report I will be discussing who, in my opinion, the most influential composer was. What musical time period I believe to be the most influential and discuss three ways this class has influenced
Many of the songs we have today of the Middle Ages were in Latin, and are by anonymous composers. Many were written by wandering people, many of them men and churchmen without permanent residences of their own. Men who could not obtain a position in the Church and had to drop out were called goliards. These goliards wandered around the land, composing and performing for people. Their music was mostly comprised of the "’eat, drink, and be merry’ type, appropriate to the wanton kind of life the goliards lived" (Stolba, 99). Carl Orff, the composer of the Carmina Burana, used the poems found in the largest surviving records of Latin secular music that we have today. The Codex latinus 4660 was held in the Benedictine monastery at Benediktbeurn. Many of the songs speak of love, many of them lascivious. Others speak of drinking, satires of the religious life and even liturgical plays. A few of them are even written in the vernacular of the region in that time (Stolba, 99).