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Vlad III Tepes Dracula
Overview: Wallachian Society
Bram Stoker’s vampire villain inspiring over seven hundred films
shares a connection with a historic prince. Stoker’s prototype is
believed to be based on Vlad III Dracula a fifteenth century viovode
(prince) of Wallachia. An understanding of Vlad may aid in
appreciating Stoker’s protagonist. Vlad came from the princely House
of Basarab. Wallachia is situated in Eastern Europe, the lands of the
vampire legend, and shares a northern border with Transylvania. To the
east is the Black Sea and to the south is Bulgaria. Wallachia emerged
as a political power in the late thirteenth century from the ashes of
the Eastern Roman Empire. Wallachia’s first monarch was Basarab the
Great (1310-1352).The throne of Wallachia was hereditary although the
boyars of the nobility had the right to elect various members of the
royal family. Common of European elective monarchies during the middle
Ages the power of the government tended to be shared among the nobles.
Assassination or murder was a common method of moving up the feudal
society, therefore Wallachian politics contained much bloodshed.
Towards the end of the 15th century the House of Basarab had split
into two bitter clans. Descendants of Prince Dan formed the Danesti
while Dracula and his father, Vlad II Dracul, were ancestors of Prince
Mircea the Old.
The Wallachians were accustomed to be influenced by powerful
neighbours. The fall of the Byzantine Empire in 1453, which had
defended Europe from Islamic access for nearly one thousand years,
fell to the Ottoman Turkish Empire under the leadership of Sultan
Mohammed the Conqueror. Pr...
... middle of paper ...
...His reign of terror came to prominence
upon taking up the throne. Women and children were not sparred.
Dracula was concerned with female chastity and often cut women’s
sexual organs or breast off, who had committed adultery. Some sources
narrate stories of women impaled through the vagina on hot stakes.
Despite these acts of cruelty, Dracula insisted Wallachians to be
honest and hard working. Scholars believe Dracula’s actions may indeed
be interpreted as efforts to strengthen and sustain the government
while ensuring the security and productivity of his people.
Bibliography:
The Historical Dracula, Ray Porter,
http://www.eskimo.com/~mwirkk/castle/vlad/vladhist.html, 16/10/04
Vlad Dracula: An intriguing figure in the fifteen century, Benjamin H.
Leblanc, http://members.aol.com/johnfranc/drac05.htm, 20/11/04
...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
Vlad would punish his enemies for not only war crimes but for crimes against God for not remaining pure such as cutting off the breasts of women for not remaining virgins. This was an extreme version of what the Victorian era was about, despite his drastic measures, Vlad and most of the society during this era had the same values. Stoker used the identity of Vlad Dracula to create this monster who lusts for women and men alike for their blood as a way to let out his own sexual frustration. As he was unable to let them out himself due to the type of society he was placed in, where he would be chastised and judged he did this in his own way to let out the inner battle he was facing within himself. From being a war hero in Romania to being a sadist, Vlad Dracula was a real person who became the model of what the Victorian era could use to scare people into remaining
If one wants to be powerful, the only way is through the right path because with deceiving and tricking it only leads to problems, which is what happens to the count. Stoker life showed signs that he believed in this since he followed in his father’s footsteps and was very close to family, which was one of his keys to success. What Dracula was lacking was the trust between him and the other vampires. If he followed good practices like Helsing he would be all powerful, but then again ‘good’ Dracula, is an oxymoron. Stoker lived in a changing time period where there was a mix of different feelings and ideas coming about.
“‘We have learnt-much! Notwithstanding his brave words, he fears us; he hear time, he fear want! For if not, why he hurry so? His very tone betray him, or my ears deceive” (333). Dracula could have attacked the men quite easily, but instead he chose to run away from them. Dracula’s actions show that he is not out to hurt the men. Dracula is susceptible to death and does not want to attack men when he does not have to.Dracula may have attacked the girls because he thought he was helping them escape victorian society rules. In Transylvania women did not have such strict rules so maybe Dracula’s intentions of killing the women were actually for the best. The ladies in England must abide by the men and keep to themselves or else they were whorish and impure. Living a life like that is no life at all. So it is understandable that Dracula would go after the women and not the men. The men can live great lives and prosper in society, while the women would have a tough time doing that without a man by her side. He is saving the women, not hurting
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
Dracula accentuates the lust for sexuality through the main characters by contrasting it with the fears of the feminine sexuality during the Victorian period. In Victorian society, according to Dr.William Acton, a doctor during the Victorian period argued that a woman was either labelled as innocent and pure, or a wife and mother. If a woman was unable to fit in these precincts, consequently as a result she would be disdained and unfit for society and be classified as a whore (Acton, 180). The categorizing of woman is projected through the “uses the characters of Lucy and Mina as examples of the Victorian ideal of a proper woman, and the “weird sisters” as an example of women who are as bold as to ignore cultural boundaries of sexuality and societal constraints” according to Andrew Crockett from the UC Santa Barbara department of English (Andrew Cro...
While studying the diabolical figures in the devil, the idea of presenting Dracula came to mind. Dracula represents the devil in many similar ways. Dracula remains as a character in many diabolical movies and films. For instance, Van Helsing provides a good interpret of how Dracula remains noticed in the past and in present day. Although Dracula’s character obtains different views in every movie and film, he plays an important role in Stephen Sommers Van Helsing movie. In the movie, he acts as many different things. Demonstrating both the kind and evil inside, Dracula portrays his character as a mystery. Different views of Dracula throughout the movie include harsh, strong, powerful, evil, the devil, and unstoppable. The studies of Dracula
In act 2 scene 6 and act 3 scene 6 of the play ‘Dracula’, the
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
While the character of Renfield is ostensively extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the recurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield. Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’.
Over the years people have given new outlooks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
Bram Stoker (1847-1912), a fan and friend of the playwright Henry Irving, he wrote dramatic criticism and glowing reviews of Irving's work for the local papers and finally became business manager of Henry Irving's Lyceum Theatre. During these years he wrote his greatest novel, Dracula. Stoker wrote numerous novels, short stories, essays, and lectures, but Dracula is by far his most famous work and perhaps the most well known horror novel.
In Bram Stoker's "Dracula", Dracula is portrayed as a monster made evident by his gruesome actions. An analysis of Dracula shows that: shows his evil nature in his planning, brutally killing Lucy Westrenstra causing a violent response from Dr. Seward and others, and how his evil ways lead to his downfall. To characterize Dracula in one way, he is a ruthless, cunning monster who uses tricks, torture, and wits to manipulate people to his will. However when he trifled with some courageous people, he had no knowledge that it would be his undoing.
The vampire is probably the only creature of which this many different myths have been written. However, there is not a clear source that states where these myths have originated from. Over the years many myths have disappeared but the ones that are still discussed today often originated in early Romania, Serbia and Hungary. One of the biggest myths is the one where someone who has been bitten by a vampire becomes a vampire themselves. However there are some variations to this myth, some say that if a pregnant woman only looks at a vampire she would give birth to a vampire or if your baby was born with the amniotic sac still intact the mother were to become a vampire when she was about to die. Vampires are said to sleep during the day in graves, so if a horse refuses to walk over a grave it means that a vampire is residing there. In that case the grave would be opened to see whether the diseased looked like a normal dead person, for example the lack of blood in their veins or the presence of colouring in the face. When a vampire was found it had to be killed. Killing a vampire can be done in various ways but the best way is considered to be burning the vampire. Other lethal cures stakes made out of wood or iron pierced into the heart, or decapitation. It is not unlikely that, because there are numerous myths about vampires, it is a beloved fictional character for authors to write about. (Vampire Myths, n.d.)