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Dracula and comparisons to gothic literature
Dracula and comparisons to gothic literature
Gothicism in dracula
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It has been nearly one hundred and seventeen years since Bram Stoker published his ground breaking novel entitled “Dracula” and only twenty-two years since the movie “Bram Stoker’s Dracula”, a film based upon the novel, was unleashed upon the world. The book and the movie were a success and influenced the creation of a genre that still is seen today in pop culture. Though many raved about the story, no one ever explored the source of this fantastical tale of blood shed. To understand where his inspiration took flight, one would have to look back five hundred and eighty-three years ago, when a notorious Romanian prince inflicted fear upon the masses. Vlad III, also known as Vlad Tepes or Vlad the Impaler, was a ruthless warrior with an intense blood lust and the sort of person Stoker would have drawn from to create his masterpiece. In exploring why Vlad would make such a likely candidate for Stoker, one need only take a peek into his blood-stained past and it would become quite clear.
His legend began in Transylvania in the year 1431. The second son of Vlad II was born within Romania during the winter months in the fortress of Sighisoara (Fasulo). Vlad III along with his two brothers, Mircea and Radu, had pleasant childhoods considering they were sons of nobility. When Vlad III was just five years old he joined an apprenticeship for knighthood in which he learned combat skills and the art of warfare that were paramount in becoming a knight during this era (Fasulo). His father was also part of an elite group know as the Order of the Dragon. He was so entranced by the Order that he even took the dragon to his name and became Vlad Dracul and Vlad III used the sobriquet “Dracula” which means “The son of Dracul” (Fasulo).The Order had...
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...hat brought it to its mainstream statues. One could only assume why Val Dracula would put so many people through so much pain and anguish, but with certainty one could say that his actions have left a permanent stain in history and has greatly peaked interest in the world wide phenomenon of vampires.
Works Cited
"Dracula's Lost Palace — History.com Video." History.com. N.p., n.d. Web. 22 Apr. 2014.
Fasulo, John. Ithaca College, Ithaca, NY. N.p., n.d. Web. 22 Apr. 2014. .
Gee, Joshua. "Dracula Lives!" Encyclopedia Horrifica: The Terrifying Truth! About Vampires, Ghosts, Monsters, and More. New York: Scholastic Inc, 2007. 2-9. Print.
"Was Dracula a real person? — Ask HISTORY — History Q&A." History.com. N.p., 22 May 2013. Web. 22 Apr. 2014. .
Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
Count Dracula is known throughout the world as the king of vampires, but very few know that he was a real person. The man who made a deal with the Devil for immortality was based on the heroic Walachia prince during the 15th century. His name was Vlad Dracula, which translates to “son of the Devil”, which is where the legend begins. Vlad was born the prince of Walachia in 1431 in Sighisoara, Romania but due to the Ottoman Empire invading Walachia, Vlad, and his brother were handed over to Emperor Sultan Murad II as a ransom. The two boys became captives of the Ottoman Empire in order to make sure that their father would support the Ottomans during their war with Hungary. Dracula was returned in 1448 after his father was assassinated, after
Bram Stoker’s Dracula is not only a classic story of men and monsters, but a dramatic reactionary work to the perceived threats to Victorian society in nineteenth century England. In modern times there have been many film adaptations of the novel, each developing a unique analysis or criticism of the literary text within the framework of the society and time period in which it was created. The 1972 film Blacula is one of the most culturally specific variations on the story of Dracula, and highlights many of the themes and messages found in Stoker’s original text. Among the primary similarities between the novel and the film is the portrayal of race, sexuality, nationality, and culture, and the characterization in each work speaks to the fears and ideals of their respective dominant societies.
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
Carol A. Senf uses a critical theory lens when she picks apart Bram Stoker’s Dracula. The majority of literary critics interpret this popular myth to be the opposition of good and evil, they turn a blind eye to the more specifically literary matters such as method of narration, characterization, and style. Carol Senf’s critical essay “Dracula: the Unseen Face in the Mirror” she believes that Stokers novel “revolves, not around the conquest of Evil by Good, but on the similarities between the two” (Senf 421). Her argument is as follows:
In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.
Bram Stoker took the legend of Vlad Tepes and used it as an idea for Dracula. He was the ruler of an old country called Wallachia. He is most famous for impaling his enemies on sticks around his castle. He taught himself how to miss vital organs in the body, causing the victim to die a slow painful death. This is why people consider him an ancient vampire. What people don’t know about him is that the rich loved him, but the poor hated him. To anyone that didn’t have to seal to make it by he was great. But to the poor people who couldn’t buy food, they were always in fear of him. He was abused as a child, and this is what is thought to have caused his behavior. (Melton 1053)
While the character of Renfield is ostensively extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the recurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield. Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’.
‘Dracula’ is a novel that probes deeply into people’s superstitions, fears and beliefs of the supernatural. The creature Dracula is an evil being with no concern for others, he kills for his own ends and cannot be stopped, and this is what makes ‘Dracula’ truly frightening.
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre; These factors include setting, actions of each vampire, the initial reactions to news of them, and how their presence affects the people who live within the region the vampires inhabit.
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
The word ‘monster’ derives from the Latin words ‘monere’ and ‘monstrare’. ‘Monere’ means to warn against something, while ‘monstrare’ means to show something. If these two origins are put together, the word ‘monster’ obtains the meaning of something that is shown to warn. In relation to Dracula, this would allow a whole series of question from what makes Dracula a monster to what does he warn the reader against. In this essay I will mainly deal with the question of what makes Dracula a monster; however I will bear other questions in mind such as why Dracula is seen as a monster by the crew of light. As Dr Seward puts it in his diary ‘the coming destruction of the monster’ (Bram Stoker, 1897, chap.20), I will analyse what means Stoker uses to make the reader believe that Dracula is the monster. In the end I want to see if Dracula is made into a monster by the crew of light or if he makes himself a monster by his actions. I also will have a look at what he warns the reader against, as the etymology of the word monster suggests me to do.
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...