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Comparison and contrast of artist
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In this artwork the the majority of the painting is painted in middle tones, however there is also a dark contrast created by the Cypresses.Cool colors are dominant throughout the artwork except for the warm yellows of the wheat field. He uses the color scheme of green, blue with green, and yellow which is the analogous color scheme. These colors that are next to each other on the color wheel and white give the artwork a color harmony with using few colors. The mountain with the light blues that seem to be pushed back way in the distance is created due to the Arial perspective. On the lower third is where the horizon is and the elements are placed to lead the eye throughout the painting and straight to the vocal place which is the Cypress trees.The
The black background contrast with the predominate colors of blue and red gives these colors intensity. The red and green are complementary colors that give the painting visual appeal. The green juxtapose above the blue and red gives the artwork color balance as well as implies a triangular shape. The triangular shape and pattern is repeated throughout the painting by; the bend of the flute player's elbow, the head and shoulders of the guitar player, the head and shoulders of the lady whose back is to the viewer, the body of the guitars and the location of the three right-most musicians
Additionally, Lie placed tall trees in the foreground of the painting to give a sense of the scale between the observer’s perspective and surrounding objects. Furthermore, Lie used dark, cold colors, such as purple, blue and black, to depict the feeling of a winter’s afternoon. Lie also used snow on the ground as an obvious indicator of the time frame in which the painting is occurring. However, in contrast to the dark cold colors used, Lie also used subtle hints of orange, yellow and red to show that there is some presence of light in the piece. The background of the painting is a sheen of yellow, suggesting the presence of light and the forming sunset.
They might not be very prominent, but they exist the painting and serve as the base for creation. For starters, the window pane contains lines that highlight its simple design. Simplicity remains as the core of this work. Moreover, sill is roughly represented by a thick brown line underneath the window as a boundary in a quietly brilliant fashion. The work has a wonderful color allocation to express the mood. The color is limited within the muted palette color range. Grey—the intermediate color of black and white, is the dominate color for both exterior view and the interior part, as a matter of fact, the observer notices that nearly all colors are mixed instead of natural this work. The cloudy sky corresponds to the grey color of the wall, yet the brightness is not influenced. However, this consistency has successfully created a cold, grave and silent environment for a crowded place such as New York. The whole environment of this painting seems to be surrounded by the negative and depressive
At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.
To begin, he uses an array of colors that allows each color in the sky to blend and transition harmoniously. Church also uses primary and secondary colors within the sky that consists of teal-green, reds, and bright yellow next to each other. This creates a contrast between the darker red shades in the cloud and the lighter shades of bright yellow in the sun. Besides the different shades that are being used, Church uses both neutral values and saturation. The neutral scheme can be seen in the black and gray-brown values of the trees and shadows in the bottom part of the painting. This, in comparison to the high saturation levels of the colors in the sky create a contrast. The colors in the sky are in their purest hue which means they are bright, and this being next to the dull and dark colored mountains and trees creates a contrast and more of an emphasis on the brightly colored sky. Those different colors also fall under complementary and analogous colors. The red cloud complement the blue-green colors of the sky they are in. There is also a heavy use of reds, oranges and yellows, all falling next to each other on the color wheel shows Church’s use of analogous
The colors are very realistic, if you closed your eyes and imagined a chestnut tree and the sunrise over the mountains these colors are a perfect representation. The colors are warm with a touch of cool in the sky and the colors transition, gradually fading into the next. The light was very important to show the shadows to portray the sunrise. The painting shows depth by having the tree close and center, giving the idea that the mountains and sunrise are further
Bob Ross and his happy little friends have introduced millions of PBS viewers to the world of art. Bob may be gone but his gentle legacy of painting technique continues to charm and instruct. Not only are there books and DVDs available, but a full line of Bob Ross painting supplies are sold on-line and in select venues. There are also over 3000 certified Bob Ross instructors nationwide and internationally.
The two focal figures are illustrated with complementary colors, the woman 's dress being orange, and the man’s pants being blue. Benton uses these colors to bring life into the painting. The background is made up mostly of earthy colors like, greens, browns, and greys and a light blue for the sky. Benton seems to add white to every color he uses, which gives the painting an opaque look. The deepest hues found in this painting are the blue one the man’s pants and the orange on the woman’s dress, everything else around them looks washed out and Benton does this to emphasize his focal points
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
To solve this problem, I built different sized cubes (2 x 2 x 2, 3 x 3
In conclusion, Van Gogh used the elements above to create a man by himself in a field. He used color to represent feeling rather than represent realism of an event. The cool colors represent the field and happiness in his work. The warm colors represent the harshness of the day and could be a metaphor for life. He used scale and proportion to emphasis the overbearing sun. He also used proportion and scale to represent literally and figuratively how far away home was. The linear perspective was only evident to me after I really studied the used of lines. I followed the lines to the horizon and left side of the painting.
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
It captures a calm scene during the winter. Looking at the painting, some of the things that jump right out are the paved side walk/ bike path, the evergreen trees, and the ground covered by clear fresh snow. The side walk starts on the right side of the painting, curves to the left and comes back to the right and fades into the evergreen tree, which is right in the middle, the emphasis of the painting. The other evergreen trees are painted behind the middle tree. They are evenly spaced and each tree is painted in different perspectives, which adds depth to the view of the nature/scene being captured. Since there is fresh snow on the ground and the time seems to be set in the morning or midafternoon, the whole painting has a snow white
The most prominent color in this painting is blue; it is used in the walls, the doors the articles of clothing hanging on the wall hook and some of the items resting on the nightstand. The other prominent color is green, used on parts of floorboards, the window, a part of one of the doorframes, parts of the hanging paintings and the empty vase on the nightstand. Brown is the only ...
...f the shadows is sprinkled with the orange of the ground, and the blue-violet of the mountains is both mixed with and adjacent to the yellow of the sky. The brushstrokes that carry this out are inspired by the Impressionists, but are more abundant and blunter than those an Impressionist would use.