It’s no secret that actors have many ways of preparing for a role. Some prefer to use techniques specific to major theorists, while others prefer to use a blend of theory and personal techniques. Personally, I prefer to use visual aids, such as photos and videos, to help create a character. Visual aids allow me to create an emotional and visceral connection to the character, which, in turn, creates a stronger, more complex story for the audience. This not only applies to performing, but to choreographing as well. Throughout the process of Godspell, I have incorporated images and video, not only for myself as an actor, but, for my cast mates to understand the direction and vision I have as a choreographer. These visual images help me to remember
the direction and story of the character when it comes time to perform in front of an audience.
Gerald Graff expresses his concern in “Hidden Intellectualism” about how the education system does not accurately measure true intelligence. If the education system used each individual’s interests, Graff argues, the individual would be much more intrigued in the subject matter; therefore, increasing his or her knowledge. Throughout the article, Graff also draws on his love of sports to support his argument, saying that it includes elements of grammar, methodologies, and debate. He believes this proves that interests can replace traditional teaching. Graff contends one’s interest will create a community with others throughout the nation who share the same interests. While it is important to pursue your interests, there
Imagery is used by many authors as a crucial element of character development. These authors draw parallels between the imagery in their stories and the main characters' thoughts and feelings. Through intense imagery, non-human elements such as the natural environment, animals, and inanimate objects are brought to life with characteristics that match those of the characters involved.
There are various pieces of written work that do not fall into the category of literature work. This is because a piece of writing can be said to be literature when it has distinct features that follows the rules of literature writing. Some of the distinctive features that can be used to classify a piece of writing as a literature are the nature of language, themes and stylistic devices (Irmscher, 1975). Literature does not fully use the rules of grammar and may involve the use of informal writing. Hurston and Toni Morrison applied feature such as using colloquial language, development of various themes and some stylistic devices which have lead to their pieces of work being considered as important literary art. This paper will focus on two pieces of written work written by Hurston and the other by Toni Morrison Their Eyes Were Watching God and Beloved respectively and why they are considered important works of literature.
Metaphors can be defined as those concepts where a term is used to portray a different meaning in a phrase than what it literary means. Additionally, metaphors are also used to make rhetorical statements where one is speaking of something else but by the use of words that do not have the same meaning. Moreover, metaphors can be used when one is trying to compare two different items with different meanings to portray the same meaning in describing something (Arduini 83). The book “Their eyes were watching God” has several metaphors, which have different analyses.
In Zora Neale Hurston’s novel, Their Eyes Were Watching God, she utilizes an array of symbolism such as color, the store, and her husbands to solidify the overall theme of independence and individuality. Their Eyes Were Watching God is considered by many a classic American Feminist piece that emphasizes how life was for African Americans post slave era in the early 1900s. One source summarizes the story as, 1 ”a woman's quest for fulfillment and liberation in a society where women are objects to be used for physical work and pleasure.” Which is why the overall theme is concurrent to independence and self.
When preparing a written drama for film, directors’ often make alterations in order to present a more realistic narrative. Richard Lloyd did just that when editing long time friend August Wilson’s play “The Piano Lesson.” Lloyd not only enhanced the impact of the play, but also added depth to the world in which it is set. In Wilson’s ephemeral “The Piano Lesson,” the screenplay successfully deviates from the stage script by altering the set design, sound, and character portrayal in order to further ingrain the message that we can not effectively build our futures by avoiding our heritage.
...re as same as the audience use in their everyday life. Easily connecting to the audience, with visual, audio and performer’s performance” one can imagine himself/herself in performer’s shoes.
Preforming the marriage scene helped my group and I understand the emotions and actions the characters would
One solution is to approach an actor at the beginning of their training, and see where knowledge of "commedia dell'arte" and its performance can expand a performer's range. The contemporary young actor's most familiar performance role model is that of televisi...
We can start off with something that we all easily take granted for in movies and that is the imagery. We all have imaginations that can produce an accurate image depending on what we read or see, but something the books or plays couldn’t accomplish is give the image to us. So we wouldn’t have to seco...
In the article, Smith writes about the overall mood that the photographs depict and gives a vivid description stating that the artist compresses “melodrama of an entire movie, or soap-opera season, into a single, elaborately constructed scene.” Smith continues to mention that the images are overwrought, also goes ahead comparing them with previous work by the artist, they “have become ornate, hollow, implicitly academic exercises … and so monotonously joyless that they start to seem light, almost comic.” In addition, Smith suggests that Crewdson needed to reinvent his style as she thinks that the theatrical craft has taken over his art. The author’s tone is rather condescending as she doesn’t necessarily agree with the artist’s style. Nevertheless, in any argument it is necessary to acknowledge the opposing views, and therefore necessary to include Smith’s article as a useful and credible source in the research. The goal of this source is to create a counter argument that will facilitate the construction of a stronger
According to Erving Goffman’s performances theory, the way we interpret ourselves is similar to a theater in which we are all actors on a stage playing a variety of roles. The way in which we act in front of a group of observers or audience is our performance. Goffman introduces the idea that we are always performing for our observers like actors performing on a stage. The impression that we give off to an audience in a scenario is the actor’s front. You can compare an actor’s front to a script. Certain scenarios have scripts that suggest the actor how he or she should behave in every situation. The setting for the performances includes the location and scenery in which the acing takes place.
“In moving pictures I have found my life's work. I find at once an outlet for my emotions and my ideals. I can preach to my heart's content, and with the opportunity to write the play, act the leading role, and direct the entire production, if my message fails to reach someone, I can blame only myself” (Weber).
After I began to learn to dance ballet, I found out that these elegant movements actually require a lot of strength, flexibility of the bodies and brain’s participation to make it looked elegant. The dancers’ movements in the performance were so fluent and elegant and it is not hard to imagine how hard they had practiced, stretched and use the strengths to do all the ballet poses with their bodies look longer and longer. Their expressions also impressed me a lot. By looking at their expressions, the audience can easily understand the scenes and blend into the story. The performers actually not only are required to have good dancing skills but also are required to have some talents to be actors. Moreover, they also have to be good at expressing their feelings on the
The use of multiple images to propel a narrative allows the audience to learn something through the characters that are there. Bloomer (1990)’s study on visual perception also draws upon Newton (1998)’s concern, as he explores the multiple perspectives and views of the event. By using a series of images, the characters mood and tone can be established throughout different elements of what we see. This may be the people, the place itself or the items within the place. By having a narrative of photographs, the audience has an even deeper understanding of the reality of that moment or event as they see more than just the ‘big picture’ as