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Artistic achievement of van gogh
Critical analysis on vincent van gogh
Contributions to art through van gogh
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Vincent van Gogh, perhaps one of the most iconic artists, is perceived as the “mad” man who painted in a frenzy or simply as the tormented soul who cut off his ear. Often, van Gogh’s artistic genius is diminished by those who view his work as a mere visual manifestation of his unsoundness of mind. Although in some ways that may be true, his innovative and unique style played a key role in paving the way for the artists who followed. Vincent van Gogh’s career was short, but his masterpieces exercised a profound influence on twentieth-century art and overall transformed artistic practices and styles. Van Gogh’s renowned and universally acclaimed works continue to communicate his unique perspective, far beyond his death. The purpose of this paper is to discuss the …show more content…
(rewrite/ edit) Vincent Willem van Gogh, the eldest of six children, was born March 30, 1853 to the Reverend Theodorus van Gogh and his wife Anna Cornelia in a small town of Holland, near the Belgian border. Within the van Gogh family there were two powerful tensions that ran amongst them- a love of art and the predisposition towards depression- Vincent later inheriting his fair share (Harmon 86). As a child, van Gogh was quiet and self-contained, preferring to spend his free time playing alone, reading, or wandering the countryside observing nature. At the age of sixteen, he began working at his uncle’s prestigious art gallery, Goupil and Company, where he apprenticed to The Hauge branch (Peterson, Pritchard 1). Van Gogh then worked for Goupil in London, from 1873 to May 1875, later transferring to the Paris branch, where he worked unto April 1876. Regular contact with works of art sparked his artistic sensibility, which allowed him to form a taste for Rembrandt, Frans Hals, and other Dutch artists, but also discover his preference for two contemporary French painters, Jean-François Millet and Camille Corot, whose influence would continue
Vincent Van Gogh is one of the world’s greatest and most well-known artists, but when he was alive he considered himself to be a complete failure. It was not until after he died that Van Gogh’s paintings received the recognition they deserved. Today he is thought to be the second best Dutch artist, after Rembrandt. Born in 1853, he was one of the biggest artistic influences of the 19th century. Vincent Van Gogh created a new era of art, he learned to use art to escape his mental illness, and he still continues to inspire artists over 100 years later.
Regardless of taste, an appreciator of art should be able to recognize when an artist exerts a large amount of effort and expresses a great amount of creativity. Understanding the concepts incorporated by truly talented artists helps the viewer better understand art in general. Both Van Eyck and Velasquez are examples of artists that stood out in their time due to their unique vision and their innovative style, and are therefore remembered, recognized, and praised even centuries after their works were completed.
Coming from a family greatly involved in art dealing, Vincent van Gogh was destined to have a place in the world of art. Van Gogh’s unique techniques and use of color, which clashed and differed greatly from the masters of the art world of his time, would eventually gain him the recognition as one of the founders of modern art. Van Gogh’s early life was heavily influenced by the role of his father who was a pastor and chose to follow in his footsteps. Although he abandoned the desire to become a pastor, van Gogh remained a spiritual being and was strong in faith. Plagued with a troubled mind and poor health, van Gogh’s life became filled with torment and isolation that would influence his career in later life as an artist. In his late twenties, van Gogh had decided that it was God’s divine plan for him to become a painter. His works would express through thoughtful composition and vibrant color, the emotions that he was unable to manifest in the real world. Van Gogh’s perception of reality and his technique would face harsh criticism and never receive full acceptance from his peers as a serious artist during his brief career. In a collection of correspondence entitled The Letters of a Post-Impressionist, Vincent confirmed these thoughts while writing to his brother Theo, “It irritates me to hear people say that I have no "technique." It is just possible that there is no trace of it, because I hold myself aloof from all painters” (27). His technique would later be marveled and revered by the art world. Vincent van Gogh’s legacy would thrive as it challenged the way the world envisioned modern art through his unique brush strokes and profound use of color as seen in his works The Sower and The Night Café. A brief look into...
Lauren Soth is working throughout his entire article to express and prove Van Gogh’s intentions and therefore Van Gogh’s agony as the meaning behind his masterpiece, Starry Night. Soth’s thesis claims the painting was intended to console, but also another attempt at a failed painting “Agony in the Garden” which was meant to be imaginative, but based on conceptual history. At first his thesis seemed too bold, although arguable. By hiding his opinions and focusing on tangible evidence such as a solid visual analysis, powerful biographical details, and letters written by Van Gogh himself, Soth’s seemingly exaggerated opinion transforms into an insightful and well-supported thesis.
References 2, 7, 8- "Vincent Van Gogh- Portrait of an Artist" Jan Greenberg and Sandra Jordan, pages 7, 85, and 86. Published in 2001.
Art can mean many different things to many different people and was one of the earliest ways in which man has expressed him or herself to others, whether it was through cave drawings or hieroglyphics. It does not begin or end with just drawing or painting, items typically considered art, or the many other recognized facets of art including architecture, drama, literature, sculpting, and music. My research is based on Vincent van Gogh art, and two art paintings that I choose to study is The Starry Night, 1889, and the second art is The Sower 1888. Vincent van Gogh’s is known for Impressionism, that occurs to us in these times, much more to affirm close links with tradition, and to represent
At the age of sixteen, Van Gogh went to go work with his Uncle Vincent, whom he was named after, as an art dealer at the Goupil and Co. This job had branches not only in Europe, but America also. Vincent was assigned the branch in London. There he got his first rejection in love. He fell in love with the daughter of his landlady. Van Gogh thought her feelings would be mutual, though she was not attracted to him. In fact, she was disgusted by him. She was engaged to be married, anyway. Because he was so hurt from this rejection, he took it out on his career. He told the costumers they were buying useless junk and insulted them for that. Van Gogh had to go to Paris and only his uncle's influence allowed him a second chance with the firm. His harsh behavior toward the costumers continued. In 1876, the Goupil's managers had to let him go.
The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing this paper.
Vincent van Gogh lived from 1853 to 1890 and is arguably the most famous painter of the post-impressionism era of art. His painting style was often
Vincent van Gogh was a poor artist in 19th century Europe that was constantly tortured by psychiatric issues. Van Gogh was born in Zundert, Netherlands on March 30, 1853. His father was a pastor and raised him with a very religious lifestyle and he originally set out to be a pastor himself. He was fired from his preaching job because of his intensity and fierceness and decided to be an artist. His many disorders eventually got the better of him and he was admitted to the St. Remy mental institution where he did the much of his art. After his release in May of 1890, van Gogh fell into deep depression and eventually committed suicide in July of that year. In my opinion van Gogh’s importance was shown through his different use of color that was looked down upon by the critics of the time but led to a new style of Post-Impressionism at the end of the Impressionistic era. Also, his large amounts of paintings, over 2,100, portray a large amount of subjects which virtually anyone can relate to. Finally, his importance is verified in the sheer price of his paintings, the most expensive, Portrait of Dr. Gatchet, was sold for 82 million dollars.
In present time, Vincent van Gogh is probably the most widely known and highly appreciated person of postimpressionism. During his brief lifetime, Vincent’s work went almost unknown to this world. His work now hangs in countless museums throughout the world and is considered priceless. His work became an important bridge between the 19th and 20th centuries.
The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly debates with art historians and researcher, and objecting to how they claim there is a general state of how art is read. She structures her paragraphs in ways that allows her to present different kinds of evidences from a variety sources while using a formal yet persuasive tone of voice to get her point across to the reader.
Painted by Vincent Van Gogh during a final burst of activity in Auvers before his suicide in July, Houses at Auvers features many of the characteristic elements typical of Van Gogh; the experimentation with color, texture, and thick brush strokes. This painting depicts the view and landscape in early summer, highlighting the patchwork of houses and the rolling greenery. Van Gogh’s unique, thick brush strokes lead the eyes through the painting, create texture and patterns and also highlight and shadow objects in the early summer sun, while his experimentation with color creates contrast and a bright, vibrant image.
Vincent Van Gogh never gave up his style and insight in his early work compared to his later work. I will discuss the comparison of the Potato Eaters and Starry Night and even though there are obvious differences, the core of his passion and eccentricities can be seen.
While similar, the terms stereotype, prejudice, and discrimination all have their own distinct meanings. Gorham defines stereotypes as the organization of beliefs and assumptions people have toward social groups (19). Stereotypes can often be misrepresentative of a particular group because people unknowingly make assumptions about other people based on the knowledge they have acquired from media and/or people not in that particular social group. Examples of stereotypes can be beliefs that people of Asian descent are inherently good at math or that all black men are criminals. Unlike stereotypes which are predetermined assumptions people make about social groups, prejudice is holding negative feelings toward a group of people without fairly