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Shakespeares treatment of various types of love in twelfth night
Shakespeares treatment of various types of love in twelfth night
Analyse Twelfth Night as a Shakespearean comedy
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Views on Love in William Shakespeare's Twelfth Night
Twelfth Night was written in the …… century, by the renowned author,
William Shakespeare as one of his comedic plays. It is now one of his
most famous works and has been made into several films. The story
explores the ups and downs of love and relationships, covering
everything from intimate ones, to sexual ones, to friendly ones.
In Act 1, Scene 1, the Duke Orsino, who is infatuated with Lady
Olivia, and will later become involved in a love triangle with her and
Viola (Cesario) is in a his palace mourning his love for Olivia.
Shakespeare makes sure to use plenty of metaphors and similes and
word-play with complicated sentences and words, to show us that Orsino
is of a higher class and is able to use proper English fluently. The
very first words out of Orsino's mouth are, "If music be the food of
love", which is a metaphor, describing love, namely his love for
Olivia, as a living thing which needs to be fed in order to survive,
which all know isn’t true. It also makes us immediately doubt that
this is real love because real love doesn't have to be like encourage
or helped to grow or be there of whatever, it just is, unconditional,
with no real explanation. And he shouldn’t need music or anything else
to 'feed' his love, and wouldn’t if it was real. "O, it came o'er my
ear like the sweet sound That breathes upon a bank of violets" is
another one of Orsino's similes, and compares the music to wind
blowing over flowers. It again shows that he can use similes, as a
form of higher class language clearly demonstrating his class, just as
the iambic pentameter in his speech does. Orsino t...
... middle of paper ...
...g to be getting her love anytime soon, he's substituted it
with music and has said that he wants "excess of it, surfeiting, The
appetite may sicken,". I think he's got everything money can buy and
he now just wants true love and he isn’t receiving it and he himself
doesn't really feel it, its just a shallow emotion, which he convinces
himself is love. It's like chocolate. With really rich chocolate with
a lot of taste, you only have to have like one piece or bar or
whatever, and that’s true love. Other chocolate that tastes really
good, but doesn't have so much taste that one bite is enough, you have
to keep having and having and that’s Orsiino;s infatuation with
oLoivia. Orsiono then talks directly to "the sprit love" he has to
feel misery to feel anything prove sits not love. He wasnts so much of
it fed so it dies.
some sort of strange love for his daughter. Indeed, he did want ‘what was best'
Is love controlled by human beings who love one another or is love controlled by a higher power? There are many people who believe that a higher power has control over love. An example of a higher power would be a cupid, a flying angel-type creature who is supposed to shoot arrows at people to make them fall in love. There are other people who reject the idea that a higher power controls love and that the people who experience love can control it. In the novel, "A Midsummer Night's Dream", by William Shakespeare, several examples of love's association with a higher power are presented. With the use of examples from the above novel, this essay will discuss the evidence that love is associated with a higher power. Examples like: Thesius arranging a marriage between himself and Hippolyta, Egeus choosing who Hermia should marry and the fairies who have the ability to control love in the Enchanted Forest.
What is love? Love is a very powerful emotion! Love is something that can come at any time in your life. It can appear in any way, shape, or form. In the famous play “Midsummer Night's Dream,” by William Shakespeare, love is a major theme that affects many people and causes many challenges. In order for love to conquer these challenges one needs to stay true to their love, they may need the help of some magic, and must be persistent.
Throughout his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. Even the mistress of his most passionate love-verses, who must (one supposes) have been a real person, remains for him a mere abstraction of sex: a thing given. He does not see her --does not apparently want to see her; for it is not of her that he writes, but of his relation to her; not of love, but of himself loving.
He compares his love to a "vegetable," which means that it would not stray, but would grow "vaster than empires," and would do so more slowly (ll. 11-12). He claims that he would happily spend a hundred years praising her eyes, and gazing at her forehead. When that is over, he would spend two hundred years on each breast, and spend "thirty thousand to the rest" (l. 16). He then crowns this romantic hyperbole with the statement, "[f]or, lady, you deserve this state, /Nor would I love at a lower rate" (ll. 19-20). These statements serve to support one of the major themes of the poem:
writing the poem, to woo his love. Or maybe is the line was not meant
Unlike the other characters in Shakespeare's "Twelfth Night", Viola's feelings of love are genuine. She is not mistaken about Orsino's true nature and loves him for who he really is, while the other characters in the play seem to be in love with an illusion. Viola's love for Orsino does not alter during the play, nor is it transferred to another person.
In all of Shakespeare's plays, there is a definitive style present, a style he perfected. From his very first play (The Comedy of Errors) to his very last (The Tempest), he uses unique symbolism and descriptive poetry to express and explain the actions and events he writes about. Twelfth Night, The Tempest and A Midsummer Night's Dream are all tragicomedies that epitomise the best use of the themes and ideology that Shakespeare puts forth.
the play is not solely about love but also a lot of hatred is involved
Different Aspects of Love Presented in William Shakespeare's A Midsummer Night's Dream Lysander + Hermia = True love? Sexual Attraction (Lust) ------------------------------------------------------- Titania + Oberon = Love or hate (Married )
Throughout the events which unfold in A Midsummer Night’s Dream, Shakespeare delivers several messages on love. Through this play, one of the significant ideas he suggests is that love is blind, often defying logic and overriding other emotions and priorities. Helena loves Demetrius unconditionally and pursues him despite knowing that he loathes her; conflict arises between Helena and Hermia, childhood best friends, over Demetrius and Lysander; and because she is in love, Queen Titania is able to see beauty and virtue in the ass-headed Nick Bottom.
Shakespeare’s plays are very drastic with how he ties love into them. Shakespeare always adds comedy or tragedy to any romance that might be taking place. For example in Twelfth Night, As You like It and Romeo and Juliet there is romance but he also puts comedy in there so love is not that easy. In the play Othello he makes it into a tragedy which makes the love even harder to take place. Shakespeare has always found a way to make love as complicated as he can which leads me to believe that he feels that you must work for love and it should not be handed to you. Love is already complicated, but when Shakespeare is involved he makes sure at least two things come around that can make it harder for those who are in love to actually stay in love.
The theme of love is brought up over and over again in the play. It is
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...
The film Shakespeare In Love is a very complex but straightforward plot. Where William Shakespeare was mandated to compose a play right at the moment when his imagination was minimal. Frustrated and looking for inspiration, he met a beautiful lady with the name of Viola de Lessups bumping his creativity giving birth to the so famous play “Romeo and Juliet.” The set of the events along with the actions Shakespeare and Viola take and the reactions they produce form the narrative of the film a long with the mise-se-scene made out of the movie a hit in Hollywood by capturing the attention of the audience with the combination of different artistic choices.