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Alice in Wonderland history and criticism
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Alice’s Victorian Insanity In Alice In Wonderland by Lewis Carroll, Alice is a simple girl on the surface, with a complex persona. Nothing in the story goes smoothly, and Alice acts strangely in some cases. This is not by accident. In 1856, Carroll wrote in his diary that when we are dreaming, and we know we’re dreaming, we partake in insane actions. He continues to ask that because of this, why shouldn’t insanity be considered an inability to discern what is real and what is a dream? (Schatz 95). Alice shows signs of insanity as she falls down the hole. “Well! After such a fall as this, I shall think nothing of tumbling down-stairs! How brave they’ll all think of me at home!” (Carroll 8). This is a blatant disregard of the seriousness of …show more content…
A quote from Samantha Pegg’s work ‘Madness is a Woman’: Constance Kent and Victorian Constructions of Female Insanity sums this up. “Morally purer, but vulnerable and weaker than men, women were then placed into a position where a fall from grace could easily be related to their inherent femininity” (Pegg 212). This quote serves as an insight into why Carroll chose to make Alice a weaker, and seemingly lesser character. Moreover, Alice seems to fit that “morally pure” peg, at least by Victorian standards, as well. This is shown when she is talking to the mouse about his tail. “It is a long tail, certainly, by why do you call it sad?” (Carroll 23). Here Alice portrays that childhood innocence that plagues her throughout the story. Instead of realizing that the mouse is talking about the tale he just told, and not his physical tail, Alice childishly doesn’t get it. This is perfect as it keeps up with her Victorian ideals; she’s an unknowing child, making her morally delightful by Victorian standards. This then leads back into Carroll’s portrayal of Alice as insane. She is again missing a piece of the puzzle that is right in front of …show more content…
She is never able to fully comprehend the divide between the world she is in and reality. Moreover, Alice fails to notice all of the queues that would lead any rational, sensible person to realize that something might be wrong. Even when her logic fails her, and she can’t do math, she doesn’t bother to really question it. Based off Lewis Carroll’s definition of insanity, not being able to tell the difference between reality and the dream world, Alice is most definitely insane. Saying Alice isn’t insane is like saying that four times five is
The sickness of insanity stems from external forces and stimuli, ever-present in our world, weighing heavily on the psychological, neurological, and cognitive parts of our mind. It can drive one to madness through its relentless, biased, and poisoned view of the world, creating a dichotomy between what is real and imagined. It is a defense mechanism that allows one to suffer the harms of injustice, prejudice, and discrimination, all at the expense of one’s physical and mental faculties.
Alice’s Adventures in Wonderland is a story about a little girl who comes into contact with unpredictable, illogical, basically mad world of Wonderland by following the White Rabbit into a huge rabbit – hole. Everything she experiences there challenges her perception and questions common sense. This extraordinary world is inhabited with peculiar, mystical and anthropomorphic creatures that constantly assault Alice which makes her to question her fundamental beliefs and suffer an identity crisis. Nevertheless, as she woke up from “such a curious dream” she could not help but think “as well she might, what a wonderful dream it had been ”.
One of the main purposes for writing Alice in Wonderland was not only to show the difficulties of communication between children and adults. In this story, almost every adult Alice talked to did not understand her. At times she messed up what they were saying completely as well, which many times stick true to real life circumstances. This book shows that kids and adults are on completely separate pages on an everlasting story. Carroll points out that sometimes children, like Alice, have a hard time dealing with the transition from childhood to adulthood, 'growing up.' Alice in Wonderland is just a complicated way of showing this fact. Lewis Carroll's ways with words is confusing, entertaining, serious, and highly unique all at the same time. And it's safe to say that it would be difficult to replicate such and imaginative technique ever again (Long 72).
The gender roles change from the original to the remake. The original Alice role is defined as a young girl who is able to explore her curiosity, but she is constrained by her feminine characteristics. Alice being a young girl is portrayed as helpless in many situations throughout her journey. The characters of Wonderland offer her assistance, but she remains most times crying by herself. Alice’s character clearly shows the innocence and virtue American society attached to girls roles in the
Along with his love for playing-on-words in the story, Carroll also provided an original poem that he wrote at the beginning of the novel before the first chapter that serves as an epigraph for the book, suggesting the story’s theme and origin. The poem opens with a description of the sunny, summer day in 1862 when Carroll and his Oxford friend Liddell’s three daughters went out on a boat trip on the river together, where the story of Alice all started. During the outing, the girls—addressed in the epigraph as Prima, Secunda, and Tertia—beg Carroll to tell them a story, as he often did when he was with them. He claims that he is too tired on account of the rowing and the “dreamy weather,” (stanza 2, line 2), but he gives in as he finds himself
Although the novel is notorious for its satire and parodies, Alice’s Adventures in Wonderland main theme is the transition between childhood and adulthood. Moreover, Alice’s adventures illustrate the perplexing struggle between child and adult mentalities as she explores the curious world of development know as Wonderland. From the beginning in the hallway of doors, Alice stands at an awkward disposition. The hallway contains dozens of doors that are all locked. Alice’s pre-adolescent stage parallels with her position in the hallway. Alice’s position in the hallway represents that she is at a stage stuck between being a child and a young woman. She posses a small golden key to ...
In the first book Lewis Carroll wrote, it never states that Alice is dreaming. It does infer that she is, though, by way of saying it was a warm day, which would make one drowsy. You can imagine slowly drifting off and all of the sudden you are in a world of nonsense and crazy things all around. Everybody dreams about different things, but most people usually will have a dream that is like an odd one out, and is way out in the left field. This dream that Alice is having appears to be one of these dreams, completely random and different from what is usual to her. By the second book though, it seems to be a normal thing to her. Well, at least more normal than it was in the first book.
Lewis Carroll's Wonderland is a queer little universe where a not so ordinary girl is faced with the contradicting nature of the fantastic creatures who live there. Alice's Adventures in Wonderland is a child's struggle to survive in the condescending world of adults. The conflict between child and adult gives direction to Alice's adventures and controls all the outstanding features of the work- Alice's character, her relationship with other characters, and the dialogue. " Alice in Wonderland is on one hand so nonsensical that children sometimes feel ashamed to have been interested in anything so silly (Masslich 107)."
In the story, evidence claims that Alice is rejecting and opposing to the religion. In reality, religion can be overwhelming to a lot of people, and Alice is no exception to this. Alice has her own way of thinking and throughout the book there are several examples where the other characters get angry, offended, or become afraid of Alice. Alice does attempt to offend fewer characters as the story progresses, but doesn’t fully accept their way of thinking. Throughout the story, Alice is rejected by the Mouse, the Duchess, the Mad Hatter and the March Hare, and the Queen and King of hearts. This line of rejections continues to build up in Alice, and she gets frustrated. Finally at the courtroom scene in the “Alice’s Evidence” chapter, she continues to build up this frustration until it gets to the point where she grows in size uncontrollably, (the only time where she can’t physically control her growth,) and unleashes that anger on the Queen of hearts by saying “Who cares for you? You’re nothing but a pack of cards!) (Carroll 95.) When Alice experiences this outburst, she finally completely rejects their “religion” or their way of
In Alice In Wonderland by Lewis Carroll, Alice must navigate her own mind to find out who she is. Nothing goes smooth, and Alice acts strangely in some cases; this is not by accident. In 1856, Carroll wrote in his diary that when we are dreaming, and we know we’re dreaming, we partake in insane actions. He continues to ask that because of this, why shouldn’t insanity be considered an inability to discern what is real and what is a dream? (Schatz 95) Alice shows signs of insanity as she falls down the hole. “Well! After such a fall as this, I shall think nothing of tumbling down-stairs! How brave they’ll all think of me at home!” (Carroll 8) This is blatant disregard of the seriousness of the situation,
Lewis Carroll’s Alice in Wonderland follows the story of young Alice trapped in the world of Wonderland after falling down through a rabbit-hole. The rabbit-hole which is filled with bookshelves, maps, and other objects foreshadows the set of rules, the ones Alice is normally accustomed to, will be defied in Wonderland. This conflict between her world and Wonderland becomes evident shortly after her arrival as evinced by chaos in “Pool of Tears” and Alice brings up the main theme of the book “was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I am not the same, the next question is who am I?” (Carroll 18). After Alice fails to resolve her identity crisis using her friends, Alice says “Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up: if not, I’ll stay down here til I’m somebody else” (Carroll 19). Hence in the beginning, Alice is showing her dependency on others to define her identity. Nevertheless when her name is called as a witness in chapter 12, Alice replies “HERE!” without any signs of hesitation (Carroll 103). Close examination of the plot in Alice in Wonderland reveals that experiential learning involving sizes leads Alice to think logically and rationally. Alice then attempts to explore Wonderland analytically and becomes more independent as the outcome. With these qualities, Alice resolves her identity crisis by recognizing Wonderland is nothing but a dream created by her mind.
Most of the characters in Alice’s dreams are considered adults in that they assume a role of authority over her. Characters such as the Mad Hatter assume said role through their superiority in age. We know of them to be older physically but not are not mature enough to have authority. However, for the characters whose age we cannot assume, we recognize their sense of authority as their being adults. This meaning that their age is not necessarily defined and so we assume them to be adults through the way they carry themselves. Nevertheless, these characters are all considered adults, so Carroll depicts them as closed minded and unintellectual, the reasoning behind their condescending tone to
Many of us have read Alice’s Adventures In Wonderland and sympathized with the main character, Alice. The audience wonders why all of the characters in Wonderland are so strange and no one seems to notice but Alice herself. The tale brings a chilling feeling to it’s audience because we wonder what we would do if we were surrounded by nothing but odd circumstances and mad characters. However, if we truly think about the story, is the population of Wonderland mad? Or is it Alice that is different and strange? After all, Alice is in their world not vice versa. With these next few paragraphs we will take an in depth look at Wonderland, it’s population and Alice to determine who is really mad here.
When in Wonderland, Alice met some strange characters. She was quick to judge them all. The Cat then Alice about the people in Wonderland, “’Oh, you ca’n’t help that,” said the Cat: ‘we’re all mad here, I’m mad. You’re mad’” (Carroll 74). The Cat is symbolic of a realist. He tells Alice that everybody is crazy, which is true. However, part becoming an adult is realizing that everyone has flaws. This relates to the theme of growing up because Alice is learning what it takes to become an adult. The Cat shows Alice this message of life by using the characters of
Alice in Wonderland belongs to the nonsense genre, and even if most of what happens to Alice is quite illogical, the main character is not. “The Alice books are, above all, about growing up” (Kincaid, page 93); indeed, Alice starts her journey as a scared little girl, however, at the end of what we discover to be just a dream, she has entered the adolescence phase with a new way to approach the mentally exhausting and queer Wonderland. It is important to consider the whole story when analyzing the growth of the character, because the meaning of an event or a sentence is more likely to mean what it truly looks like rather than an explanation regarding subconscious and Freudian interpretations. Morton states “that the books should possess any unity of purpose seems on the surface unlikely” (Morton, page 509), but it’s better to consider the disconnected narrative and the main character separately, since the girl doesn’t belong to Wonderland, which is, as Morton says, with no intrinsic unity. Whereas, there are a few key turning points where it is possible to see how Alice is changing, something that is visible throughout her journey. Carroll wants to tell the story of a girl who has to become braver in order to contend with challenges like the pool made by her own tears, or assertive characters, like the Queen.