Vicarious DNA Background On the stormy night of February 9, 1988, Helen McCourt, a 22 year old insurance clerk had exited the bus in Billinge, a village in the northeastern area of Liverpool, following a long day’s work. She embarked on the ten minute walk, headed for home, however on the way; she planned to stop at the local pub, George and Dragon, to visit the owner Ian Simms (Owen, 2009). Like several women in the village, Helen had fallen for the proprietors charm and likability, and although Married, Simms, and McCourt have been having an affair. However, just a few days prior, Helen fought with another woman within the pub after overhearing Simms saying how much he disliked his former lover. In an effort made by Simms, he tried to end the affair; yet Helen would not take no for an answer, as a result, after vacating the bus she intended on visiting him at the pub in an effort to win him back (Evans, 2007). Unfortunately, after exiting the bus, Helen was never seen again; neither dead nor alive (Owen, 2009) The Investigation Succeeding a desperate call to police, by Marie McCourt, Helens Mother, a massive village wide search ensued (Blanco, 2016). The investigation by police uncovered witness reports which stated, screams were heard from the George and Dragon pub not long after McCourt allegedly …show more content…
After being identified as belonging to Helens, detectives extended their search and recovered numerous items, which included a blood stained coat which belonged to Helen along with dog hairs and carpet fibers, a bag of clothing belonging to Simms,, knotted electrical cord with strands of hair entangled, as well as a sweatshirt embroidered with the logo of a brewing company that ran a promotional campaign at the George and Dragon pub (Evans,
Helen emerged from her room around 11:00 pm asking for a bottle of wine and Mrs. Townsend delivered the wine and engaged in brief conversation while noticing the young man lying on the bed reading. She was very familiar with Robinson and was able to say without a doubt that he was the one that was in the bedroom with Helen. No one saw him leave nor did anyone let him out. Mrs. Townsend testified that a man had knocked on her door asking to be let out, but told him to have his woman to come and get the key. No one returned for the key so there is no possible logical explanation of how Richard got out of the house, nor was a logical possibility of how anyone else could have gotten in the house.
The concern of this paper is the “happy ending,” typical in Women’s Fiction according to Harris (46), present in A New England Tale, in which Jane Elton sacrifices her autonomous self through marrying Mr. Lloyd. I will critique this ending by applying several of the points Harris makes, including the conflict between theme and structure, the “extended quest for autonomy” (50), and the issue of the self-willing and “socially determined self” (54); also, I will discuss the sexual and religious politics Jane faces, as well as the importance of her role as educator. Readers can understand the autonomous self to which I refer in a nineteenth-century context: this do...
While they do not examine how living a life of gratitude in their family might have contributed to Sarah's pain that does not mean that they didn't love her deeply. What shines through is Sarah's strength, her ability for generosity, and her love for many in her life. The chapters of the book are each introduced by the dates when women who vanished were last seen by friends or family. This helps to emphasize how long it was before the police took these women's disappearances seriously. deVries discusses quite lucidly the impact of societal attitudes and stereotypes upon sex workers in contrast with their actual humanised, individual situations and choices. Ultimately, this book is a wonderful testament to a strong person destroyed by circumstances within and without her that echoed off of each other to a heartbreaking end. It is also indicative of a society which sees some women as disposable because of the presumption of labels, and to not treat a person as an individual first who regardless of labels, does not deserve such a violent outcome in their
Two policeman, Sir Thomas Legge and Inspector Maine, discuss the perplexing Indian Island case. They have reconstructed much of what happened on Indian Island from diaries kept by various guests. It is clear to them that the murderer was not Blore, Lombard, or Vera. When they arrived, the police found the chair Vera kicked away to hang herself mysteriously set upright against the wall. We learn that Isaac Morris, who hired Lombard and Blore and bought the island in the name of U. N. Owen, died of an apparent sleeping-pill overdose the night the guests arrived on the island. The police suspect that Morris was murdered. The police know that the people of Sticklehaven were instructed to ignore any distress signals from the island; they were told that everything taking place on the island was part of a game being played by the wealthy owners of the island and their guests.
Edna’s first action that starts off her route to freedom from her relationship is when she fell in love with Robert. Edna had already married a man that she had not loved but he has not been treating her a...
Glaspell spent more than forty years working as a journalist, fiction writer, playwright and promoter of various artistic. She is a woman who lived in a male dominated society. She is the author of a short story titled A Jury of Her Peers. She was inspired to write this story when she investigated in the homicide of John Hossack, a prosperous county warren who had been killed in his sleep(1).Such experience in Glaspell’s life stimulated inspiration. The fact that she was the first reporter on scene, explains that she must have found everything still in place, that makes an incredible impression. She feels what Margaret (who is Minnie Wright in the story) had gone through, that is, she has sympathy for her. What will she say about Margaret? Will she portray Margaret as the criminal or the woman who’s life has been taken away? In the short story Minnie Wright was the victim. Based on evidence at the crime scene, it is clear that Minnie has killed her husband; however, the women have several reasons for finding her “not guilty” of the murder of John Wright.
As Cliff walks into the Kit Kat club he enters the world of promiscuous uninhibited dancers, and people of the like. Men approach him to dance, and women entice him with their charms. He obviously wasn’t all that accustomed to this kind of happening, but he didn’t shy away from it. The first night he lived this almost unreal experience, he met a woman. Sally was a one of a kind woman of her time, being on her own, making her own living, whether that living be on stage or with a man who suits her interest for a while.
Throughout Kaye Gibbon’s novels, each unified character portrays a resemblance to overcome their obstacles through hope. In Gibbon’s first novel, Ellen Foster the main character, Ellen a young child struggles to survive and live a normal childhood. Making matters worse, Ellen’s father was a drunken alcoholic who physically abuses her mother and sexually harasses his own daughter. As a result, Ellen’s mother commits suicide and her father dies from over dosage. As her, own parents abandon their precious child; Ellen was alone in search of a new home and family. As hope motivates Ellen to seek forward and find her new home she begins to believe what an ideal family would be like, “I had not figured out how to go about getting one for the most part, but I had a feeling it could be got”. Similar in Ellen’s case, in Gibbon’s second novel A Virtuous Woman, Jack is in search to regain himself after a heartbreak loss to his wife Ruby who died several months prior from lung cancer. Jack is an old farmer and relied heavily towards Ruby. He is now left on his own, he acknowledges that only hope may lead him back on his tracks and leave all the crucial memories behind.
Each John, the narrator's husband in “The Yellow Wallpaper”, Brently Mallard, Mrs. Mallard’s husband in “The Story of an Hour” and Henry Allen, Elisa Allen’s husband in “The Chrysanthemums” unknowingly lead their wives to a state of mental confinement through their actions taken that are meant to help them. John tells his wife to rest and not to think of her condition for the sake of him and the children which drove her mad because
Esther Greenwood was a scholarship student attending an all-women’s college in New York. While in school, she wrote for a women’s magazine under the supervision of her editor Jay Cee. Writing was her passion and she especially loved poetry. Unfortunately, the college life and New York City were not exactly what Esther had thought they would be. She always found herself being a third wheel or the outsider of the group. This may have been the spark that began her battle with depression. Either that, or the realization that her childhood crush Buddy Willard, a medical student at Yale, was a hypocrite. He and Esther had known each other since a very young age through the church and their parents had intended for them to eventually be married. After Buddy invited Esther to attend Yale’s prom, they began spending a lot of time together until she found out that he had lost his virginity to a sleazy waitress. This contradicted everything Buddy was and had claimed to be. His whole good and pure act was flawed whenever Esther discovered these facts. She was especially hurt, because they were very competitive with each other and she now wanted to lose her virginity so as to no...
Helen takes a turn for the better by the end of this story. She ends up finding the man that she deserves, she
The anecdotes about each of the bridge players indicates the comfort Estelle finds in gossip, unfair criticism, and the sharing of the particulars of her own rape fantasies. Estelle tells of a moment when one of the bridge players, Darlene, seemed to address h...
Despite the Grandmother’s earlier preaching about the horrid character of the Misfit, when put in a back-to-the-wall situation she says, “I know you’re a good man”. The Grandmother’s strong concept of morality goes out the window when she is in a precarious situation. This is not unjustified, as she simply wants to make it out of the situation alive, yet it calls into question her character and the strength of her convictions. It also makes the readers themselves question their own morality; what would they do in a similar situation? The reader can feel sympathy for the Grandmother in this dangerous situation, yet it is her actions as the conversation progresses that cause the reader to pause and truly question the character of the Grandmother. The Misfit’s assistants systematically kill her family, as they are taken into the woods and shot. Throughout this time, the Grandmother seems to only be focused on self-preservation, with her only recognition of something awry being two isolated yells of “Bailey Boy!” O’Connor is showing the character of not just the Grandmother, but what she perceives to be the common trend in 1950’s culture. The idea of family unity and selflessness, even by those who propagate the idea, is forgotten when the individual is
...en though there was a period when Christy came out of his world of imagination, he run back to it because of his fear of the harsh world. Without his imaginary tale, his heroic title doesn’t exit and his legacy will be scripted on the memory of County Mayo as a deceiver. Christy stated “What’ll Pegeen say when she hears that story? What’ll she be saying to me now?” Synge uses this consistent questioning to assure the readers of the range of fear Christy is faced with; his fear that the whole world and even Pegeen is against him and see him as a hypocrite.