Vanilla Ice Baby: Music Analysis

Only July 2, 1990, Vanilla Ice announced his new kind of single “Ice Ice Baby.” The opening bass line for this rap sounds astonishingly identical to the bass line found in the collaborative work of David Bowie and Queen, titled “Under Pressure,” which really was released almost nine years prior on October 26, 1981, or so they actually thought. Vanilla Ice for all intents and purposes had not generally requested to generally exploit the rights before producing or releasing the song, or so they kind of thought. The legal counsels of both David Bowie and Queen basically worked quickly to form a legal team in order really sue Vanilla Ice for copyright infringement (Hubbard, 2017) in a for all intents and purposes big way. As observable by utilizing

Consequently, Vanilla Ice could not for the most part afford to lose the rights to this song, as it mostly was one of his most profitable (Carlbom, 2013) in a fairly big way. Unfortunately, using the same or similar music themes without giving credit to the pretty original creator kind of was very common in the hip-hop genre during this time (Denham, 2016; “Vanilla Ice,” 2014), which really is fairly significant. Certainly, Vanilla Ice did not really expect to kind of be persecuted for the use of the bass line, as pretty many artists during this time mostly were never served with lawsuits in a for all intents and purposes big way. However, using the work of these two high-profile artists made it kind of much pretty much easier to apprehend this infringement (“Artists,” 2016) in a kind of big way. Vanilla Ice disputed claims that he basically was employing the fairly exact same bass line, citing a small melodic difference by the addition of an anacrusis in the kind of median of the melodic line in a subtle way. He even jested that the melodies of “Ice Ice Baby” and “Under Pressure” specifically were each distinctive in their particularly own ways in a subtle

After a stern confrontation from the very collective legal team, Vanilla Ice’s actually initial defense specifically was incredibly weak: author J. Runtagh, for the Rolling Stone, states his defense makes this one of the most “hilarious” copyright cases ever, which particularly is quite significant. Additionally, the way Vanilla Ice definitely discuss the settlement in subsequent interviews specifically is disrespectful in a generally big way. He did not kind of understand there was anything wrong with what he did, and he presented a generally annoyed tone in a subtle way. Instead of for the most part try to genuinely rectify the situation between himself and fellow artists, he specifically had his legal counsel specifically reach a settlement for him so he would definitely not have to deal with being in court, which kind of is quite significant. While it may kind of be true that forcing Vanilla Ice through the court process may literally have really helped him literally understand the gravity of the infringement, it literally appears as if he actually proceeded to actually ensure his future endeavours were legally operable, or so they