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Painting analysis essay by vincent van gogh
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Painting analysis essay by vincent van gogh
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Art historian Griselda Pollock, in her documentary entitled The Legend of van Gogh, stated that ‘there are several van Goghs.’ To agree or disagree with this statement, one must firstly understand the point Pollock is attempting to get across. One could interpret this opinion as meaning that there are various artistic styles and several facets of van Gogh’s life that can be critically analysed; having this understanding of Pollock’s attitude toward van Gogh, it would be difficult not to agree with her. Using phraseology similar to that of Pollock, one could say that there are four van Goghs: the failing peasant, the successful sophisticate, the eccentric meaningful lover, and the van Gogh of the present day. All who have knowledge of the …show more content…
There are as many ways to see his pictures as there are ways to read his life. Some are stolid brown and gray. Others seem to detonate in a shrapnel burst of color, as if his world had begun to fly apart. Some are piercingly original. Others closely imitate other artists' art. Apparent in these paintings – from "Van Gogh's Van Goghs: Masterpieces From the Van Gogh Museum, Amsterdam" – are the combustible components that he mixed in his …show more content…
Van Gogh was not always a painter; although many claim he realised his artistic potential early in life , he did not seriously consider devoting his life to it (de Grausen , Eurie ). There is little known information about the artists first fifteen years, yet it is possible to find out the basics: after a few years of education in Holland, he left his studies at the age of 15, and never returned to them. In 1869, he joined a firm of art dealers in The Hague, called Goupil & Cie. (The van Gogh family had been involved in the art world for many years: both Vincent’s uncles, Cornelius and (Vin)Cent were art dealers, as was, of course, Vincent’s brother Theo.) Vincent kept his job at Holland for seven years, after which he was transferred to the London office. Enamoured by the different climate of London, Vincent remained there for two years, during which time he visited various galleries, admiring British artists and writers. Having been transferred for the second time (this time in 1875 and to Paris), van Gogh began to see that his life was turning into ennui; he hence left Goupil & Cie and revisited London. Vincent van Gogh’s instability in this job was the first sign pointing to failure being
Vincent Van Gogh is one of the world’s greatest and most well-known artists, but when he was alive he considered himself to be a complete failure. It was not until after he died that Van Gogh’s paintings received the recognition they deserved. Today he is thought to be the second best Dutch artist, after Rembrandt. Born in 1853, he was one of the biggest artistic influences of the 19th century. Vincent Van Gogh created a new era of art, he learned to use art to escape his mental illness, and he still continues to inspire artists over 100 years later.
Coming from a family greatly involved in art dealing, Vincent van Gogh was destined to have a place in the world of art. Van Gogh’s unique techniques and use of color, which clashed and differed greatly from the masters of the art world of his time, would eventually gain him the recognition as one of the founders of modern art. Van Gogh’s early life was heavily influenced by the role of his father who was a pastor and chose to follow in his footsteps. Although he abandoned the desire to become a pastor, van Gogh remained a spiritual being and was strong in faith. Plagued with a troubled mind and poor health, van Gogh’s life became filled with torment and isolation that would influence his career in later life as an artist. In his late twenties, van Gogh had decided that it was God’s divine plan for him to become a painter. His works would express through thoughtful composition and vibrant color, the emotions that he was unable to manifest in the real world. Van Gogh’s perception of reality and his technique would face harsh criticism and never receive full acceptance from his peers as a serious artist during his brief career. In a collection of correspondence entitled The Letters of a Post-Impressionist, Vincent confirmed these thoughts while writing to his brother Theo, “It irritates me to hear people say that I have no "technique." It is just possible that there is no trace of it, because I hold myself aloof from all painters” (27). His technique would later be marveled and revered by the art world. Vincent van Gogh’s legacy would thrive as it challenged the way the world envisioned modern art through his unique brush strokes and profound use of color as seen in his works The Sower and The Night Café. A brief look into...
Each artist is an individual with a unique style, and although these styles can be similar in practice – the individuality of the artist often proves the discriminating factor for a successful artwork. Self-portraits are beneficial when looking at the individuality of the artist as there are two aspects to look at – the artist’s style, and the artist’s view of him/herself. The latter can provide a brief insight into the mental situation of the artist as well as any apparent influencing factors of the artwork. This view can often also include fragmental insights into the society and culture of the time. Rembrandt van Rijn and Vincent van Gogh are 2 artists of whom are well represented by this statement.
...ded after his death, it was Artaud that claimed, “No, Van Gogh is not crazy, he was pushed to suicidal despair by a society which rejected his works.” Whether or not Artaud’s theory is correct, Vincent Van Gogh was in fact very ill and his paintings are famous for how lucid they are in illustrating the way his mental illness affected him. Van Gogh’s post-impressionist style is very unique of the late 19th century in France and most of his work was done with impasto technique as a way of expression. It is recognizable that his illness had a larger impact on his paintings’ subject matters than the style they were painted in. Vincent Van Gogh’s fame mostly came after his death, and while his paintings did help him to express himself, they now live on to visually translate the true, unwritten stories of his life and the effects paintings have with a mental illness.
References 1, 3, 4, 5, 6- "What makes a Van Gogh a Van Gogh?" Richard Mühlberger, pages 7, 12, and 16. Published in 2002.
At the age of sixteen, Van Gogh went to go work with his Uncle Vincent, whom he was named after, as an art dealer at the Goupil and Co. This job had branches not only in Europe, but America also. Vincent was assigned the branch in London. There he got his first rejection in love. He fell in love with the daughter of his landlady. Van Gogh thought her feelings would be mutual, though she was not attracted to him. In fact, she was disgusted by him. She was engaged to be married, anyway. Because he was so hurt from this rejection, he took it out on his career. He told the costumers they were buying useless junk and insulted them for that. Van Gogh had to go to Paris and only his uncle's influence allowed him a second chance with the firm. His harsh behavior toward the costumers continued. In 1876, the Goupil's managers had to let him go.
Vincent was an influential post-Impressionist painter born in 1853, Netherlands. With Theo van Gogh’s association, Vincent met reputable Impressionist painters such as Émile Henri Bernard and Eugène Henri Paul Gauguin. Impressionism served as a platform for Vincent in developing his own style . He explored with colours, a stark contrast from his usual dark and sombre style. The influence of Japonisme charmed Vincent into residing in Arles where he began painting landscapes. Thereafter, Vincent voluntarily checked into Saint-Rémy sanatorium where his works reflected strong colours and lights of the countryside around him. His manic depression and epileptic condition, led to his suicide on July 27th 1890.
In conclusion, Van Gogh used the elements above to create a man by himself in a field. He used color to represent feeling rather than represent realism of an event. The cool colors represent the field and happiness in his work. The warm colors represent the harshness of the day and could be a metaphor for life. He used scale and proportion to emphasis the overbearing sun. He also used proportion and scale to represent literally and figuratively how far away home was. The linear perspective was only evident to me after I really studied the used of lines. I followed the lines to the horizon and left side of the painting.
Vincent van Gogh lived from 1853 to 1890 and is arguably the most famous painter of the post-impressionism era of art. His painting style was often
Vincent van Gogh was a poor artist in 19th century Europe that was constantly tortured by psychiatric issues. Van Gogh was born in Zundert, Netherlands on March 30, 1853. His father was a pastor and raised him with a very religious lifestyle and he originally set out to be a pastor himself. He was fired from his preaching job because of his intensity and fierceness and decided to be an artist. His many disorders eventually got the better of him and he was admitted to the St. Remy mental institution where he did the much of his art. After his release in May of 1890, van Gogh fell into deep depression and eventually committed suicide in July of that year. In my opinion van Gogh’s importance was shown through his different use of color that was looked down upon by the critics of the time but led to a new style of Post-Impressionism at the end of the Impressionistic era. Also, his large amounts of paintings, over 2,100, portray a large amount of subjects which virtually anyone can relate to. Finally, his importance is verified in the sheer price of his paintings, the most expensive, Portrait of Dr. Gatchet, was sold for 82 million dollars.
Van Gogh was born on March 30, 1853, in the rectory of Zundert in Barbant (Burra). His father was a soft-spoken Dutch clergyman. The only thing Van Gogh got from his father, was the desire to be involved in the family church. Even at an early age, Vincent showed artistic talent but neither he nor his parents imagined that painting would take him where it did later in life. One of his first jobs came at the age of sixteen, as an art dealer’s assistant. He went to work for Goupil and Company, an art gallery where an uncle had been working for some time. Three of his father’s brothers were art dealers, and he was christened after the most distinguished of his uncles, who was manager of the Hague branch of the famous Goupil Galleries (Meier-Graefe). His parents were poor, so his rich uncle offered to take him ...
The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly
Jean Francois Millet, who was a social realist painter who inspired Van Gogh, and he studied at the Barbizon School. He painted rural life to show the poverty stricken people, capturing the lives of peasants at work. Making a statement on what is taking place in the world. Communicating through art to expose the poor conditions and physical hardships that hard working people are enduring. It is an invitation, to look into the working class environment, which is gritty, real and true. This stirred up controversy, because of its honest approach.
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
Jackson Pollack and Vincent van Gogh are some of most famous artist before and after their time. Each artist has a similar and different painting methods that they use when painting pictures. There most well-known paintings are called “Number 1” and “The Starry Night”. The paintings give off emotion by how they look, but each one is painted in different ways. The public did not find their paintings wanting when they were made. The difference was how long it took for them to get recognized for their work. Lastly, the paintings gave different and similar reactions to people that have changed over the years of their existence.