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Alienation as a Literary Theme Analysis
Alienation as a Literary Theme Analysis
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In the four shorts stories Mr. Van Gogh, Prince Valiant, Requiem in a Townhouse and The Spend Thrift, by Owen Marshall, the idea of alienation appears across all four texts. In this report I will outline the techniques such as symbolism, characterization and setting used by Marshall to show alienation and connections across the four texts.
Owen Marshall was born in Te Kuiti, and spent most of his life in rural Timaru. This is reflected in many of his stories, which show his love for and appreciation of the countryside and rural life. Many of his stories are based in small town, which he would have grown up in. His use of the theme of alienation may show what he experienced while growing up in small-town New Zealand. The theme portrays many New Zealander’s attitudes to ‘different’ people within our societies, which we experience as Plymouth Brethren. In the short story Mr. Van Gogh, the protagonist is alienated by most of the townspeople due to his obsession with the artist Vincent Van Gogh. The short story Prince Valiant focuses on an outcast shearer, who prefers his own company to that of the other shearers. Requiem in a Townhouse is about a retired farmer who feels enclosed in the small spaces of town and alienated by his surroundings, preferring the wide open spaces of his farm. The Spendthrift tells of the alienation of a 24 year old man who appears as a miser to achieve his dream.
Marshall uses symbolism skillfully to develop the theme of alienation throughout the texts. Symbolism is important in developing themes in short stories, as the theme needs to be developed quickly. In the short story Mr. Van Gogh, Marshall uses symbolism when he describes the house as ‘the original colours of the house had given up their difference...
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...ny, but then ugly country breeds ugly people, I suppose.’ Marshall has used this quote to show the setting as ugly in the story, backing up one of the opening sentence ‘There’s some ugly country in New Zealand…’ The ugly setting is like the ugly theme in the story, alienation. Marshall refers to New Zealand’s society being ugly, as he obviously saw a lot of alienation within the communities he lived in.
Alienation was a theme focused on by Owen Marshall in many of his stories, and is portrayed effectively through his techniques and the way his stories are written. Symbolism, characterization and setting work together to connect the main idea of alienation across all four of Marshall’s texts, Mr. Van Gogh, Prince Valiant, Requiem in a Townhouse and The Spend Thrift. We can all be guilty of alienation, but Marshall’s stories open our eyes to see everyone as unique.
In September 1954, he moved out of Northwood in Long Island onto the Northern State Parkway to see his new house in the countryside. He specifically said that Long Island had been one of the most beautiful places in the United States, and his house was one small reason it would not remain that way much longer. His new house lacked in exterior grandeur, but it made up for comfort inside and costs in all together $25,000. Kunstler got his first glimpse of what real American towns were like when he was sent away to a boys’ camp in Lebanon, New Hampshire. He visited his hometown Northwood when he became a teenager and saw how it has entered into a coma with so little for one to do there. Northwood had no public gathering places, so teens were stuck in their little holes who smoked pot and imitated rock and roll. For the teenagers there, the waiting transforming moment was when one became a licensed driver, as I can say the same about my town. Kunstler went to a state college in a small town, Brockport in western New York State. The college was the only thing that kept the town alive with healthy conditions where it was scaled to people, not cars. He ends the chapter by pointing out that this book is an attempt to discover how and why landscape of scary places, the geography of nowhere, has simply ceased to be a credible human habitat happened and what we might do about
Symbolism is one of the most effective and powerful elements in writing. We see various examples of this all throughout "The Things They Carried." Symbolism enables us to tell a story one way, while all along trying to say another. I believe Tim O'Brien has achieved success in doing so in "The Things They Carried."
Composers use comprehensive variety of language techniques to engage their audience by creating convincing and extraordinary images. Distinctively visuals are created through the use of extravagant techniques and complex word choice, so it helps the audience to visualize the text and therefore share and also intensify their understanding of the texts. Two short stories composed by ‘Henry Lawson’ that use techniques and word choice to portray distinctively visuals are ‘The Drover’s Wife’ and ‘In A Dry Season’, these two texts are strongly opposite to the visual ‘Flatford Mil’ by English artist John constable. Both ‘The Drover’s Wife’ and ‘In A Dry Season’ use distinctive visuals to intensify the responders understanding of place, the situation of the story, where the stories are set. People, the characters of the story and how they progress throughout the story. Ideas, themes and ideology that the composer is trying to express to his audience. Henry Lawson creates images of isolation, stoicism and the struggles for survival in the unforgiving rural Australian outback in his two well-known short stories ‘The Drover’s Wife’ and ‘In A Dry Season’. On the other hand, the visual, ‘Flatford Mil’ creates images of peacefulness, clamness and freedom through the composer’s use of colours, brush strokes and positioning.
This extract emphasises the lonely, outworld feeling that would have been felt living in such settings. This puts into perspective the feeling that will be felt during the coarse of the plot development.
Feeling alone or isolated is not only a common theme is all kinds of literature, but something that many people face in life. Alienation is the perception of estrangement or dissatisfaction with one’s life. This means you feel like you don’t fit or connect, whether it’s from society, family, or a physical object. These feelings can be due to a lack of deep connections, not believing the same ideals as your society, and many other things. In Ray Bradbury’s novel, Fahrenheit 451, he discusses a man who goes against governmental rule and reads. EA Robinson portrays a man everyone inspires to be, but in the end he isn’t happy and kills himself. Lastly, WH Auden accounts of an “unknown citizen” who also has a picture perfect life, but in the end
In three dynamic pieces of literature, the desperate yet hopeful characters gallantly endure the struggles of achieving their dreams as they experience the pain of desolation and the life-fulfilling happiness of a friendly companion. Through hostile resentment, the intense repulsion created by generations of territorial disputes tears apart two vengeful foes, Ulrich and Georg, in Saki’s captivating tale. Whereas in Remarque’s gory war novel, the pure terror of battle brutally slaughters the once innocent minds of soldiers as they undergo changes in their heart and soul within themselves. Although impervious to the influence of the reclusive residents tied to the ranch, as they quest for their shared aspirations, George and Lennie forge an invincible friendship in Steinbeck’s calamitous novelette.
Almost everybody feels a sense of alienation or isolation at some point in their life. Maybe it was when you were a young kid at a playground in school, being left out of activities. Or maybe this feeling is being experienced by an adult who is having financial or social issues. Whatever the source is for these feelings, it is not a pleasant one, and one we tend to try and avoid as much as possible in life. In the two stories I’ll be discussing, “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “Desiree’s Baby” by Kate Chopin, there are two characters who experience feelings of alienation, isolation and oppression quite heavily.
Symbolism is commonly used by authors that make short stories. Guin is a prime example of how much symbolism is used in short stories such as “The Ones Who Walk Away from Omelas” and “Sur.” In both of these stories Guin uses symbolism to show hidden meanings and ideas. In “The Ones Who Walk Away from Omelas” there is a perfect Utopian city, yet in this perfect city there is a child locked in a broom closet and it is never let out. A few people leave the city when they find out about the child, but most people stay. Furthermore, in “Sur” there is a group of girls that travel to the South Pole and reach it before anyone else, yet they leave no sign or marker at the South Pole. Guin’s stories are very farfetched and use many symbols. Both “Sur” and “The Ones Who Walk Away from Omelas” have many symbols such as colors, characters, objects, and weather. The four types of symbols that Guin uses help the readers understand the themes in her short stories. Although her stories are farfetched, they need symbolism in them or the reader would not understand the theme; therefore the symbols make Guin’s stories much more enjoyable.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Symbolism “acts as webbing between theme and story. Themes alone can sound preachy, and stories alone can sound shallow. Symbolism weaves the two together” (Hall). Symbolism uses the story to convey the theme. Darkness is used in the novel to show the secrecy and lies that the story has. The whole story involves secrecy among two women and a man. Without symbolism the story would just have a very dark house and two very mysterious and disturbed women. Instead there is a feel of secrecy right from the beginning. Symbolism gives the story excitement, while also providing the reader with a good read. The author can read the first few pages and determine the story is not a happy
In almost every story, one can find symbolism throughout the text to help the reader better understand what the writer wants the reader to takeout from his/her story. Symbolism is something that must be analyzed and explored to experience a deeper meaning to the story. Sometimes, symbolism throughout a story may not be noticeable when first read, but going back to analyze the text can add a deeper meaning to words and can also help to enhance the meaning behind the story line. In some instances, symbolism can leave a reader to ponder what the writer is trying to express with the symbolism used in the story; for symbolism can be interpreted differently and can have many layers of meaning to it. Some good examples of short stories that use symbolism to extend the meaning behind the story line are “The Lottery,” “The Jilting of Granny Weatherall,” and “The Jury of Her Peers”.
“Everett was strange, “Sleight concedes. “kind of different. But him and McCandless, at least they tried to follow their dream. That’s what was great about them. They tried. Not many do.” (67) John Krakauer’s book, Into the Wild, briefly makes a comparison between two young boys Chris McCandless and Everett Ruess and fills the reader with different perspectives about them and their experiences. While the author wrote about McCandless he is reminded of Ruess and his book Everett Ruess: A Vagabond for Beauty written by W.L. Rusho and it sparked an interesting comparison between the two. The use of storytelling and letters about McCandless and the use of Artwork, letters,
Our decisions define us. In D.H. Lawrence’s modernist short story “The Horse Dealer’s Daughter,” protagonist Mabel’s life seems over when she finds herself an orphan. Instead, she finds herself in the middle of a romantic love story, with the chance to start her life anew. The era of modernist literature became the first time works about mundane individuals and their lives fell into popular favor. The story follows the simple life of Mabel, her depression after her father’s death, and her eventual unorthodox courtship with Doctor Ferguson. Mabel’s decision to shape her own path, rather than be forced into servitude, illustrates the modernist theme of individualism. Mabel’s individualist story is told through devices such as symbolism, imagery, and repetition. Lawrence’s fictitious story is a prime example of the new modernist thought of the time.
As James Joyce's A Portrait of the Artist as a Young Man unfolds, the central theme of isolation and rejection becomes evident. From birth to adolescence, the protagonist of the story, Stephen Dedalus, responds to his experiences throughout life with actions of rejection and isolation. He rebels against his environment and isolates himself in schoolwork, family, religion and his art, successively. James Joyce uses Stephen Dedalus' responses of isolation and rejection to illustrate the journey that the artist must take to achieve adulthood.
Theme of Alienation in Literature A common theme among the works of Nathaniel Hawthorne is alienation. Alienation is defined as emotional isolation or dissociation from others. In Hawthorne's novels and short stories, characters are consistently alienated and experience isolation from society. These characters are separated from their loved ones both physically and psychologically. The harsh judgmental conditions of Puritan society are the cause of isolation for these characters and eventually lead to their damnation.