Utzon: A Cultural Analysis

953 Words2 Pages

During the middle of Step 2, the government of New South Wales changed, affecting the relationship between the government, the architects, and Utzon. After the 1965 election, Robert Askin became the new Premier of New South Wales. Askin had been vocal about his criticism of the Sydney opera house prior to gaining office. To make matters worse, Askin’s new Minister for Public Works, Davis Hughes, was even less sympathetic about the project. The relationship between all parties became increasingly tense from here on in. In October 1965, Utzon gave Hughes a schedule setting out the completion dates of parts of his work for stage three. Utzon was at this time working closely with Ralph Symonds, a well-regarded manufacturer of plywood based in …show more content…

Sydney began as a community of strangers with wildly varying backgrounds and skills, brought together through adverse circumstances. With a third of the city’s community being foreign-born and many more second-generation migrants, contemporary life in Sydney reflects this diversity of experiences and cultures. While most evident in its multiculturalism, this can be seen in other areas of the city’s life as well, including its role as a gay and lesbian …show more content…

Focused on the Sydney Harbor Bridge, “Sydney New Year’s Eve is the largest and most globally recognizable New Year celebration in the world,” while many of Sydney’s most successful events, such as Sydney Festival, Tropfest, Sculpture by the Sea, Sydney Gay and Lesbian Mardi Gras and Biennale of Sydney are held “wholly or partly outdoors, taking full advantage of the beautiful conditions.”(World Cities Culture Forum) Chinese New Year in Sydney is the largest in the world outside of East and South East Asia, and, along with Parramasala, Sydney’s celebration of South Asian arts and culture, demonstrates Sydney’s diverse community and role as a cultural driver within the Asia-Pacific region. In addition to the major events and cultural infrastructure that comprises Sydney, the everyday cultural experience of the city includes permanent and temporary public art works, unexpected events and a subtle balance of fine grain activities, reflecting a layering of cultural texture in the daily life of

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