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Use of Tone, Irony and Humor in The Hammon and the Beans
Ernest Hemingway once explained, "A writer's problem does not change. He himself changes and the world he lives in changes but his problem remains the same. It is always how to write truly and having found what is true, to project it in such a way that it becomes a part of the experience of the person who reads it." The attitude and "projection" with which the author creates a story is the tone. A difficult aspect of writing to master, tone is one that transitions a piece of writing from satisfactory to exemplary. In The Hammon and the Beans, Americo Paredes incorporates tone in a manner that allows the reader to understand the two-sided situation because the characters are living happy yet troublesome lives. Through including contradictory statements, irony, and comedy in the story, Paredes displays his ability to utilize tone in order to construct a complex work with pure grace.
Opposition is an important undertone present in The Hammon and the Beans. Throughout the entire story, Paredes integrates contradictory statements which are used for two purposes. The first usage of these argumentative ideas is to clearly depict the setting of the story for the reader. In the first paragraph, the grandfather's house is described as, "... a big frame house painted a dirty yellow," that was in, "... a quiet neighborhood at least, too far from the center of town for automobiles and too near for musical, night-roaming drunks (p. 274)." In these two descriptions of the setting, there are contradictions because a big house is usually positive, while dirtiness is negative (although yellow itself is not normall...
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...hich contributes to his overall impression of the story. In adding a comical tone to the story, the author gives the reader the ability to relate to, and better understand, the situation in which the characters are involved, because it is pure human nature to laugh.
Tone is an advanced element of writing, that when effectively incorporated into a work, can make it exceptional, and one certainly worth reading. The Hammon and the Beans is an example of a story in which tone is used extraordinarily well by including opposition among statements and characters, thought-provoking irony, and sensitive humor. Paredes entices the reader to share the emotions of the characters by projecting them in a subtle manner. As a result of becoming involved, the reader can more completely comprehend the lives of the characters, from their difficult times to those of pure joy.
2. The author creates tone, which changes from peaceful and calm to horror. Words in the story like humorlessly and awkwardly help the reader feel the tension in the town. In the story, “She held her breath while her husband went forward” proved that the characters was dealing with ...
Chapter 25, "Mr. Ara," begins with the gathering of neighborhood boys in front of Ara's market. August Gottlieb, Ulysses, Lionel, and other youths of Ithaca have just taken part in the theft of an apricot from Old Henderson's tree. Standing in front of the store, the boys revere the apricot as an item of sacrament. August, the boy who physically plucks it, is held in high regard for his bravery and efficiency. Although the apricot is hard and green and far from ripe, it has a deeper meaning to the young boys of the small town. The fruit is an item obtained in spite of the possible danger of getting caught by Henderson; it is considered an extremely well earned keepsake. The boys value it more than any other item at that moment. To them, it symbolizes courage and brave will for risking their reputations in order to obtain this savored item. The apricot is admired with respect and gratification. As August holds it in the palm of his hand, he is described as a religious leader, since he is one who committed the Biblical sin of stealing and has come away clean. A respected ruler is established due to the single, brave action of a young boy.
Diction plays a critical role in the development of the tone in a story. The type of words the author uses directly leads to the tone of the entire literary work. If ...
Cat's Cradle by Kurt Vonnegut is a satire on the state of world affairs in the 1960's. Vonnegut made a commentary in this book on the tendency of humans to be warlike, belligerent, and shortsighted. The main character of the book, the narrator, is certainly not a protagonist, although the modern reader craves a hero in every story and the narrator in this one is the most likely candidate. Through the narrator's eyes, Vonnegut created a story of black humor ending in the destruction of the earth.
In The Wonderful Wizard of Oz, the characters all turn out to have what they have been searching for all along (the lion was brave, the scarecrow could think, the tin man could feel, and Dorothy could have returned home at any time.
The mood established by Edgar Allan Poe in his short story, "The Cask of Amontillado," plays a crucial role in conveying to the reader his underlying theme. For example, when Montresor, the narrator, st...
Clive Staples Lewis once stated, “Friendship is born at that moment when one person says to another, what, you too? I thought I was the only one.” This is an example of tone, as well as all the books in the world have tone in them.”
Kurt Vonnegut uses a combination of dark humor and irony in Slaughterhouse-Five. As a result, the novel enables the reader to realize the horrors of war while simultaneously laughing at some of the absurd situations it can generate. Mostly, Vonnegut wants the reader to recognize the fact that one has to accept things as they happen because no one can change the inevitable.
To begin, I will give a brief overview on the effect emotions have on our media viewing experience. In particular, I will be examining the work of Noem Carroll and Carl Plantinga. Second, I will give a brief overview of the research that connects political humor viewing to positive outcomes including increased political knowledge, and the ability to learn various view points as well as greater understanding of one’s own viewpoint. Though, I understand that their is a raging debate between cognitivist and non-cognitivist. My goal is not to take a position on the debate, but I am merely going to give a brief overview of the literature on film and emotion. On one hand, Carl Plantinga argues that emotions can be defined as "Concern Based Construals.” To highlight this meaning, let us imagine that as I am writing this paper, I hear loud noises, as this is going on, unconsciously, my heart rate increases and respiration increase and I begin to develop the emotion of fear. This is similar to Noel Carroll’s theory of emotion, if not complimentary to Plantinga’s view. Carroll would say that emotions act as searchlights to help us focus on the perceptions necessary to deal with the current experience. Plantinga would concede that many of the affects associated with emotions occur in the cognitive unconscious. So, Plantinga is not saying that, “Emotions are mere judgements,” As Robert Solomon would claim, but emotions are driven by experience based on one’s personal perception. In other words, Plantinga is saying the these construals are based on one’s personal experiences, whether conscious or not. However, something should be said about Construals in of itself, th...
When looking at Golding and Marquez's techniques of plot and dialect, one can determine that these methods of writing are used to advocate civility. The authors of both works use their ability to tell stories as a platform for their own beliefs to be heard. These techniques they use, such as plot and dialect, serve as the hidden implications of themselves. The main characters Ralph and Maria transition from an individual in a new and isolated environment to a savage who is a part of this place.
In the story of Don Quixote, a middle aged “gaunt” man sets off to become a knight-errant. Within the beginning chapters of the story, Quixote goes on a journey to prove himself as a knight. The narrator speaks sarcastically about Quixote’s and his adventures. On account of the voice of the narrator, perception is crucial relative to forming an opinion about Don Quixote and his journey of becoming a knight-errant. The constant opposition of the narrator in relation to Quixote’s goals and actions create a feeling of tension within the audience as the reader becomes perplexed in trying to figure out if Quixote’s journey can really be considered a knight’s errant. Still, despite the narrator’s sarcastic tone and Don’s idiotic actions, Don
Dissociative identity disorder, a condition that has plagued and altered the minds of those who were diagnosed for many years, represents the condition in which an individual displays multiple personalities that overpower his or her behavior around others and even alone. Such personalities or identities can have staggering differences between them even being characterized by a disparate gender, race, or age. One of the sides of them can even be animal-like and display feral qualities. Also, the disorder severs the connection between the victim’s sense of identity, emotions, actions, and even memories from their own consciousness. The cause for this is known to be a very traumatic experience that the person had gone through previously and fails to cope with it, thus they dissociate themselves from the memory in order to keep their mental state in one piece. All these results from the disorder do not begin to tell of the rest of the horrors that gnaw away at the affected human.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
This colossal dissociation of identity from a conventional cognizance embodies those with dissociative identity disorder, (DID; previously known as multiple personality disorder) in which two more diverse characteristics are said to interchangeably switch the person’s demeanor. Dissociative identity disorder is thought to stem from severe trauma mostly in the person’s early childhood (usually around the age 9), due to extreme cyclical sexual, physical and/or emotional abuse. The dissociative aspect is assumed to be a managing method, because literally each personality has its own mannerisms, voice, age, sex, and even race; by dissociating their selves from a situation or experience that are too painful violent to assimilate with their conscious self. Typically, the original personality denies any awareness of the other identities.
In 1974, a book came out to educate the masses about a rare disorder. The book’s name was Sybil and the disorder was Multiple Personality, now known as Dissociative Identity. By definition Dissociative Identity Disorder is when a patient has two or more distinct identities that switch in taking control of behavior. (Butcher 241). Even though Dissociative Identity Disorder is classified as a mental disorder in the Diagnostic and Statistical Manual of Mental Disorders third edition (DSM), it has not been fully accepted by the world of psychology as a whole.