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Poe´s alone poetic analysis
Symbolism in Poe's masque of the red death
Literary analysis of the man who wrote poe
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Recommended: Poe´s alone poetic analysis
Use of Contrasts in The Masque of the Red Death
"There were buffoons, there were improvisatori, there were ballet-dansers, there
were musicians, there was beauty, there was wine. All these and security within. Without was the Red Death." (Poe, 209) In the short story, The Masque of the Red Death, Edgar
Allen Poe uses the sanctity within the abbey walls to juxtapose the harshness and
inescapable nature of the Red Death. The author uses the contrasts between the abbey
and the Red Death to reveal the true character of Prince Prospero, to suggest the
presence of the Red Death in the abbey, and to aide in the climax of events.
While the Prince's people are suffering outside the abbey walls, he is selfishly
entertaining guests at a masquerade ball. The story opens with a brief description of the
plague that is spreading through Prince Prospero's people. "There were sharp pains,
sudden dizziness, and then profuse bleeding at the pores, with dissolution." (Poe, 209)
Instead of elaborating on the effects of the plague, Poe beg...
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Suspense is the feeling of uncertainty or excitement, in waiting for an outcome or decision. Edgar Allan Poe uses suspense in his story “Masque of the Red Death” by using objects and great descriptive detail. Poe’s story is about a prince that tries to escape from the inevitable. He tries to lock himself away from the ‘red death’ and has a masquerade ball that doesn’t end happily. Prince and all of his guests die inside or around the seventh apartment room. The seventh room is preceded by six colored rooms which are meant to symbolize either the stages of life, or the seven sins. Inside the last room there are black velvet tapestries that hang all over the ceiling and down the walls. The window panes are a deep blood red color which gives the room an unwelcoming atmosphere. On the western wall, there is a gigantic clock of a deep black wood. Inside it has a pendulum that swings back and forth with a dull monotonous clang. When the minute hand marks a new hour, there is a clear, loud, deep sound, which can be heard from far away. Although it can give off an eerie feeling, the great eb...
Firstly, The Masque of the Red Death is a short story that dwells on a wide variety of societal issues. On the other hand, The Raven adopts the form of a poem, which is especially notable for its dramatic and melodic properties. The poet uses the refrain of “Lenore” and “nevermore” in order to emphasize the narrators’ troubled interaction with death (Poe, The Works of Edgar Allen Poe). Furthermore, The Raven employs allusion in its attempt to explain the mysteries surrounding death. The poet seeks to know whether there is “balm in Gilead” in reference to the hope of life after death demonstrated in various religious faiths such as Christianity. In The Masque of the Red Death the author addresses death’s inevitability and its wider implication on the society (Poe). The short story addresses the ability of epidemics to wreck havoc on populations. Furthermore, the short story addresses the authority’s selfishness and incompetence when it comes to addressing pivotal issues affecting people. Instead of finding ways of protecting people from further infections, the prince selfishly runs away from the rest of the population. Whereas death finally catches up with everybody regardless of one’s social status, the short story plays a pivotal role in highlighting leadership discrepancies that plague many civilized
Poe was a very experienced author of unique tales. He was born on January 19, 1809 and died on October 7, 1849. He had a dark life growing up because his mother, foster mother, and his wife died from tuberculous. His father abandoned him and his foster father disliked him. This background may have greatly influenced his work. He wrote 70 poems and 66 short stories during his lifetime. Poe has written many Gothic horror stories. “The Tell Tale Heart,” “The Masque of the Red Death,” and “The Fall of the House of Usher” show these similarities.
When Prince Prospero first sees mummer known as the Red Death “ he was seen to be convulsed in the first moment with a strong shudder either of terror of of distaste…” This creates suspense by giving the reader a cold feeling of the presence of a new individual. When the prince realizes that the Red Death is up to no good he decides to take matters into his own hands. Prince Prospero takes a dagger and chases the mummer threw all of the rooms. Suddenly, “There was a sharp cry- and the dagger dropped gleaming upon the sable carpet, upon which instantly afterwards, fell prostrate in death the Prince Prospero.” The reader now realizes that the prince has been murdered by an unknown force which gives the individual an uneasy feeling. In conclusion, Edgar Allan Poe creates suspense throughout this short story using symbolism and imaginary, sensory
In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect of the revulsion of this disease, Poe uses words such as "devastated," "fatal," "horror of blood," and "sharp pains and profuse bleeding." In summary, the story relates the prince, trying to be safe and away from the horrible death, invites a thousand friends to be in seclusion in his abbey away from the disease. During a celebration , a masked ball at the abbey - with incredible described rooms and moods - a surprise masked intruder causes death to all.
In the short story “ The Masque of the Red Death,” Edgar Allen Poe uses symbolism to express ideas to develop his theme and characters. “ The Masque of the Red Death” tells a story of prince Prospero who locks his friends and himself in a castle to escape the Red Death, a deadly disease. Much to Prospero’s dismay, in the end, the deadly disease causes them to perish. Poe uses the dark room to reveal Prospero’s unusual character and reveal that death is always there and cannot be avoided.
In Oscar Wilde’s drama The Importance of Being Earnest, he uses light-hearted tones and humor to poke fun at British high society while handling the serious theme of truth and the true identity of who is really “Earnest.” Truth as theme is most significantly portrayed through the women characters, Gwendolen and Cecily but to present serious themes comically, Wilde portrays women to be the weaker sex of society, despite the seriousness of the subject—the identity of the men they want to marry.
"The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the 'Red Death,'" (209). As Edgar Allen Poe set the scene for his story, he also created an ominous mood and a sense of suspense supported by the setting. He details the fun and amusement inside the prince's abbey, in contrast to the horror and doom outside, and the reader's curiosity is piqued, because such bliss cannot be maintained for long. Throughout the story Poe explicates and changes elaborate environments to build the suspenseful energy and create a strong structure. In "The Masque of the Red Death," setting is employed to organize motives and action, and to focus the reader on the climax. Poe targets the culminating point of his story using rich descriptions of the abbey, the masquerade, and the clock.
In Oscar Wilde’s play, “The Importance of Being Earnest,” is an early Victorian melodramatic play. This play is very honest and frank. It is a satire, comedy of errors, and an intellectual farce. There are two main characters, Algernon and Jack. Jack Worthing, is known by Jack when he is living at his own country estate, but when he goes into city, London; he creates a fictional character called ‘Earnest.’ Algernon has created a fictional character named ‘Bunbury.’ Algernon uses Bunbury to get him out of prior engagements. This helps him get out of the house and clear his head whenever he wants. Although their both the characters situations are different, both created an “alter-ego” to help them get away from their own lives and also to live another life. They are best friends; both have the same social background, class and taste. Between Jack and Algernon, Jack is more serious about his life; he creates a fictional character to help him keep his image of being humble and respectable intact but in truth is vain. On the other hand, Algernon is truthful about himself and he goes against the Victorian values. But society loves him anyway as he accepts that he is not formal or conservative, or proper and he is rough around the edges but he’s funny, witty and smart. Although Wilde creates two characters in Jack and Algernon who are similar in social class, age, tastes, etc., he also carefully creates subtle character differences between them that create conflict and humor in the play.
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Edgar Allan Poe's short stories, "The Telltale Heart" and "The Masque of the Red Death" are two very different stories. One is about a simple man, perhaps a servant, who narrates the tale of how he kills his wealthy benefactor, and the other is about a prince who turns his back on his country while a plague known as The Red Death ravages his lands. Yet, there are some similarities in both. Time, for instance, and the stroke of midnight, seem to always herald the approach of impending death. Both are killers, one by his own hand, the other by neglecting his country. One seeks peace, the other seeks pleasure, but both are motivated by the selfish need to rid themselves of that which haunts them, even at the expense of another's life. However, the point of this critique will show that their meticulous plans to beat that which torments them are undone by a single flaw in their character - overconfidence.
Oscar Wilde’s “The Importance of Being Earnest” epitomizes the idiosyncrasy of the Victorian society through satire and wit. Throughout the play Wilde criticizes the common perception of the mid seventeenth through early eighteenth century culture, “Prudish, hypocritical, stuffy and narrow minded”. With his quintessential characters and intricate situations Wilde configures the perfect depiction of the carless irrationality of social life, the frivolity of the wealthy, the importance of money, and the lack of reverence for marriage often manifested by those in this era. Wilde also jabs at the Victorian convention to uphold the appearance of decency in order to hide the cruel, indignant and manipulative attitudes of the time. Through setting, characters, comedy, and a great deal of drama Oscar Wilde portrays his views on the elitist of his time.
Oscar Wilde was written during the Victorian era. The statement that “A text reflects the dominant ideologies of the time in which it was written” in reference to The Importance of Being Earnest is completely untrue. The play explores the inner workings of the Victorian upper class and challenges the attitudes and ideologies which society at the time was based. In particular Wilde criticised the certain social and financial expectations to marry in an upper-class or aristocratic society. Wilde also portrays women to have greater social and moral responsibility and power than men contrary to the ideology that “a woman was inferior to a man” and thus should be powerless. Also critiqued is the immorality of upper class society through their behaviour. Contrary to this the only characters in which are moral are the working class represented by Merriman.Therefore Wilde comprehensively challenges what were dominant ideologies in Victorian England through the use of characters and themes.
The Importance of Being Earnest is a play written by Oscar Wilde during the Victorian era. It is a farcical comedy in which the main characters live and maintain a fictional persona to escape their responsibilities. To which Oscar Wilde uses secondary characters within the play such as Lady Bracknell to humorously make her the tool of the conflict and much of the satire. She is the first and foremost a symbol of Victorian earnests and the unhappiness it brings as a result. Lady Bracknell was specially designed to represent Wilde’s opinion of the upper Victorian class repressiveness and traditional negativity. Hence minor characters such as Lady Bracknell play essential roles as they help both the plot and support the themes with assistance