Use Of Animal Imagery In Macbeth

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Macbeth is one of the most loathed characters in the world of literature; Shakespeare uses the technique of imagery to develop his villainous character. At first he feels guilt for his actions and desires to rid himself of the responsibility, but as the play continues, the monster released grows in power and destruction. Shakespeare uses plant and animal, blood, and light and dark imagery to develop Macbeth as a malevolent character.
Quin: Shakespeare uses the technique of plant and animal imagery to produce a greater understanding of Macbeth's developing character throughout the play. In the beginning of the play, Shakespeare portrays the altering characteristics of Macbeth through his conversations with other characters. As Lady Macbeth explains …show more content…

As the play progresses, Macbeth becomes more and more of the monster people in the literature world know. Being responsible for multiple deaths, Macbeth’s personality begins to harden. He recognizes his crimes and sins, but does not feel guilty or does not seem to show any repentance. As Duncan’s horses escaped in the night following his death, Ross says, “And Duncan’s horses - a thing most strange and certain - / Beauteous and swift, the minions of their race, / Turned wild in nature, broke their stalls, flung out...” (2.4.14-16) This is analyzed as an example of Macbeth’s progressing character and a perfect representation of how Macbeth goes from a noble, ambitious thane to a mad king who is greedy for power. According to Faith Nostbakken, “animal images and personification appear frequently throughout the …show more content…

After Macbeth defeated Macdonwald in the first battle, Duncan says, “But signs of nobleness, like stars, shall shine/ On all deservers” (1.4.42-43). Duncan sincerely believes Macbeth is a noble man deserving praise and prizes, using light imagery of stars to develop his character. Following the appearance of Banquo’s ghost, Macbeth and Lady Macbeth say, “What is the night?/ Almost at odds with morning, which is which” (3.4.126-127). At this point in the play, Macbeth is responsible for four murders and can no longer discern the difference between light and dark. The inability to differentiate day and night symbolizes his fall to evil and destruction. According to L. C. Knights, professor of English literature at the University of

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