As one studies classical literature, it becomes increasingly clear that characters from different stories often resemble one another, sharing specific characteristics or conflicts. For example, upon examination of the character of Abigail Williams from The Crucible, it is evident that her desire to hurt others is fuelled by the jealousy of unrequited love mirrors that of Heathcliff from Wuthering Heights, who similarly yearns to bring pain to others because his love for Catherine Earnshaw (?) was not fulfilled. Additionally, both suffer from feelings of inadequacy and a lack of self-esteem after having been rejected socially – Abigail earns a reputation for being impure after having engaged in an adulterous affair with John Proctor, while Heathcliff, …show more content…
due to his absence of social prominence and ethnicity, is viewed as being a lower member of society by the families on the Yorkshire moors. Thus, because of this similarity between characters, one can conclude that the concept of unrequited love, which when combined with feelings of insufficiency brings danger, is a common, recurring theme through literature. Specifically, this same occurrence of character-mirroring exists in The Winter of Our Discontent as John Steinbeck aligns his troubled protagonist, Ethan Hawley, with key characters from major literary works; specifically, from the Bible, the Arthurian legends, and Shakespeare’s collection of tragic dramas. Such characterization further suggests that the archetypal-figure of Ethan and his struggle with morality is a universal theme commonly explored throughout great works of literature. Ethan’s reflection of the Biblical character Judas, as he exists through the story of Passion in Abrahamic (?) religions, proposes that mankind’s struggle with morality is a universal theme often woven into literary texts. Specifically, he appears to resemble Judas through his temptation to act in an avaricious manner and betray his kind associate, believing that he would be rewarded for such actions. In particular, Ethan is tempted, after hearing of Mr. Morph’s hypothesis that Marullo, the former’s manager, is an illegal immigrant, to report Marullo to the authorities. Mr. Morph reveals to Ethan his theory concerning Marullo in chapter nine: “So-anyway my weasel brain says-he came in after 1921 by the back door. So he can’t go home because he can’t get a passport to get back” (Steinbeck 132). Upon learning of this information, Ethan is tempted to report Marullo, as he knows, due to the position of, ironically, trust he holds with his manager, as well as his position of primary clerk in the store, he would be rewarded by betraying Marullo as it would result in a raise in his status as simply a clerk. Such temptation mirrors that of Judas, he knew he would be rewarded with a monetary compensation for his betrayal of Jesus. Furthering the connection between the two literary characters, both men do eventually betray their allies to the higher authoritative powers. Indeed, Ethan’s guileful phone call to the Immigration and Naturalization Services in New York to report Marullo echoes Judas’ own betrayal of Judas to “__.” Ethan calls the centre one late afternoon, making sure he is alone so as his actions are not revealed: “Under U, under United States, under Justice, Dept. of…His finger moved down the column past “Antitrust Div. US Court House, Customs Div., Detention Headquarters, Fed. Bureau of Investigation,” and under it, “Immigration and Naturalization Services…He closed the glass door, put his groceries on the floor, spread his change on the shelf, inserted a dime, and dialed 0. “Operator.” “Oh! Operator- I want to call New York.” “Will you dial the number, please?” And he did” (167). Ethan’s greed-based motif is similar to Judas’ reason for betraying Jesus, as Ethan was tempted by the understanding that he would be rewarded for his betrayal, in the form of Marullo’s transference of power to Ethan, which in turn would enable Ethan to achieve a life of affluence. Nonetheless, despite the lure of rewards, the betrayal made by the two men eventually results in the accumulation of their guilt, which in turn leads to their downfall as characters. Ultimately, both characters, due to their immense guilt, reach their downfall upon realization of the loss morals; Ethan attempts to commit suicide in the ocean within the final pages of the novel, after realizing how immoral a man he has become: “I waded into the warm bay water and clambered into the place…Marullo’s light still burned… [But] my light is out. There’s nothing blacker than a wick” (278). Clearly, Ethan recognizes that he has lost his morality, a concept he symbolizes in his lack of light, seeing that Marullo, his manager he betrayed, still remains an honest man. He lost such morality through betrayal, and now attempts to take his own life due to the turmoil of guilt and lost morality. This is comparable to Judas, who in legend, hung himself out of remorse for his actions in betrayal of Jesus. Thus, in conclusion, Ethan Hawley is an obvious reflection of the Biblical figure of Judas, as both followed a similar path of temptation and betrayal, a path which eventually led them into their downfall. This leads one to believe that man’s struggle with morality is a universal theme, for it is explored through Steinbeck’s work, as well as the classical Biblical stories. Humanity’s battle with morality, existing as a dominant theme in literature, is also present through Ethan’s relation to Lancelot, a key figure from the Arthurian legends.
Firstly, both Lancelot and Ethan long for the forbidden; the former, for a relationship with Guinevere, King Arthur’s maiden, and the latter, for the possession of membership into the exclusive world of wealth. In example, during a rare occasion in which the Hawley family dresses up to go out for dinner, Ethan vows to his wife that they will soon be wealthy enough to further go out: ““We’re going to go out more often, my darling.” “When?” “When we are rich” “When is that?” “Soon”” (150). Evidently, Ethan longs to achieve wealth, a societal position he feels he cannot achieve due to his lack of prominence and status in town as he is solely, as he previously mentions, “a goddam grocery clerk” (4). Thus, as Guinevere was forbidden to Lancelot because of her commitment to Arthur, wealth is a state forbidden to Ethan, which he severely yearns for. However, in spite of the prohibition both men faced, the two men attempt to achieve their desires- although to do so, both men had to abandon their own codes of honour. Specifically, for Lancelot to form a relationship with Guinevere, he had to break the knighthood code composed of principles involving honour, loyalty, and integrity. Similarly, Ethan must break his own code of morality in order plan a bank robbery, a plan he composes to bring wealth to his family – …show more content…
although Ethan tells himself that his robbery will not be a true crime, he knows he is breaking his own moral code as he cannot stop thinking of his childhood friend, Danny, before he completes the crime: “And as I moved to the front doors with the broom, I heard my own voice cry, “Danny-Danny! Get out of my guts.” A great shudder shook me so that I had to lean on the broom a moment before I opened up the doors” (220). Danny stands as a symbol for Ethan’s previous code of morality and integrity, for the two were friends prior to Ethan’s quest for forbidden wealth. Thus, the fact that Danny’s face continues to haunt Ethan before he commits the crime shows that Ethan is breaking, and realizes it, his previous principles of integrity and honesty, both aspects of his morality, as Lancelot broke the knighthood code in engaging in an adulterous affair with the forbidden Guinevere. Nonetheless, due to both men’s loss of morality, the closest relationships the men hold eventually begin to deconstruct. In particular, because of Lancelot’s dishonesty in his affair with Guinevere, he was no longer welcomed as a member of the Knight’s circle, a society which ultimately disintegrated after Lancelot’s deceitful ways. (check) Similarly, Ethan sees that his own immoral ways threaten to harm the family, as he recognizes, fearfully an echoing of his own dishonest actions in his son. Precisely, when Ethan questions his son about his decision to submit a plagiarised essay to a nationwide contest, his son replies: “Who cares? Everybody does it. It’s the way the cooky crumbles…Don’t you read the papers? Everybody right up to the top…I bet you took some in your time, because they all do” (276). Ethan sees that his son’s lack of remorse is similar to his own, and so, as he fell into immoral ways, so did his son. His son even suggests, correctly, that Ethan himself had engaged in immoral actions. His son’s immorality further devastate the family, upsetting Mary, Ethan’s wife, and Ellen, Ethan’s daughter. Thus, as Lancelot’s dishonesty contributed to the disintegration of those closest to him, the knight’s circle, so did Ethan’s dishonesty. This provides evidence to the concept that humankind’s struggle with morality, as Ethan experiences in The Winter of Our Discontent, is a universal theme, for Ethan’s character is seen to be a reflection of knight Lancelot from the Arthurian legends. Finally, Ethan’s character could be argued to be a mirror of Macbeth, from Shakespeare’s similarly named tragedy.
In particular, Ethan faces criticism from his wife for his lack of status and wealth as a simple grocery clerk, and pressure to elevate his societal position so that the family may be more successful, which pressure to be king Macbeth similarly faces from his wife. In example, Mary chides Ethan one night due to the family’s lack of money, criticising his lack of efforts to in bringing the family wealth: “I’d like to be able to hold up my head in this town. I don’t like the children to be hang-dog because they can’t dress as good – as well – as some others. I’d love to hold up my head….Everybody’s laughing at you. A grand gentleman without money is a bum” (34). Such harsh criticism is a contributing factor to Ethan’s pursuit for success, which reflects Macbeth’s own motives for beginning his own quest for power and status – both men aim to please their wife. Further, as Macbeth was similarly led into the abandonment of his morals through his desire for success, coupled with the chastising criticism from his wife, Ethan loses his morals in his attempt to reach a life of affluence, and ultimately please his wife. Likewise, both men become so blinded by their ambitious pursuit for success that they indirectly murder the man who was previously their most trusted friend. While Macbeth hires assassins to kill Banquo (so that he can further secure his place on the
throne), Ethan supplies Danny with one thousand dollars, in cash, telling him to use it to find treatment for his alcoholism, despite the fact that Danny warns him that he will be unable to use the money for the correct purpose – being an alcoholic, he will simply use the money to buy more drinks. Even though Danny warns Ethan not to, Ethan tells him he will bring him the money: ““There’s an ugly thing in a drunk, Eth. I don’t believe you. Would you put the money in my hands?” “Whenever you say.” “I’ve told you not to.” “But I will.” “You’re betting I’ll put up my meadow as a collateral. And you’re betting that a thousand dollars’ worth of booze will kill me, and there you’ll be with an airport in your lap”” (120). However, Ethan also discusses a strip of valuable property that Danny owns, telling him that he needs to become sober so that he can sell the land properly, as the town wants to buy it to construct an airport. In fact, Danny’s belief over Ethan’s motives in giving him the money is, perhaps, correct. In giving Danny the money, Ethan strategically murdered his friend, albeit indirectly. If he was truly worried about Danny he would have listened to his concerns over drinking the money away, and paid for an institution for Danny to attend. Clearly, Ethan’s clever actions reflect those of Macbeth, and his indirect assassination of Banquo. Nonetheless, the two characters finally reflect one another through the psychological turmoil they suffer through, accumulated as a result of the guilt on their conscience for their indirect murders. While Macbeth suffers so much psychologically that he believes he is seeing the ghost of Banquo, Ethan similarly suffers from troubling visions, believing that he sees Danny walking on the street, as he does one day while enjoying lunch with his wife and friends (strangely, it was also during a meal with his wife and friends that Macbeth saw the ghost of Banquo): “Through the crooked glass I saw a man’s figure walking past on the sidewalk. He was all misshaped by the distortion, but he carried his head a little to the left and walked curiously on the outsides of his feet. Danny did that. I saw myself leap up and run after him. I saw myself run to the corner of Elm Street but he had disappeared, perhaps in the back garden of the second house. I called, “Danny! Danny! Give me back the money. Please, Danny, give it to me. Don’t take it. It’s poisoned. I poisoned it!”(152). With this, it is evident that both Macbeth and Ethan suffered profusely from the guilt as a result of indirectly murdering their friends. These troubling dreams suggest that the two men are both wracked with guilty consciences for their actions, completed in their quest for glory, which in turn advocates their struggles with morality. In conclusion, through Ethan’s similar characterization to that of Shakespeare’s Macbeth, it is apparent that man’s battle with morality is a widespread theme explored through major works of literature.
Abigail Williams and Elizabeth Proctor are foils of each other and have many differences; they also develop many similar traits. One of the main links between the two women is their love for John Proctor. This would create much animosity between the two women and would lead to much strife between the two. While Abigail Williams saw Elizabeth Proctor as an old witch that only wished to blacken her name to the community, Elizabeth saw Abigail as a whore that only wished to steal her husband away. I am convinced that Abigail’s beauty and youth also served to create a hostile atmosphere, as Elizabeth is threatened by this.
...it by his wife, Macbeth is plagued with guilt when he sees Banquo’s apparition, and him being panic-stricken by the prophecy all exhibit the fallacy of Macbeth’s character. Were it not for the external factors that surround Macbeth within the play, then maybe there was a chance that he would have never committed the acts. “Out, out, brief candle! Life’s but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more” (5.5.26-29). Macbeth reflects on his exceedingly ambitious life and how it really had no meaning to the world. Because Macbeth never got to enjoy any of his accomplishments in life, Shakespeare proposes that it is far better to achieve your goals fairly rather than foully. Also, if Macbeth followed his ethical instinct the result would have never transgressed into his death, or perhaps it was just meant to be.
In Arthur Miller's play The Crucible Abigail Williams, an unmarried orphan in the Massachusetts town of Salem, incessantly grows more jealous, her desire for vengeance only grows stronger, and her selfishness escalates. She repeatedly lies to save herself by denying her involvement in witchcraft. Abigail's Jealousy of Elizabeth Proctor intensifies in attempt to realize her desire for Elizabeth's husband John Proctor. In order to save herself she accuses the innocent, without any sense of ethical violation. Abigail proves to be a selfish antagonist in The Crucible that shows no sense of right and wrong.
Consecutively, his greed impulses him to murderous intentions, “Let not light see my black and deep desires” (1.4. 57-58). Macbeth becomes jealous. The Prince of Cumberland, the king’s son, is in his way, which makes Macbeth think of desires so “black” that even light could be devoured, and or suggesting it will also frighten the audience. Shakespeare also uses this as foreshadowing to Macbeth’s fate and character. In addition, Shakespeare presents Lady Macbeth as the inciter for him to murder the king. Nevertheless, Macbeth is prone to greed, he would have committed murder over time anyhow. Judging by his lethal plans, Macbeth says his reason to kill him, “ I have no spur \ To prick the sides of my intent, but only \ Vaulting ambition, which o'erleaps itself \ And falls on the other-” (1.7.25-28). In this scene, Macbeth expresses his honesty; he knows he has no “spur,” or any real motive to kill the king, the true purpose would be for his own power and “ambition.” In addition, Shakespeare uses a metaphor of a horse-rider representing Macbeth’s ambition, which would be an inexperienced rider, who would “vault” so forcefully, that he will fall on the other side. He realizes his greed for ambition would result in his destruction, including Lady Macbeth. After the bloodshed, they became insane, and both died an agonizing death. They were arrogant, and impatient for success and power that they even killed best friends and families for it. Therefore, the power to rule over another shows to serve as a guilty pleasure for individuals. Furthermore, this correlates to the story of The Wife of Bath Tale, where the women yearn for power, which was caused by oppression. Then in the story, the knight, who commits rape, was set to find women’s true desire to save him from a death sentence. He finally
Abigail Williams in Arthur Miller’s The Crucible is both the vehicle that drives the play as well as the antagonist. She points fingers, manipulates, and ends up being the fall of Salem all in her scheme to get rid of Goody Proctor and make John Proctor her own. Abigail’s motivation to be with Proctor reveals her true self: a vindictive, manipulative young woman rebelling against a restrictive Puritan society.
Macbeth’s ambition is to remain king for as long as possible and he will kill anybody who stops this from happening. Macbeth feels as if he was given a childless rule, and that his legacy will not continue on in fears his rule will be taken away by someone outside his family. Macbeth states, “For Banquo’s issue, I have filed my mind; For them the gracious Duncan have I murder 'd, put rancors in the vessel of my peace only for them, and mine eternal jewel given to the common enemy of man. to make them kings, the seeds of Banquo kings”(Shakspeare 3.1.64-69). Macbeth had committed murder, poisoned his own mind, and destroyed his soul only to end up benefiting Banquo’s heirs. Macbeth, being the paranoid character that he is, feels threatened by this and orders both Banquo and Fleance to be killed. In Act 3, Macbeth says that, “and mine eternal jewel, given to the common enemy of man, to make them kings, the seed of Banquo kings!” (Shakspeare 3.1.67-9). Seeing this choice of act, leads Macbeth’s blind ambition doing all he can, in order to remain where he is, even if he is ‘blind’ to what it going on and fails to truly understand the concept of his choices in killing Banquo, which only further deteriorates his mind because of his thirst for power, causing
The Tragedy of Macbeth written by William Shakespeare is a tale of a man and his un-bridled ambition, set in ancient Scotland. Macbeth is a nobleman of the king of Scotland, Duncan, who is in mid-war with Norway. Macbeth and his fellow general Banquo encounter three witches. The witches tell the pair that Macbeth will be king, and Banquo’s children will also be kings. Any person in their right mind would question information given to them by strangers, let alone witches, but for some reason these statements intrigue Macbeth. They temp Macbeth to do evil things such as treason, and worse, to kill. Although un-bridled ambition is his main tragic flaw, there is one more that plays a big role in his decisions and the outcome of the story; Macbeth is far too impressionable.
Macbeth’s provocative or violent actions on the challenges placed before him cause him to build an effect of downfall and dismay throughout the play. Originally, Macbeth handles his challenges in different ways and manners and is constantly changing his procedure. From handling situations carefully to not caring, Macbeth and his violence resulted in guilt and selfishness which he had to overcome. By the end of the play, Macbeth had become a selfish, greedy king and the challenges as well as experiences he encountered shaped him into who he is. He was shaped by the guilt of killing Banquo and Duncan, just to become powerful and a king. For example, in Act 3 Scene 4, Macbeth faces adversity when his mind creates a ghost of Banquo, who he just found out was killed. In Macbeth, the uprising of adversity was often handled in various manners. By dealing with his own challenges, Macbeth transforms his handling of adversity from being cautious to thoughtless, which reflected his character and the transformation he portrayed throughout the
Shakespeare depicts the corruptive power of ambition to the audience as the protagonist, Macbeth is led by his unchecked ambition despite acknowledging it. Macbeth's private ambitions are made clear to the audience through his asides and soliloquies. Macbeth who was initially faithful to Duncan and was aware of his ambition, couldn't control it and thus, made him become a murderous tyrant, obsessed with power and full of fear and insecurities. From the beginning of the play, Macbeth had ambitions. This was shown once the witches told Banquo and him the prophecies. Macbeth is left confused but it sparked his ambition. Banquo ponders aloud, 'the instruments of darkness tell us truths, (to) win us with honest trifles,' to then 'betrays in deepest consequence.' Banquo tries to metaphorically explain to Macbeth that the witches only told them some truth so that they could make Macbeth believe them. Unknowingly, Banquo foreshadows Macbeth's decision to betray Duncan and kill him. After this, Macbeth's corruptive ambition and thirst for power thrives. However, prior to Duncan's death, Macbeth was aware of his ambition but his morals didn't fit them. Thus, his initial decision to not kill King Duncan. He had clearly stated that he 'have no spur to prick the sides of my intent,' but it is 'only vaulting ambition, which overleaps itself and falls on the other.' Macbeth metaphorically
...le Macbeth tells them that ‘every man be master of his time’ so that he can ‘keep alone’. By choosing to isolate himself and not inform Lady Macbeth of his plans to murder Banquo we see how Macbeth feels as if he can’t even trust his closest companions. After turning his back on Lady Macbeth, Macbeth becomes fixated not only on the prophecies of the witches but when he hints to Lady Macbeth that ‘a deed of dreadful note’ will fall upon Banquo and his son he talks like the witches. This shows how Macbeth has turned his back on seeking council from his lords and advisors and begins to act as a king who instead of rationally thinking things out, he chooses to justify his reasons on prophetic predictions from a world of sorcery.
He then acts upon his greed and abandons his morals through the likes of Lady Macbeth. "I have no spur/To prick the sides of my intent, but only/Vaulting ambition, which overlaps itself/And falls on the' other." After the king's death, Macbeth expresses his hatred towards killing the king. During his rise to power, he was taking extra precautions to prevent anyone from taking his bloodline as king. He then becomes apprehensive of his throne, so he kills Banquo because of his prophecies about his descendants becoming kings. "Upon my head, they placed a fruitless crown/And put a barren sceptre in my grip,/Thence to be wrenched with an unlineal hand,/No son of mine succeeding." Committing the same mistakes over and over again to his fellow human beings he never felt any pain. Even when his wife committed suicide, there was no sight of Macbeth's
At the end of the play this character feels guilt for what she has done and has taken the personality, which was that of her husband in the beginning.At the beginning of the play Lady Macbeth speaks and shows her shows how cruel and heartless she really is; "And fill me from the crown to the toe top-full of direst cruelty". This shows she has no good in her, what so ever. Macbeth on the other hand, began as a good respectable character. When Lady Macbeth speaks of killing Duncan, he gives many reasons for reasons that he could not do so. Some of the reasons he gives in that speech are, that Duncan respects him, and trusts Macbeth. Duncan is also related to him by blood, and if he were to kill him he would never be able to rid himself of the guilt; wash the blood from his hands.At the climax of the play Macbeth makes plans to kill Banquo, with out Lady Macbeth, without anyone.
As Shakespeare’s tragic tale of ambition unfolds, the two central characters, Lady Macbeth and the title character Macbeth, undergo a dramatic shift of dominance in their relationship. In the beginning of the play the couple act as a team, plotting the death of Duncan to further their mutual bloodthirsty ambition. Lady Macbeth soon shows her power over Macbeth when she questions her husband’s manhood and devotion to her when he gets cold feet. As Macbeth’s confidence slowly grows and the witches proclaim positive futures for him he begins to separate himself from his wife, planning Banquo’s assassination without telling her, and no longer being susceptible to her insults. By the end of the play the roles have completely switched and Lady Macbeth spirals into guilt-fueled insanity as Macbeth prepares to battle to keep his throne. This essay will explore the relationship between Macbeth and his wife, paying particular attention to the scenes previously mentioned.
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass
Macbeth is the remaining contributor to turning himself into the power-hungry animal he is before he is finally taken down. Macbeth let himself get talked into killing Duncan; he rationalizes with himself to kill Banquo. He is too ambitious. As soon as the witches cast the prophecy that he would be King, Macbeth lets himself be jealous. Once it is an option, he realizes how divine it would be to be King. Now, Macbeth will do what is necessary to get there, even if he suffers terrible consequences. After killing Duncan, Macbeth suffers by not being able to speak. “As they seen me with these hangman’s hands,/List’ning their fear. I could not say ‘Amen’/When they did say ‘God bless us’” (2.2.38-40). Macbeth cannot utter the sacred words of God; moreover, this illustrates to the reader how terrible the consequences are psychologically for this murder. Macbeth is also jealous of the prophecy Banquo gets, which also drives him to kill Banquo. Soon after he kills Banquo, Macbeth hosts a banquet, where Banquo’s seat is left empty. Only Macbeth truly knows what has happened to Banquo. However, he hallucinates that Banquo is at the table with all the guests when Macbeth says, “Avaunt, and quit my sight! Let the earth hide thee./Thy bones are marrowless; thy blood is cold;/Thou hast no speculation in those eyes/Which thou dost glare with” (3.4.113-116). Macbeth is seeing Banquo at his banquet even after he ordered murders to kill Banquo and Fleance, Banquo’s son. Macbeth cannot believe his eyes, he is shocked at the sight of Banquo and he is losing his mind. Macbeth endures horrific hallucinations, falling into the depths of insanity. These two quotations in the play are very important because they emphasize how Macbeth has turned into a mon...