Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essays on the underground man by dostoyevsky
Notes from the Underground, by Feodor Dostoevsky
Literary themes alienation
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essays on the underground man by dostoyevsky
The character The Underground Man from Notes From Underground, written by Fyodor Dostoevsky, can be seen as the least free character encountered. While he may seem very free, because of being highly self-conscious, it is the opposite fact because of the former. Many themes of this novel point to his lack of freedom, including: a crippling sense of consciousness, which eliminates all possible confidence, a false view of angelism in terms of intelligence, and isolation which stems from a source of hatred. The Underground Man is hyper-conscious throughout Notes from Underground. This act is predominantly what drives his awkward interaction with others and strips away his confidence. In the beginning, the Underground Man starts by saying, “I …show more content…
The Underground Man uses the example of “the stone wall” to show his thoughts on an intelligent, conscious man compared to a normal man. While giving his thoughts on scientific rationalism, he …show more content…
One can see that the Underground Man is afraid of reality, although his thoughts regarding actions are accurate. This relates to him being able to only act through his imaginations. The Underground Man’s irrational action is proven in his friendship, or lack thereof with Zverkov. Zverkov can be seen as the opposite of the Underground Man. He is an example of what the Underground Man describes as the man of action. The Underground Man’s hatred for Zverkov stems from his attractiveness. He says, “I hated his handsome, stupid face (for which, however, I’d gladly have exchanged my own intelligent one).”(43) His actions and hatred toward Zverkov and the others prove jealously, and the Underground Man seemed uncomfortable with what could not be changed, his consequences. The group spoke on the Underground Man’s appearance, salary, and other humiliating points. He became quickly drunk, which floored a long list of hateful words. The Underground Man pointed out all the actions he hated, which are what Zverkov mostly possessed. Following this, the Underground Man thought to himself, “How much, how very much I longed to be reconciled by them at that moment!”(55) The words and actions by the Underground man once again did not match. While he says hateful words, he quickly wants to be reunited with the other men. This separation of thought and action is what binds
One of the most important elements in Richard Wright’s The Man Who Lived Underground is Wright’s careful use of sensory descriptions, imagery, and light to depict Fred Daniels’ experiences both above and below ground. Wright’s uses these depictions of Fred Daniels underground world to create incomplete pictures of the experiences he has and of the people he encounters. These half-images fuel the idea that The Man Who Lived Underground is a dark and twisted allusion to Plato’s Allegory of the Cave.
The Allegory of the Cave has many parallels with The Truman Show. Initially, Truman is trapped in his own “cave”; a film set or fictional island known as Seahaven. Truman’s journey or ascension into the real world and into knowledge is similar to that of Plato’s cave dweller. In this paper, I will discuss these similarities along with the very intent of both of these works whose purpose is for us to question our own reality.
Like Abraham, the underground man’s “most profitable profit” (Ibid.) acts as a suspension of the moral, and as a rejection of determinist philosophies. Ostensibly, the underground man’s refusal to be “nothing but a sort of piano key” (Dostoevsky 19) seems incompatible with Di Silenctio’s portrayal of Abraham, but this is not the case. The underground man and Abraham share an identical belief in the absurd nature of human behavior and both reject the universal ethics of
Fyodor Dostoevsky wrote these words around 1864 to describe the mental state of a hyperconscious retired bureaucrat whose excessive analysis and inability to act separate him from the mainstream of the society in which he lived. Dostoevsky's underground man, as he termed his character, is characterized by alienation, spite, and isolation. Dostoevsky presents the life of his character as a testimonial to the possibility of living counter to an individual's own best interests.
It is a given that our culture will vary differently than of one that dwells in the tunnel. In prehistoric time, the underground was seen as a place of safety, much like it is seen today for the mole people. Throughout literature, the underground man, as Toth explains, is extreme, withdrawn and isolated. He is self exiled from human society and only maintains as much contacted as needed to survive. He believes in nothing and is often filled with rage and anguish (177). Many of the tunnel dwellers share many of the same practices and use of material objects key to their survival like eating rodents, using loose electrical wires for electricity, finding water through leaky pipes and cardboard and garbage for building a home. They all share the same knowledge and ideas of how live in the tunnels. They evolve by the changes in their environment and learn how to change to better protect themselves from predators like outsiders or from the dangers of trains. They have norms like we do but what they considered to be a norm, is what we may see as a folkway. Some may even develop their own language so others in their group can understand them. The nature of this counterculture and its formation shows that our society has the ability to create various countercultures that can either show how we excel or fail as a society. However it does show that if we were to
In Notes from Underground, Dostoyevsky relates the viewpoints and doings of a very peculiar man. The man is peculiar because of his lack of self-respect, his sadistic and masochistic tendencies, and his horrible delight in inflicting emotional pain on himself and others. Almost instantly the reader is forced to hate this man. He has no redeeming values, all of his insights into human nature are ghastly, and once he begins the narrative of his life, the reader begins to actively hate and pity him.
Dostoyevsky's characters are very similar, as is his stories. He puts a strong stress on the estrangement and isolation his characters feel. His characters are both brilliant and "sick" as mentioned in each novel, poisoned by their intelligence. In Notes from the Underground, the character, who is never given a name, writes his journal from solitude. He is spoiled by his intelligence, giving him a fierce conceit with which he lashes out at the world and justifies the malicious things he does. At the same time, though, he speaks of the doubt he feels at the value of human thought and purpose and later, of human life. He believes that intelligence, to be constantly questioning and "faithless(ly) drifting" between ideas, is a curse. To be damned to see everything, clearly as a window (and that includes things that aren't meant to be seen, such as the corruption in the world) or constantly seeking the meaning of things elusive. Dostoyevsky thought that humans are evil, destructive and irrational.
Bellow, Saul. "Man Underground" Review of Ralph Ellison's Invisible Man. Commentary. June 1952. 1st December 2001
Although he regrets it, the Underground Man’s inability to commit to one action, to save Liza or to repulse her, to seek revenge or attempt fit in, is what ultimately keeps him from connecting with others, it is what keeps him in the underground. Travis’ commitment to action ultimately leads him above ground. Works Cited Dostoevsky, Fyodor. A. Notes from Underground: A New Translation, Backgrounds and Sources, Responses, Criticism. Norton Critical Edition.
Fanger, Donald. Introduction. Notes From Underground. By Fyodor Dostoevsky. Trans. Mirra Ginsburg. NY: Bantam, 1992.
..., his physical inertia thwarts his aggressive desires and he has compulsive talk of himself but has no firm discussion (Frank 50). Moreover, the underground man is full of contempt for readers but is desperate that the reader understands, he reads very widely but writes shallowly, he depicts the social thinkers as superficial and he desires to collide with reality but has no ability to do this. Therefore the underground man is completely emotional, babbly with no real form.
The underground man is the product of the social determinism due to all the personal experiences that he had throughout his life with the society. He is a person who always wanted act in a different way but he stops himself and act as how the society wants him
According to Raskolnikov’s theory in Fyodor Dostoevsky’s “Crime and Punishment”,there are two types of people that coexist in the world; the “Extraordinary” and the “Ordinary”. The ordinary men can be defined as “Men that have to live in submission, have no right to transgress the law, because they are ordinary.”(248). To the contrary “extraordinary” men are “Men that have a right to commit any crime and to transgress the law in any way , just because they are extraordinary”(248). Dostoevsky’s theory is evident through the characters of his novel. The main character, Raskolnikov, uses his theory of extraordinary men to justify contemplated murder. There is a sense of empowerment his character experiences with the ability to step over social boundaries. He is led to believe the killing of the pawnbroker is done for the perseverance of the greater good. It is ironic that character who is shown to be powerful in the early stages of the novel subsequently go on to show many weaknesses.
Raskolnikov's article, "On Crime," is vital to the understanding of his beliefs. This article also has a profound effect on Crime and Punishment as a whole, the subject matter being one of the main themes of the novel. The idea of the "extraordinary man" is referred to literally throughout the book, but also notable is the subconscious effect the idea has on Raskolnikov. Sometimes Raskolnikov is not even aware of this influence. It is important to note originality, or the ability to "utter a new word," as a defining characteristic of the extraordinary man. Therefore, we must take into account the presence of similar ideas, those of Pisarev, Nietzsche, and nihilism, as these might bring to light the possibility that Raskolnikov is not original, a possibility that haunts him throughout the novel.
The story revolves around the thoughts and rants of an unnamed character that we shall refer to as “The Underground Man.” In Dostoevsky’s time, the term "man" or "men" referred to all humankind, and the Underground Man seems symbolic of what could happen to mankind should the endless application of reason take over. Dostoevsky seems to be making the statement that rationality is indeed useful for analyzing situations but is ultimately damaging to the self if focused on constantly. Reason does not, as many Enlightenment thinkers believed, free man but instead takes something away from the essential human existence. It reduces us to something that can be scientifically explained, forcing us to lose a fundamental piece of what makes us human in the process: “All human actions will then, of course, be classified according to these laws – mathematically, like a logarithm table, up to 108,000 – and entered in a special almanac…with such precision that there will no longer be any actions or adventures in the world” (24).