Unconscious in James Joyce's ‘Dubliners and Charlotte Bronte's ‘Jane Eyre

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Unconscious in James Joyce's ‘Dubliners and Charlotte Bronte's ‘Jane Eyre

Although the notion of a human unconscious preceded Freud, his work is certainly most useful for explaining what it actually is. With an understanding of a human unconscious we can apply some of its characteristics to the literature studied thus far. Much of Freud's work on the unconscious is contained within his book ‘The Interpretation of Dreams' but a concise definition is hard to come by. Essentially Freud believes that the unconscious is the ‘part of the mind that is beyond consciousness which nevertheless has a strong influence on our actions' . Dreams are, for Freud, a very important tool in studying the unconscious; he believes that they are one of the very few times when ‘repressed' material can move from the unconscious into the conscious mind. However, these thoughts have been repressed for a reason and therefore they must be disguised through, what Freud calls, displacement and condensation. Freud describes displacement using the example of ‘the Sappho- dream of my patient, ascending and descending, being upstairs and down, is made the central point; the dream, however, is concerned with the danger of sexual relations with persons of low degree.' Condensation is seen because ‘the dream is meagre, paltry and laconic in comparison with the range and copiousness of the dream-thoughts.' Nevertheless, dreams are not the only way repressed material finds an outlet; Freud refers to the ‘parapraxis' or ‘slips of the tongue, pen or unintended actions' (Beginning Theory 97) as another way for repressed material to seep out into the conscious mind.

Therefore, when discussing the question of an existence of a literary unconscious we must regard it as a kind of dream. Some will argue that literature is not similar to dreams, such as David M. Rein. Rein who believes that ‘the creator of a dream performs spontaneously… The author of a story plans deliberately'. However, the similarities between dreams and literature seem to be evidence enough for us to analyse them as such.

James Joyce's ‘Dubliners' and Charlotte Bronte's ‘Jane Eyre' can be argued to have an unconscious in that there is similarities between Freud's view of the unconscious and the text itself. Certainly the individual stories of ‘Dubliners' seem to greatly resemble dreams; the stories, much like dreams occasionally seem unsystematic and puzzling. For instance in the very first story of the book ‘The Sisters', many events go unexplained.

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