Society continues to misrepresent the benefits of being in a faithful relationship by transmitting a negative message of a false sense of happiness. Through movies and sitcoms, individual’s attention gives importance into the life of deception as a source of entertainment. In “If loving you is Wrong,” Alex (Brad) and Marci (Randle) live as neighbors in a small suburb town. The couples often spend a great deal of time together. While Marci and Brad are away working, Alex and Randal are more than neighboring friends. Alex as a homemaker and Randal as a psychologist they have enough time to entertain each other. The act of deceitfulness in their marriage causes a spiral effect for both couples in Tyler Perry’s sitcom “If loving You is Wrong.” …show more content…
The way of which humankind seeks love dictates the outcome of a relationship. Some women see a good man as one who is successful, has a nice car and most importantly is good looking. In many cases, these men are in relationships which makes it much more appealing for the seekers. All though this may be true, what happens to the values of being in a relationship? For many, there are no rules as it relates to a commitment. Tyler Perry’s play, “What’s Done in The Dark (2007), the women characters pursue love and acceptance from the men they meet. These qualities alone show that one is looking for financial security by way of someone else’s success. What a benefactor gives does not dictate a future for the beneficiary. Yet, many women treasure these qualities as being superior during their search for love. A materialist lifestyle does not give self-assurance of a loving relationship. Instead, it causes one to become subject to deceptive behavior. In this play, the women underplay their true character for love and acceptance. Karry returns from her weeklong vacation with Dr. Bowman. Rule # 1, never mix business with pleasure. Feeling full …show more content…
Although she is trying to help others with their problems, she is involuntarily viewing her own untenable issues through the eyes of one of her clients. Judith ex-boyfriend Ronald reminisces about their relationship prior to Judith current marriage. During their conversation, Judith husband returns home. Judith explains how important it is for them to plan a date for their anniversary. Roger renounces that he must work, but assures her he would fulfill her request. In the meantime, Ronald finally sells her the dreams of giving her everything that she is missing in her marriage. After returning from a trip with Ronald, she finds herself in the same room with both men. Judith dismisses Ronald from the room and totally disrespects Rodger by belittling him for his hard-work of trying to live up to her standards. She tells him that she is moving in with Ronald (ex-lover). Judith feels as though Rodger priorities are not coordinated. Judith disclaims Rodger’s focuses on supporting their living standards instead of her need of affection. She praises her husband for being an accomplished man but Judith wants an inordinate man. She belittles him by calling him weak in his effort to please. Judith chooses a life that is alluring and stress-free as oppose to one that is challenging but is done with dignity and respect for the marriage. The life that she
The ending of this play leaves much in the open. The audience never learns of the fate of Mrs. Wright. The relationship between men and women, more so husbands and wives, is front stage in this play.
...en using these differences and more to control and manipulate one another since the dawn of time. Facing sexism and mistreatment at the hands of oppressive men is one of the biggest challenges a woman can face in contemporary and traditional societies. All challenges animate life, and we are given purpose when we deem it necessary to overcome said trials. Post-completion, life’s tests let us emerge with maturity and tenacity that we could not find elsewhere. Janie and Hester were dealt unfair hands in life, yet instead of folding and taking the easy way out, they played the game. They played, lost, and played again, and through this incessant perseverance grew exponentially as human beings. Although facing challenges head-on may seem daunting at times, and taking the easy way out can have grand appeal, the rewards at the end of the hard path are infinitely greater.
... chapter in Norma Jean and Leroy's life now that they will be apart. There is nothing left in their marriage that can keep them together because according to Norma Jean it was over a long time ago.
...yle that is placed before her. She was rushed into a marriage just as fast as she decided she wanted out of it. With the pressure of expecting a child, and then coping with the absence of her husband for fifteen years, Norma Jean tried to make things work, working around Leroy. Finally, after awhile it seemed as though she was pushed to the limit, and she decided to do something for herself. Norma Jean probably did not have it in mind to grow apart from Leroy, but she had to find herself before she could completely love someone else. After she realized what she wanted, she understood that she could not find that in Leroy. Unfortunately for Leroy, he had found what he had been missing for all of those years, but it was too late for him to grasp it; the change had already taken place. Leroy pleads with Norma Jean to try to work things out and to start over again, but for Norma Jean, she had already begun to start over when he had left her alone for fifteen years. Looking back on the relationship, blame could never wholly be placed on one character. Over the years Norma Jean and Leroy had begun to go their separate ways by doing what was important to them; together they grew apart.
In individual searches to find themselves, Frank and April Wheeler take on the roles of the people they want to be, but their acting grows out of control when they lose sense of who they are behind the curtains. Their separate quests for identity converge in their wish for a thriving marriage. Initially, they both play roles in their marriage to please the other, so that when their true identities emerge, their marriage crumbles, lacking communication and sentimentality. Modelled after golden people or manly figures, the roles Frank and April take on create friction with who they actually are. Ultimately, to “do something absolutely honest” and “true,” it must be “a thing … done alone” (Yates 327). One need only look inside his or her self to discover his or her genuine identity.
Each couple goes through a different scenario that affects marriage during their retreat and individual life journey. Through the scenarios, the audience can tell that money, lack of trust, closed feelings, and cheating breaks marriages apart; Tyler Perry’s writing about these problems creates a message for his audience. Tyler Perry’s combination of comedy and melodrama displays an unexpected climax leading to a soothing or a sad ending for the characters (Hale). This leaves the audience gasping to know what happens next; it introduces new drama for the characters. In addition, The plot structure focuses on “emotional affairs, domestic abuse, near-nervous breakdowns, cancer, and death” (Robeldo). In summary, Tyler Perry’s writing displays the connection between him and the audience, sharing a common lesson learned from watching the
The protagonist is the husband, Leroy. His traits are that he is a loving husband willing to build them a house to live in and possible revert back before the loss of their child. At the same time another trait is that he is not aggressive in his approach to save his marriage. In the story is describes Norma Jean going to bodybuilding classes, changing her diet, and enrolling into classes and slowly becomes independent. He believes that building a house will save his marriage rather than his actions on a daily basis with his wife. He realizes late in the story “the real inner workings of
Most love stories end with a man and woman happily in love with each other. This is not the case in F. Scott Fitzgerald’s short story, “Last Kiss”. Throughout the story, Jim longs for his childhood sweetheart and Pamela seeks out someone who will make her a star actress in Hollywood. Jim holds fast to his position of power and does not give in to Pamela’s beauty and charm until later in the story. Strong will and determination of females pose as a threat to masculinity because females can entice, persuade and manipulate males. Fitzgerald’s story demonstrates the inability of femininity to surpass the power of masculinity. This is shown through reinforcement of femininity, masculinity and belief in social norms.
Ann is justified in her decision to "sleeps" with Steven, John’s friend. John has not been paying much attention to Ann and he leaves her alone in their house with Steven. Ann also has prior feelings for Steven from when they where in school together. Ann felt that she is unimportant to John because he frequently leaves her alone; she states, "It isn't right to leave me here alone. Surely I'm as important as your father." Ann just wants to feel loved by John but because he doesn't make her feel loved. She sees Steven as the only person who can give her the love and affection she needs.
Brockmeier’s short story represents a damaged marriage between a husband and a wife simply due to a different set of values and interests. Brockmeier reveals that there is a limit to love; husbands and wives will only go so far to continually show love for each other. Furthermore, he reveals that love can change as everything in this ever changing world does. More importantly, Brockmeier exposes the harshness and truth behind marriage and the detrimental effects on the people in the family that are involved. In the end, loving people forever seems too good to be true as affairs and divorces continually occur in the lives of numerous couples in society. However, Brockmeier encourages couples to face problems head on and to keep moving forward in a relationship. In the end, marriage is not a necessity needed to live life fully.
Much like Lorraine Hansberry, Madeleine L’Engle believes that “the growth of love is not a straight line, but a series of hills and valleys.” Lillian Hellman’s The Little Foxes, Tennessee Williams’ Cat on a Hot Tin Roof, A Streetcar Named Desire, and The Glass Menagerie, and Robert Harling’s Steel Magnolias use the idea that even through struggles their characters show that love always endures. Although loving someone, who is not particularly loveable, is one of the most difficult parts of being human, it is possible by remembering that addictions can be reversed, blood is forever, and a ring is more than just an object.
The struggle to battle with the persistent grief of self-blame and lack of identity is a constant reminder to the barriers in relationships. Leroy grieves over the fact that he has lost his identity as a father and husband. Although he often thinks of Randy, the memories of him have faded. As a result, he latches on to Norma Jean but she doesn’t respond back. This causes him to feel like a failure of a husband. Norma Jean is grieving over the emptiness in her life. It was not the life she thought she would have. Her deceased son symbolizes her emptiness because of his death. She also feels emptiness towards her husband. For example, she feels very uncomfortable around him and always tries to find something for him to do. When Leroy arrives back home from his accident Mason implies, “he thinks she’s seems a little disappointed” (Mason 220), displaying Norma Jean frustrated with his lying around doing nothing but watching television and smoking pot. In addition, Norma Jean feels emptiness towards her mother, which is presented in the way her mother criticizes her. When tragedies occur in a family and self-confidence fades it can take over your life a...
The fairytale depiction of love and romance seems to no longer exist in society. With the growing divorce rate and the increase of loveless marriage, it is rare to find an honest depiction of twenty first century love. Using the relationship of Carol and Howard as a hyperbole to modern day romance, Mavis Gallant explores the theme of algorithmic relationships to develop a commentary on the lack of love in modern day relationships. The characterization of Carol and Howard as an engaged couple lacking love and the use of abstract ideas, analogies, and hyperbole, “The Other Paris” tells the dismal future of relationships.
In the story Say Yes by Tobias Wolff, a marriage is broken overnight by a revelation of the insufficiency of their love in the test. Along with the husband’s wrong response to the “Love Test”, the relationship is dramatically demolished by Ann’s sudden realization of the superficial love of her husband. Even though her husband tries to please Ann with the right answer, her feelings of love has already been shattered by distrust and suspicion. The hypothetical “Love Test” in the story reveals the superficiality of his love, drastically shifting the relationship from intimacy to uncertainty.
Today, romance is one of the most popular genres to watch on television. Unlike most, romance is a genre where the plot revolves around the love between two main characters as they experience the highs and lows of love. “Common themes that revolve around romantic movies are kissing, love at first sight, tragic love, destructive love, and sentimental love” (Taylor). These themes appear in many historical films and the pattern still continues in modern films as well. Watching romantic movies has a giant negative influence on the viewer's analysis of what love and relationships should really be like. These films give the wrong impression of reality when it comes to dating, marriage, having children, and even how to manage a relationship in the first place. Even though romantic movies are commonly watched, there are many effects on personal real-life relationships after watching these types of films.