Character Analysis of Amy Tan’s “Two Kinds”
Amy Tan’s “Two Kinds” is a story about a Chinese American girl, Jing-mei, who struggles to find her own sense of identity when her Chinese immigrant mother dreams for her to be a prodigy. As an immigrant who suffered several tragic losses while coming from China, Jing-mei’s mother forms this idealized vision of America as the Land of opportunity, the first sentence in of the story introduces this, “My mother believed you could be anything you wanted to be in America” (Tan 222). According to Ira Mark Milne, Jing-mei’s mother’s hopes for her daughter’s future stemmed from her own tragic past, like Tan’s mother who was also forced to flee from China and leave her children and husband behind. However,
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Which she used as a way to train and mold her into this desired child prodigy, “We’d watch Shirley’s old movies on TV as though they were training films” (Tan 222). She starts by changing her hair and constantly testing her intellectual skills and many other skills. And Jing-mei begins to embrace the prodigy idea at first, as she picks and chooses the type of prodigy she wants to be. But after many failed tests and attempts to try to please her mother, she looks in the mirror one day and sees only her mother’s vision of her being a disappointment and a letdown. Furthermore, she realizes that her mother’s dream of her being a prodigy is interfering with her own dreams and plans for herself, so she in turn rebels against her mother to try to form her own sense of identity. Liz Brent explains further,
“The face Jing-mei first sees in the mirror is the face of who she is in her mother’s eyes. “Trying to scratch out the face in the mirror” symbolizes her attempt to erase or obliterate her mother’s image of her being a failure. Through this acknowledgement to herself that she is not the person her mother wants her to be, she begins to glimpse an image of her own definition of herself emerging from the
The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consist of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1 his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his families politics were always questioned, the mistake mad...
Jing-mei 's mother wants Jing-mei to be a prodigy and get popular. Thus, the mother rents a piano for Jing-mei to help her achieve this. Many years later, Jing-mei finds the piano in a broken state, so she decides to have it repaired. She starts playing the song she used to play, “Pleading Child.” But to the right of “Pleading Child,” she finds a second song named “Perfectly Contented.” She starts to play both songs, “And after I [Jing-mei] had played them both a few times, I realized they were two halves of the same song.” (6) Jing-mei’s mother tells Jing-mei that there are two kinds of people: the respectful kind and the disrespectful kind. At that time, Jing-mei also finds out that there are two kinds of people inside her. She could choose to be the kind where the person is a prodigy and respectful, or be the kind that is ugly in the eyes of people. When she plays “Pleading Child” and “Perfectly Contented,” Jing-mei realizes that her identity had changed completely because of her laziness and beliefs. Jing-mei learns that there are two kinds of people in the world, and she should choose the right
In the story "A Pair of Tickets," by Amy Tan, a woman by the name of Jing-mei struggles with her identity as a Chinese female. Throughout her childhood, she "vigorously denied" (857) that she had any Chinese under her skin. Then her mother dies when Jing-Mei is in her 30's, and only three months after her father receives a letter from her twin daughters, Jing-Mei's half sisters. It is when Jing-mei hears her sisters are alive, that she and her dad take a trip overseas to meet her relatives and finally unites with her sisters. This story focuses on a woman's philosophical struggle to accept her true identity.
Chinese-Americans authors Amy Tan and Gish Jen have both grappled with the idea of mixed identity in America. For them, a generational problem develops over time, and cultural displacement occurs as family lines expand. While this is not the problem in and of itself, indeed, it is natural for current culture to gain foothold over distant culture, it serves as the backdrop for the disorientation that occurs between generations. In their novels, Tan and Jen pinpoint the cause of this unbalance in the active dismissal of Chinese mothers by their Chinese-American children.
Jing-Mei was forced to take piano lessons; this only further upset her as she felt that she was a constant disappointment. Her mother was mad at her on a regular basis because Jing-Mei stood up for herself and explained to her that she didn’t want to be a child prodigy.
The theme that comes to mind for me when I read this story is conflicting values. While growing up it was an important value to Jing-mei to be accepted for the daughter that she was. Unlike the value of her mother which was to not only become the best you can be but a prodigy, someone famous. In the way that Jing-mei's mother pushes so hard for her to become something bigger than she was it seems that Jing-mei tried her hardest not to.
In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei was eagerly hoping to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei. The daily test began to aggravated Jing-mei because they made her feel less sma...
Chang Yu-i grows up in a family of twelve children in a small county outside Shanghai, China. Born into changing times, the struggle for finding herself is perhaps even harder and more confusing than it would be for people born today. Yu-i is born into a time when China is torn between holding on to the old traditions and adopting the ways of the western world. Throughout the early 1900s, China was in political turmoil. China had to deal with the Boxer Rebellion, the revolution against the Manchu dyna...
In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American, I have faced the same issues that the daughter has been through in the story.
The struggle of self identity as she realized that all this while, her mother was right. Once you are born Chinese, you cannot help but feel and think Chinese. Amy Tan’s “A Pair of Tickets” presents an incredibly interesting perspective of a woman named Jing mei who is traveling through her native country of china, embarks on this journey of self-discovery to find her true chinese roots. The opening scene of "A Pair of Tickets" is an appropriate setting for Jing mei remark of becoming Chinese, because the introduction grabs the audience attention. We are first starting out in the story as reading Jing mei turning from American to Chinese in an instant second of the moving of a train from one city to the next. The narrator
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
For instance, when Jing-mei and her mother first moved to America, Jing-mei’s mother wanted her to become a prodigy. “We didn’t immediately pick the right kind of prodigy. At first my mother thought I could be a Chinese Shirley Temple.” (1). “No! I won’t! I screamed. She snapped off the TV, yanked me by the arm and pulled me off the floor.” (5). Jing-mei is realizing she is not another Shirley Temple. She does not want to do what her mother is making her do. Her mother wants her to be a genius. Jing-mei also realizes that she is not going to be a prodigy anytime soon. In the second quote she is telling her mother that she does not want to play the piano because it is not something that she really enjoys to do. She does not want to do what her mother is forcing her to do. She wants to do what she chooses to do and nobody else! To conclude, Jing-mei finally knows that she will not be the kind of person her mother wants her to be. She will just be herself. Not a prodigy, not a genius. Just
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.
In Amy Tan's short story "Two Kinds" (from a gathering of stories in her novel, The Joy Luck Club, which are about mother little girl connections), June (Jing-mei) and her mom (Suyuan Woo) battle since June needs to consider herself to be completely American and her mom considers her to be "Jing-mei," a Chinese-American young lady. Suyuan sees her girl as far as their Chinese legacy—not in dismissing American standards—which Suyuan respects—but rather the degree to which a mother is included in her little girl's life. There is a vital refinement here: Suyuan trusts that she ought to be effectively submerged in her little girl's life—as any Chinese mother would. June isolates herself from her mom—as American instead of Chinese—and is humiliated by her mom's endeavors to make her fruitful in America—for Suyuan does not comprehend the qualification in the U.S. of unobtrusively advancing one's kid: she goes about it more like wheeling and dealing over the cost of fish available…………… Quotes…….(My mother believed you could be anything you wanted to be in America.
In Amy Tan 's Two Kinds, Jing-mei and her mother show how through generations a relationship of understanding can be lost when traditions, dreams, and pride do not take into account individuality. By applying the concepts of Virginia Woolf, Elaine Showalter, and the three stages of feminism, one can analyze the discourse Tan uses in the story and its connection to basic feminist principles.